Wachet auf, ruft uns die Stimme

Johann Sebastian Bach

Johann Sebastian Bach (arr. Melvin Lauf, Jr.)

Subtitle: von Kantate 140

The title loosely translates from the German as Sleeper, Awake. The work bears the designation BWV 140.

General Info

Year: 1731 / 2019
Duration:
Difficulty: III (see Ratings for explanation)
Original Medium: Choir with instrumental ensemble
Publisher: Zaxton Press through IMSLP
Cost: Score and Parts - Free download

Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II
Horn in F I-II
Trombone I-II
Euphonium
Tuba
String Bass

Errata

None discovered thus far.

Program Notes

Cantata 140 was written in 1731 for the 27th Sunday after Trinity (the first week of Advent) and is based on a chorale by Philipp Nicolai (1556–1608) and takes as its text the parable of the wise and foolish virgins. The fourth movement of the cantata is beautiful in its simplicity and consists of only three melodic lines: unison violins and violas play a graceful melody over the chorale tune (sung by the tenors of the choir in the original and played in this arrangement by trumpets and trombones) and a basso continuo. It is an example of Bach’s counterpoint at its elegant and imaginative best, all the more remarkable in the knowledge it was part of a frenetic cantata output, written during a period when he had grown disillusioned with his social and musical position in Leipzig.

- Program Note from University of North Carolina, Greensboro, University Band concert program, 30 November 2016

Wachet auf, ruft uns die Stimme (Awake, calls the voice to us), BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731.

The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it "a cantata without weakness, without a dull bar, technically, emotionally and spiritually of the highest order".

- Program Note from Wikipedia

Media

(Needed - please join the WRP if you can help.)

State Ratings

None discovered thus far.

Performances

To submit a performance please join The Wind Repertory Project

Peninsula Concert Band (Williamsburg, Va.) (Ronnie Tong, conductor) – 3 December 2019

Works for Winds by This Composer

Adaptable Music

The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
Prelude and Fugue in B-flat major (Flex instrumentation) (arr. Ring) (?/2020)
Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)

