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Wiener Philharmoniker Fanfare (arr Nefs)
Richard Strauss (arr. Jacco Nefs)
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General Info
Year: 1924 / 201-?
Duration: c. 3:00
Difficulty: (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Unknown
Cost: Score and Parts - Unknown
Instrumentation
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Errata
None discovered thus far.
Program Notes
Richard Strauss is best known for his work in two major genres: the tone poem and opera. Strauss ably carried both the Wagnerian opera tradition and the Romantic Lisztian tone poem into the twentieth century.Tod und Verkiarung, Till Eulenspiegels lustige Streiche, Also sprach Zarathustra, Salome and Elektra rank among his most notable compositions and brought Strauss lasting fame during his lifetime and afterward.
Written in 1924, Strauss penned Fanfare für die Wiener Philharmoniker for the Vienna Philharmonic’s first benefit ball, which raised money for the musicians’ pension fund. The piece was originally performed while honored guests arrived at the event, and the work has subsequently been performed every year since at the Philharmonic’s annual ball.
- Program Note by David Balandrin and Ricky Parrell
Composer Richard Strauss enjoyed a long-standing relationship with die Wiener Philharmoniker, or the Vienna Philharmonic. Between 1906 and 1944, Strauss conducted 85 concerts and opera performances with the Vienna Philharmonic, often conducting and premiering his own works. This close relationship was treasured by Strauss. In a birthday letter celebrating the orchestra’s 100th anniversary, he wrote:
Praising the philharmonic is like carrying violins to Vienna. But I cherish the brass instruments’ piano, the sheen of the harps and the implacable timpani no less ... I would like to pay tribute today with two thoughts: ‘Only one who has conducted the Vienna Philharmonic can appreciate it fully, but that remains our secret!’ You understand what I mean -- here, as on the concert stage!
While the harp is absent, Strauss does feature the brass and timpani he admired so much in his Wiener Philharmoniker Fanfare. As with most fanfares, Strauss wrote this one for a special event: the inaugural Vienna Philharmonic Ball. This gala, created out of a necessity to fundraise for the musicians’ pension funds, was held during the holiday Germans call Fasching, and many others know as either Carnival or Mardi Gras. Similarly to the fanfares used to mark the entrances of dignitaries, olympians -- and even common men, Strauss’s fanfare is still played every year at the gala, signaling the entrance of the Matron of the Ball.
- Program Note from University of Texas Wind Ensemble concert program, 26 September 2021
Media
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State Ratings
None discovered thus far.
Performances
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- Dallas (Tx.) Winds (Jerry Junkin, conductor) - 16 December 2021 (2021 Midwest Clinic)
- University of Texas (Austin) Wind Ensemble (Jerry Junkin, conductor) - 26 September 2021
Works for Winds by This Composer
- Acht Lieder (trans. Iijima) (1885/2017)
- Allerseelen (arr. Davis, ed. Fennell) (1885/1955/1987)
- Allerseelen (trans. Heger) (1885/1933)
- Also Sprach Zarathustra: Fanfare (arr. Longfield) (1896/2001)
- Also Sprach Zarathustra: Introduction (arr. Rogers) (1896/1999)
- An die Nacht (arr. Blair) (1918/)
- At the Summit from "Eine Alpensinfonie" (arr. Miller)
- Auf Stillem Waldespfad (arr. Davis) (2010)
- Beim Schlafengehn Im Abendrot (arr. Vesbein) (1949/)
- Concerto No 1 for Horn and Symphonic Band (tr. Anderson)
- Dance of the Seven Veils from "Salome" (arr. Morita) (1907/2011)
- Don Juan (tr. Hindsley) (1888/197-?)
- Don Juan (tr. Patterson) (1888/)
- Don Juan (arr. Schyns) (1889/2019)
- Fanfare fur die Wiener Philharmoniker (1924)
- Fanfare zur Eröffnung der Musikwoche der Stadt Wien im September 1924
- Feierlicher Einzug (arr. Johnson) (1909/2022)
- Feierlicher Einzug (ed. Villanueva) (1909)
- Feierlicher Einzug der Ritter des Johanniter-Ordens (1909)
- Festmusik der Stadt Wien (1942-3)
- Festmusik der Stadt Wien (arr Banks) (arr. Banks) (1942-3/1979)
- Finale from "Death and Transfiguration" (arr. Harding) (1950)
- Hero's Courtship, A (tr. Harding) (1956)
- Hero's Life, Synthesis for Concert Band, A (tr. Hindsley)
- Introduction to "Also Sprach Zarathustra" (tr. Schmalz) (1896/1986)
- Königsmarsch (arr. Barrett) (1906/1941)
- Königsmarsch (tr. Borodach) (1906/2021)
- Olympische Hymne
- Parade March (arr. Longfield) (1905/2016)
- Presentation of the Silver Rose (arr. Reed) (1910/1988)
- Rondo from Concerto No. 1, Opus 11 (arr. Glover) (1883/2009)
- Salome's Dance (tr. Hindsley) (1907/ [196-?]
- Selections from "Der Rosenkavalier" (arr. Odom)
- Serenade (arr. Fennell) (1881/1986)
- Sonatina I (1943)
- Sonatina No. 2, Fröhliche Werkstatt (1944-5)
- A Strauss Fanfare (arr. Friedman) (2006)
- Suite in B-flat , Opus 4
- Symphony for Wind. See: Sonatina No. 2, Fröhliche Werkstatt
- Three Songs (arr. Kreines) (1885-1894)
- Till Eulenspiegel’s Merry Pranks (tr. Hindsley) (1865/197-?)
- Till Eulenspiegel’s Merry Pranks (tr. Weber) (1865/)
- Trio from "Der Rosenkavalier" (arr. Reynolds) (1911/1994)
- Vienna Philharmonic Fanfare (arr. Hobbs) (1924/2015)
- Vienna Philharmonic Fanfare (arr. Linklater) (1924)
- Waltzes from "Der Rosenkavalier" (arr. Cailliet) (1911/1946)
- Wiener Philharmoniker Fanfare (1924)
- Wiener Philharmoniker Fanfare (1924/1960)
- Wiener Philharmoniker Fanfare (arr. Dunnigan) (1924/2020?)
- Wiener Philharmoniker Fanfare (arr. Nefs) (1924)
- Wiener Philharmoniker Fanfare (arr. Rumbelow) (1924/2013?)
Resources
- Jacco Nefs website Accessed 25 September 2021