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Trauersinfonie (tr Leidzen)

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Richard Wagner

Richard Wagner (tr. Erik Leidzén)


Subtitle: Funeral Music from 'Euryanthe' by Weber


General Info

Year: 1844 / 1924 / 1949
Duration: c. 6:00
Difficulty: IV (see Ratings for explanation)
Publisher: Associated Music Publishers
Cost: Score and Parts - $70.00   |   Score Only - $7.50


Instrumentation

Full Score
Flute
Oboe I-II
English Horn
Bassoon I-II
Eb Soprano Clarinet
Bb Soprano Clarinet I-II-III
Eb Alto Clarinet
Bb Bass Clarinet
Eb Alto Saxophone I-II
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Bass Saxophone
Bb CornetI-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Bass
String Bass
Timpani
Percussion, including:

  • Crash Cymbals
  • Snare Drum
  • Tam-Tam


Errata

None discovered thus far.


Program Notes

A cursory glance at the score of Trauersinfonie (or Trauermusik) can give the impression that the work's seemingly conservative technical demands will require minimal rehearsal time. Realistically, this is a piece that is rather difficult to perform well. The tempo in the newest edition never exceeds 66 beats per minute, and the bulk of the work is slower still. High school and less experienced college players may struggle to control tone quality and intonation while effecting expansive phrases. The educational benefits of this piece are significant to younger players, and more mature performers will enjoy the opportunity to perform a piece written specifically for winds from this renowned composer.

- Program Note from Great Music for Wind Band


On December 14, 1844, the remains of Carl Maria von Weber were moved from London, where he had died, to Germany. Wagner composed Trauersinfonie for the torch—light procession to Weber’s final resting place, the Catholic Cemetery in Friedrichstadt.

As part of his musical remembrance, Wagner arranged several portions of Weber’s opera Euryanthe for a large wind band. This wind band was accompanied during the funeral procession by 20 drums. The first part of Trauersinfonie is an arrangement of music from the overture to Euryanthe which represents the vision of Emma’s spirit in the opera. The main section of the work is taken from the cavatina Hier dicht am Quell, the text of which contains numerous references to death. The coda comes from a passage in Act II that recalls the opening “spirit music.”

Wagner amassed all of the military bands around Dresden for the occasion, and was gratified by the effect. He remained fond of the work throughout his life and in Mein Leben, he wrote, “I had never before achieved anything that corresponded so perfectly to its purpose.”

- Program Note by Orange County Wind Symphony


Commercial Discography


Audio Links

Sample; ensemble and conductor unknown


State Ratings

  • Alabama: Class A
  • Arkansas: IV
  • California: III-C
  • Florida: V
  • Georgia: V
  • Iowa: IV
  • Indiana: ISSMA SENIOR BAND GROUP I
  • Louisiana: V
  • Massachusetts: V
  • Michigan: AA
  • Minnesota: Category 2
  • Mississippi: IV-A, V-A, VI-A
  • North Carolina: V
  • Oklahoma: IV-A
  • South Carolina: V
  • Tennessee: V
  • Texas: V
  • Virginia: V


Performances

To submit a performance please join The Wind Repertory Project

  • University of Central Florida (Orlando) Symphonic Band (Scott Lubaroff, conductor) – 7 November 2019
  • University of Kansas (Lawrence) Symphonic Band (Paul Popiel, conductor) – 12 October 2017
  • Ithaca (N.Y.) College Wind Ensemble (Justin Cusick, conductor) – 31 March 2017
  • California Polytechnic State University, San Luis Obispo, Wind Orchestra (Christopher J. Woodruff, conductor) – 17 March 2017 
  • Johns Hopkins University (Baltimore, Md.) Peabody Wind Ensemble (Harland D. Parker, conductor) – 8 February 2017
  • Northwest Missouri State University (Maryville) Wind Symphony (John Bell, conductor) – 13 October 2016
  • Virginia Grand Military Band (Alexandria) (Loras John Schissel, conductor) – 6 February 2016
  • Orange County (Calif.) Wind Symphony (Anthony Mazzaferro, conductor) - 12 April 2015
  • The College of New Jersey Wind Ensemble (David Vickerman, conductor) - Ewing, NJ 25 April 2014
  • University of Southern California Thornton Wind Ensemble (H. Robert Reynolds, conductor) - 29 September 2013
  • University City Summer Band (Tom Poshak, conductor) - June 2012
  • San Luis Obispo (Calif.) Wind Orchestra (William V. Johnson, conductor) - 20 October 2007


Works for Winds by this Composer


References