All Wind Works

5 Preludes and Fugues (arr. Beyrent)
Adagio (arr. Hautvast)
Adagio (arr. Warner)
Air (arr. Hautvast)
Air (arr. Klemke) (c. 1730/2006)
Air (tr. Lang) (c. 1730/1958)
Air for Woodwind Choir (arr. Blahnik)
Allegro: From Brandenburg Concerto #3 (arr. Daehn) (1721/1980)
Arioso (arr. De Haan) (1729/2000)
Arioso (arr. Hill) (1729/1984)
Arioso (arr. Reed) (1729/1998)
The Art of Fugue (tr. Amis) (c. 1745)
Ave Maria
Ave Maria (Bach-Gounod) (arr. Lovrien) (1853/2004)
Bach: Air (arr. McGinty) (c. 1730/)
The Bach Buch (tr. Pann) (2011)
Bach Chorale and March (arr. Wilson) (c. 1730/1990)
Bach: Chorale and Variation (arr. McGinty) (1994)
Bach Fugue (arr. Kinyon) (/1984)
The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
Bach's Fugue à la Gigue (ed. Brand). See: Fugue à la Gigue
Bach's Fugue à la Gigue (tr. Holst; ed. Mitchell) (1921/2005)
Before Thy Throne I Now Appear (arr. Bukvich) (1750/1993)
Berceuse (arr. Hautvast) (/1994)
Bourrée (arr. Isaac) (1720/1969)
Brandenburg Concerto No. 3 (arr. Marlatt) (1721/2011)
Brandenburg Concerto No 3. See also: Allegro: From Brandenburg Concerto #3
Canzona (orch. Stock)
Chaconne (arr. Ito) (1720/1987)
Chaconne and Festive Aria (arr. Daehn)
Chaconne in D Minor (arr. Daehn) (1720/)
Chaconne in D Minor (tr. Whitwell) (1720/2015)
Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
Chorale and Fugue (arr. Warner)
Chorale and Fugue in F Major (arr. Daehn) (1988)
Chorale Prelude on "A Mighty Fortress Is Our God" (tr. Damrosch; adapt. O'Toole)
Chorale in C Minor (arr. Topolewski) (2012)
Christ He Is My Life (arr. Cailliet) (1973)
Christmas Pastorale (arr. Hastings) (1970)
Ciaccona (arr. Votta) (1720/2021)
Come, Blessed Peace (arr. Tolmage) (1736/1958)
Come, Sweet Death (arr. Reed) (1736/1976)
Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
Concerto IV (Alto Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Alto Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Flute and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Flute, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Soprano Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto IV (Soprano Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
Concerto for Prince Johann (arr. Daehn) (c. 1713 / 2011)
Contrapunctus I (arr. Barnes) (c. 1745/1988)
Contrapunctus I (arr. King) (c. 1745/1960)
Contrapunctus III (arr. King) (c. 1745/1955)
Contrapunctus IX (arr. Clark) (c. 1745/2005)
Contrapunctus V (arr. Daehn) (c. 1745)
Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
Deck Thyself, My Soul, With Gladness (arr. Reed) (1990)
Fantasia and Fugue in C Minor (arr. Elgar; tr. Topolewski) (1727?)
Fantasia and Fugue in C Minor (arr. Elgar; arr. Nowlin) (1727?/2016)
Fantasia and Fugue in C minor, BWV 537 (arr. Hunsberger) (1727?/1997)
Fantasia and Fugue in G minor (arr. Horovitz) (c. 1838/1986)
Fantasia and Fugue in G minor, BWV 542 "The Great" (arr. Boyd) (c. 1838/1985)
Fantasia in C (arr. Sterk) (1706/2017)
Fantasia in G, BWV 572 (arr. Boyd) (1703-7/1957/1985)
Fantasia in G, BWV 572 (arr. Goldman) (1703-7/1957/2012)
Fervent is My Longing; Fugue in G Minor (tr. Cailliet) (c. 1710/1935/2006)
Forget Me Not, O Dearest Lord (arr. Reed) (c. 1736/1985)
French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
Fugue à la Gigue (tr. Holst; ed. Brand) (1921/2008)
Fugue à la Gigue (ed. Mitchell). See: Bach's Fugue à la Gigue
Fugue à la Gigue (arr. Rondeau) (1921/2011)
Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
Fugue in B-flat Major (arr. Daehn) (1722/1988)
Fugue in E-flat Major (tr. Abrams and Jones) (1739/2019)
Fugue in G Minor (arr. Kimura) (1703-1707/1993)
Fugue in G Minor (arr. Rechtman) (1703-1707/)
Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
God Still Lives (arr. Reed)
Goldberg Variations (arr. Colgrass)
Hertzlich tut mich verlangen. See: Fervent is My Longing; Organ Fugue in G Minor
If Thou Be Near (arr. Moehlmann) (1725/1940)
If Thou Be Near (arr. Reed) (1725/1984)
In Dulci Jubilo (arr. Reed) (1970)
Jesu, Joy of Man's Desiring (tr. Cailliet) (1723/1962)
Jesu, Joy of Man's Desiring (arr. Custer) (1723/1975/1997)
Jesu, Joy of Man's Desiring (arr. Hazo) (1723/2012)
Jesu, Joy of Man's Desiring (tr. Leidzen) (1723/1936)
Jesu, Joy of Man's Desiring (arr. Moerenhout) (1723/2019)
Jesu, Joy of Man's Desiring (arr. Pekas) (1723/)
Jesu, Joy of Man's Desiring (arr. Reed) (1723/)
Jesu, Joy of Man's Desiring (arr. Sapieyevski) (1723/)
