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Trumpet Concerto (arr Ring)
Franz Joseph Haydn (arr. Gordon Ring)
Subtitle: Mvt. III, Allegro
General Info
Year: 1796 / 2021
Duration: c.
Difficulty: VI (see Ratings for explanation)
Publisher: Gordon Ring Music, through J.W. Pepper
Cost: Score and Parts (print) - $40.00; (digital) - $40.00 | Score Only (print) - $5.00
Instrumentation (Flexible)
Full Score
Solo B-flat Trumpet
Part 1
- Flute
- Oboe
- B-flat Soprano Clarinet
- B-flat Trumpet
- Violin
Part 2
- Flute
- Oboe
- B-flat Soprano Clarinet
- E-flat Alto Saxophone
- B-flat Trumpet
- Violin
Part 3
- B-flat Soprano Clarinet
- E-flat Alto Saxophone
- B-flat Trumpet
- Horn in F
- Viola
Part 4
- Bassoon
- B-flat Tenor Saxophone
- Trombone
- Euphonium
- Horn in F
- Cello
Part 5
- Bassoon
- B-flat Bass Clarinet
- E-flat Baritone Saxophone
- Trombone
- Euphonium
- Tuba
- String Bass
Timpani
Errata
None discovered thus far.
Program Notes
The well-known concerto is arranged for a five-part flexible instrumentation of winds and/or strings. It can also be used in a full ensemble situation to provide options for timbre and volume to not overpower the soloist.
- Program Note from publisher
Haydn’s concerto marked an important stage in the development of the trumpet. For several decades the use of the instrument had declined from its position of greatness during the baroque “golden age of brass.” The baroque trumpet was limited by its lack of valves to the natural harmonics of the upper register, and it remained for Anton Weidinger, a trumpeter in the Viennese court, to invent a trumpet with keys which could play a chromatic scale. Haydn wrote the concerto for Weidinger in 1796, and the trumpeter-inventor is credited with the first performance by a program that may be seen in the Kunsthistorisches Museum in Vienna.
Typical of the period, the first movement has two expositions, the first of which is performed by the accompaniment. Near the end of the movement the soloist is allowed to express himself with a cadenza, either original or “borrowed.” The andante second movement demonstrates the romantic sound of the trumpet and the finale combines rondo and sonata forms in a skillful and climactic manner, This work, written at the zenith of Haydn’s compositional period, has been described as his “most perfect concerto.”
- Notes from Program Notes for Band
Media
(Needed - please join the WRP if you can help.)
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
Works for Winds by This Composer
Adaptable Music
- Menuetto (Flex instrumentation) (arr. Glover) (1795/2019)
- Trumpet Concerto (Flex instrumentation) (arr. Ring) (1796/2021)
All Wind Works
- Achieved Is the Glorious Work (arr. Miller) (1798/1965/2005)
- Allegretto from "Symphony No. 100" (arr. Cipolla) (1794/)
- Allegro from Concerto in C (Percussion Nonet) (arr. Coley) (1761–65/)
- Allegro from Concerto in C (Percussion Quintet) (arr. Coley) (1761–65/)
- Andante (arr. Barnes) (1988)
- Chorale Saint Antoni (tr. Tolmage) (1953)
- Classical Suite for Piano and Band (with Mozart; arr. Curnow) (2006)
- Concerto for Bb Cornet or Trumpet (arr. Duthoit) (1796/1948)
- Concerto for Oboe (arr. Monson)
- Concerto for Trumpet in Eb Major (arr. Rumbelow) (1796/1999)
- Concerto for Trumpet in Eb Major (arr. Laverty) (1796)
- Concerto in C Major (arr. Zorn) (c. 1790 / )
- Concerto No 2 for Horn and Winds (arr. Bushouse)
- Derbyshire Cavalry Marches (arr. Hash and Walters) (1794/1995)
- Divertimentos in C Major
- Divertimentos in D Major
- Divertimentos in G Major
- Gypsy Rondo (arr. Marlatt) (1795/2016)
- Horn Concerto No 1 in D
- Haydn Symphony No. 11: Second Movement (tr. Holmes) (1760-62/1935)
- Hungarian National March (arr. Landon) (1802/1960)
- London Trio No. 3
- Lux Prima (arr. Ford) (1791/2008)
- March for the Prince of Wales
- Marche Regimento de Marshall
- Marches for the Derbyshire Cavalry Regiment
- Menuetto (Flex instrumentation) (arr. Glover) (1795/2019)
- Military Symphony (tr. Tobani) (1794/1896)
- Octet in F Major (1802)
- Orlando Paladino Overture (arr. de Rubertis) (1782/1938)
- Overture Militaire (arr. Skornicka) (1794/1938)
- Partita in E-flat (ed. Colnot) (1760-1767)
- Partita in F see: Partita for Winds in F major by Wranitzky
- St Anthony Divertimento (tr. Wilcox) (1956)
- Symphony No. 100 (tr. Tobani). See: Military Symphony
- Symphony No. 100: Second Movement (arr. Posch) (1794/)
- Symphony No. 100: Third Movement (arr. Johnson). See: Third Movement from "Symphony No. 100"
- Theme and Variations from Symphony No 94 (arr. Marcus)
- Third Movement from "Symphony No. 100" (arr. Johnson) (1794/)
- Trumpet Concerto (Flex instrumentation) (arr. Ring) (1796/2021)
- Two Classic Miniatures (with Hummel; arr. Williams) (1991)
Resources
- Gordon Ring website Accessed 30 January 2021
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications. pp. 274.