Valencian Widow, The
Aram Khachaturian (trans. Erik Somers)
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General Info
Year: 1940 / 2000
Duration: c. 20:00
Difficulty: V (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Baton Music
Cost: Score and Parts (five-movement) (print) - €260.00 | Score Only (print) - €45.00
Cost: Score and Parts (three-movement) (print) - €175.00 | Score Only (print) - €30.00
Movements
Large Suite
1. Introduction
2. Serenade
3. Song
4. Comic Dance
5. Dance
Small Suite
1. Introduction - 4:05
3. Song - 3:50
5. Dance - 2:50
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion
(percussion detail desired)
Errata
None discovered thus far.
Program Notes
In 1940, Khachaturian has been composing music to Lope de Vega's The Valencian Widow. The composer was very impressed by splendid comedy, created in Renaissance, the time when situations, intrigues served for establishment of humanistic ideas, glorification of power, dignity and spiritual beauty of individuals. This bright and festive music is not only maximum adequate to the style and character of source of literature, but also includes in itself new capabilities of music-intonation realization of characters of classic drama. The composer succeeded in reflection of national Spanish coloring and characteristics of characters in the play. The spirit of the times was perfectly reflected in music.
- Program Note from Virtual Museum of Aram Khachaturian
Khachaturian wrote the orchestral incidental music for the Suite from The Valencian Widow in 1940. The suite was later arranged for concert band by Erik Somers. The Valencian Widow was a late sixteenth-century play written by Spanish playwright Lope de Vega. Lope de Vega was one of the
most famous playwrights of Spain’s Golden Age and was credited with writing over 1,800 plays. The Valencian Widow was a “cloak and sword” play, which entailed complicated plots, full of intrigue and frustrated love, in which the upper middle-class main characters’ actions were mirrored in the lives of their servants. In Khachaturian’s incidental music for this play, the audience can hear his signature style coupled with a Spanish flair that highlights the setting of the story line.
- Program Note from U.S. Marine Band concert program, 22 August 2019
Media
(Needed - please join the WRP if you can help.)
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- United States Marine Band (Washington, D.C.) (Ryan J. Nowlin, conductor) - 29 July 2021
- The University of North Carolina at Chapel Hill Wind Ensemble (Evan Feldman, conductor) – 23 February 2018 (CBDNA 2018 Southern Conference, Tampa, Fla.)
- Harmonie St. Aemiliaan Bleijerheide (Kerkrade, Netherlands) (Björn Bus, conductor) – 6 July 2017
Works for Winds by This Composer
- Adagio from "Sparticus"
- Aegina and Bacchanalia (arr. Hicken) (1954/1970/2010)
- Armenian Dances (arr. Satz) (1945)
- Armenian Folk Song and Dance (arr. McAlister) (1932/1988)
- The Battle of Stalingrad (arr. Kalinkovich) (1949/1969)
- Concerto for Flute (trans. Rampal) (1940/1968)
- Galop (arr. Erickson)
- Gayaneh Dance Suite No. 1 (arr. Snoeck) (1939/2009)
- Gayaneh (arr. Van der Beek)
- March of Zangezur (arr. Mesikapp) (1938/)
- Sabre Dance (arr Balent) (arr. Balent)
- Sabre Dance (arr Bullock) (arr. Bullock)
- Sabre Dance (arr Oliver) (arr. Oliver)
- Sabre Dance (arr Story) (arr. Story)
- Suite from "Masquerade" (arr. Patterson) (1941/1944/2016)
- Three Dance Episodes from "Sparticus" (arr. Hunsberger) (1969)
- Three Dances from "Gayneh" (arr. Inagaki) (1939/1982)
- To the Heroes of the Patriotic War (arr. Berz)
- Uzbek March and Dancing Song (arr. McAlister)
- The Valencian Widow (arr. Somers) (1940/2000)
Resources
- "The Valencian Widow." Virtual Museum of Aram Khachaturian. Web. Accessed 3 March 2018