Jesu, Joy of Man's Desiring (arr. Sparke) (1723/2004)
Jig Fugue (arr. Marlatt) (2003)
Komm, Susser Tod (arr. Leidzen) (1736/1936)
A Little Bach Suite (arr. Gordon) (1966)
Little Fugue (arr. Romm; adapt. Custer) (c. 1705/1974/1991)
Little Fugue in G minor (arr. Howland) (c. 1705/1974/2015)
Little Fugue in G Minor, BWV 578 (arr. Parks)
March (arr. Grainger) (1946)
My Heart, Ever Faithful (arr. Barnes) (1988)
My Heart is Filled With Longing (arr. Reed) (c. 1710/1986)
My Jesus, Oh What Anguish (arr. Reed)
My Soul Longeth to Depart in Peace
Nun komm der Heiden Heiland (arr. McAlister)
Nun komm, der Heiden Heiland (arr. Stert) (c. 1748/2013)
O Jesu Christ, meins Lebens Licht (arr. Westover) (c. 1736/2017)
O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
Our Father Who Art in Heaven (arr. Reed) (1710/1988)
Passacaglia (arr. Glover) (c. 1703-1713?/2014)
Passacaglia and Fugue in C minor (tr. Hunsberger) (1703-1713?/ 1968/1975)
Passacaglia and Thema Fugatum in C Minor (tr. Stowkowski; ed. Sosnowchik) (1703-1713?/2014)
Passacaglia and Fugue in C minor (tr. Falcone) (ca. 1712/1969)
Passacaglia from "Cantata No. 12" (arr. Daehn) (1714/2011)
Präludium und Fuge d-Moll (tr. Rechtman) (1722/2003)
Prelude IV (arr. Reed) (1722/1983)
Prelude and Fugue No. 6, BWV 535 (arr. Anthenien) (1722/1979)
Prelude and Fugue in A-flat, BWV 557 (tr. Moehlmann) (1964)
Prelude and Fugue in Bb major (Brass Ensemble) (arr. Beyrent)
Prelude and Fugue in B-flat major (Brass Quintet) (arr. Beyrent)
Prelude and Fugue in B-flat major, BWV 553 (arr. Moehlmann) (1852/1955)
Prelude and Fugue in B-flat major BWV 553 (Flex instrumentation) (arr. Ring) (?/2020)
Prelude and Fugue in B-flat minor, BWV 559 (arr. Moehlmann) (1852/1969)
Prelude and Fugue in C major (arr. Beyrent)
Prelude and Fugue in D major, BWV 532 (arr. Steinmetz) (1710/2018)
Prelude and Fugue in D minor, BWV 554 (arr. Beyrent) (1722/2001)
Prelude and Fugue in D minor, BWV 555 (arr. Coleman) (1852/2017)
Prelude and Fugue in D minor, BWV 554 (tr. Moehlmann) (1852/1988)
Prelude and Fugue in D minor (tr. Rechtman). See: Präludium und Fuge d-Moll
Prelude and Fugue in E-flat, BWV 552 (setting Hunsberger) (c. 1739/2009)
Prelude and Fugue in F major (arr. Moehlmann) (1852/?)
Prelude and Fugue in F minor, BWV 555 (arr. Moehlmann) (1852/1954)
Prelude and Fugue in G minor, BWV 535 (tr. Moehlmann) (1852/1939)
Prelude, Chorale and Fugue (arr. Godfrey) (1919)
Prelude in E-flat, BWV 552 (arr. Tamura) (c. 1739/2001)
Prelude No. 22 (tr. Lynch) (c. 1722/2013)
"Ricercare a 6" from Musical Offering, BWV 1079 (tr. McAlister)
Saint Anne's Fugue (arr. Rhoads) (1965)
Sarabande (arr. Kennaway) (1972/1977/1995)
Second Bach Suite for Band (tr. Tolmage) (1965)
Sehet was die liebe tut (arr. Grainger) (1937)
Sheep May Safely Graze (arr. Reed) (1713/1981)
Sinfonia from "Cantata No 29" (arr. Ninmer)
Sinfonia from "Cantate 156" (arr. Daniels) (1729/)
Sixteen Chorales (ed. King) (1958)
Sixteen Chorales (arr. Lake) (1938)
Sleepers, Awake! (arr. Patterson) (1731/1995)
Sleepers, Awake! (arr. Reed) (1731)
Sleepers, Awake! (tr. Sparke) (1731/2002)
Songs of Exaltation (arr. Gordon) (1974)
St. Anne. See: Prelude and Fugue in E-flat
Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
Thus Do You Fare, My Jesus (arr. Reed)
Toccata, Adagio and Fugue in C Major (arr. Rechtman) (c. 1717)
Toccata, Adagio, and Fugue, BWV 564 (tr. Paynter) (c. 1717/2000)
Toccata, Adagio and Fugue (tr. Knox) (c. 1717)
Toccata, Aria, and Fugue in C Major (tr. Knox) (c. 1717)
Toccata & Fuge d-Moll (arr. Goldhammer) (1705/2011)
Toccata and Fugue in D minor (arr. Goldhammer). See: Toccata & Fuge d-Moll
Toccata and Fugue in D minor (tr. Goto) (1705/2014)
Toccata and Fugue in D minor (tr. Hindsley) (1705)
Toccata and Fugue in D minor (tr. Hunsberger) (1705/1998)
Toccata and Fugue in D minor (tr. Leidzen) (1705/1942)
Toccata and Fugue in D minor (arr. Lopez) (1705/2010)
Toccata and Fugue in D minor (tr. Nowlin) (1705/2015)
Violin Partita No. 3 in E major (arr. Kitakata) (1720/2018?)
Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)
Wachet auf (arr. Marlatt) (1731/)
Wachet auf, ruft uns die Stimme (arr. Lauf Jr.) (1731/2019)
Who Puts His Trust in God Most Just (arr. Croft) (1978)
Wir Glauben All’ An Einen Gott (arr. Stokowski) (1739)

Resources

Melvin Lauf, Jr., personal correspondence, May 2020
Wachet auf, ruft uns die Stimme, BWV 140, Wikipedia Accessed 13 May 2020