Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!
|
Toccata and Fugue in D minor
Johann Sebastian Bach (trans. Mark Hindsley)
This work bears the designation BWV 565.
General Info
Year: 17--? / 197-?
Original medium: Solo Organ
Duration: c. 9:00
Difficulty: VI (see Ratings for explanation)
Publisher: Hindsley Transcriptions
Cost: Score and Parts - $73.00 | Score Only - $15.00
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
Contrabassoon
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Contra-Alto Clarinet
B-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Harp
Celeste
Timpani
Percussion (one part for all players), including:
- Bass Drum
- Bells
- Chimes
- Cymbals
- Snare Drum
Errata
None discovered thus far.
Program Notes
The Toccata and Fugue in D Minor is one of the greatest of the masterpieces which Bach wrote for the organ. A brilliant slow/fast introduction is followed by the fugue, the subject of which is a short figure in sixteenth notes. From the free and showy style of the toccata and the huge climax at the end, it is evident that the work was conceived as a virtuoso concert pieces rather than a work for a church service.
- Program Note from Program Notes for Band
It is his concert band compositions and arrangements that Swedish-born composer Erik Leidzén is known for, and this arrangement of Johann Sebastian Bach’s Toccata and Fugue in D minor is one of his most well-known works. Bach was celebrated in his day for his virtuosic organ playing, and this is reflected in his organ writing. Leidzén remains true to the virtuosic demands of Bach’s most famous organ work, and performing this arrangement presents an enormous challenge to the wind ensemble as they attempt to recreate the evenness of the organ sound, and overcome the technical difficulties of their various instruments in order to mimic the fluidity with which organists would play the virtuosic passages.
- Program Note by Suzanne Sherrington and Brendan Champion for the New South Wales Public Schools Symphonic Wind Ensemble
Media
(Needed - please join the WRP if you can help.)
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Brooklyn (N.Y.) Wind Symphony (Jeff Ball, conductor) – 29 October 2016
Works for Winds by This Composer
Adaptable Music
- The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
- Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
- Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
- Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
- French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
- Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
- Prelude and Fugue in B-flat major (Flex instrumentation) (arr. Ring) (?/2020)
- Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)
All Wind Works
- 5 Preludes and Fugues (arr. Beyrent)
- Adagio (arr. Hautvast)
- Adagio (arr. Warner)
- Air (arr. Hautvast)
- Air (arr. Klemke) (c. 1730/2006)
- Air (tr. Lang) (c. 1730/1958)
- Air for Woodwind Choir (arr. Blahnik)
- Allegro: From Brandenburg Concerto #3 (arr. Daehn) (1721/1980)
- Arioso (arr. De Haan) (1729/2000)
- Arioso (arr. Hill) (1729/1984)
- Arioso (arr. Reed) (1729/1998)
- The Art of Fugue (tr. Amis) (c. 1745)
- Ave Maria
- Ave Maria (Bach-Gounod) (arr. Lovrien) (1853/2004)
- Bach: Air (arr. McGinty) (c. 1730/)
- The Bach Buch (tr. Pann) (2011)
- Bach Chorale and March (arr. Wilson) (c. 1730/1990)
- Bach: Chorale and Variation (arr. McGinty) (1994)
- Bach Fugue (arr. Kinyon) (/1984)
- The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
- Bach's Fugue à la Gigue (ed. Brand). See: Fugue à la Gigue
- Bach's Fugue à la Gigue (tr. Holst; ed. Mitchell) (1921/2005)
- Before Thy Throne I Now Appear (arr. Bukvich) (1750/1993)
- Berceuse (arr. Hautvast) (/1994)
- Bourrée (arr. Isaac) (1720/1969)
- Brandenburg Concerto No. 3 (arr. Marlatt) (1721/2011)
- Brandenburg Concerto No 3. See also: Allegro: From Brandenburg Concerto #3
- Canzona (orch. Stock)
- Chaconne (arr. Ito) (1720/1987)
- Chaconne and Festive Aria (arr. Daehn)
- Chaconne in D Minor (arr. Daehn) (1720/)
- Chaconne in D Minor (tr. Whitwell) (1720/2015)
- Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
- Chorale and Fugue (arr. Warner)
- Chorale and Fugue in F Major (arr. Daehn) (1988)
- Chorale Prelude on "A Mighty Fortress Is Our God" (tr. Damrosch; adapt. O'Toole)
- Chorale in C Minor (arr. Topolewski) (2012)
- Christ He Is My Life (arr. Cailliet) (1973)
- Christmas Pastorale (arr. Hastings) (1970)
- Ciaccona (arr. Votta) (1720/2021)
- Come, Blessed Peace (arr. Tolmage) (1736/1958)
- Come, Sweet Death (arr. Reed) (1736/1976)
- Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
- Concerto IV (Alto Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Alto Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Flute and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Flute, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Soprano Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Soprano Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto for Prince Johann (arr. Daehn) (c. 1713 / 2011)
- Contrapunctus I (arr. Barnes) (c. 1745/1988)
- Contrapunctus I (arr. King) (c. 1745/1960)
- Contrapunctus III (arr. King) (c. 1745/1955)
- Contrapunctus IX (arr. Clark) (c. 1745/2005)
- Contrapunctus V (arr. Daehn) (c. 1745)
- Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
- Deck Thyself, My Soul, With Gladness (arr. Reed) (1990)
- Fantasia and Fugue in C Minor (arr. Elgar; tr. Topolewski) (1727?)
- Fantasia and Fugue in C Minor (arr. Elgar; arr. Nowlin) (1727?/2016)
- Fantasia and Fugue in C minor, BWV 537 (arr. Hunsberger) (1727?/1997)
- Fantasia and Fugue in G minor (arr. Horovitz) (c. 1838/1986)
- Fantasia and Fugue in G minor, BWV 542 "The Great" (arr. Boyd) (c. 1838/1985)
- Fantasia in C (arr. Sterk) (1706/2017)
- Fantasia in G, BWV 572 (arr. Boyd) (1703-7/1957/1985)
- Fantasia in G, BWV 572 (arr. Goldman) (1703-7/1957/2012)
- Fervent is My Longing; Fugue in G Minor (tr. Cailliet) (c. 1710/1935/2006)
- Forget Me Not, O Dearest Lord (arr. Reed) (c. 1736/1985)
- French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
- Fugue à la Gigue (tr. Holst; ed. Brand) (1921/2008)
- Fugue à la Gigue (ed. Mitchell). See: Bach's Fugue à la Gigue
- Fugue à la Gigue (arr. Rondeau) (1921/2011)
- Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
- Fugue in B-flat Major (arr. Daehn) (1722/1988)
- Fugue in E-flat Major (tr. Abrams and Jones) (1739/2019)
- Fugue in G Minor (arr. Kimura) (1703-1707/1993)
- Fugue in G Minor (arr. Rechtman) (1703-1707/)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
- God Still Lives (arr. Reed)
- Goldberg Variations (arr. Colgrass)
- Hertzlich tut mich verlangen. See: Fervent is My Longing; Organ Fugue in G Minor
- If Thou Be Near (arr. Moehlmann) (1725/1940)
- If Thou Be Near (arr. Reed) (1725/1984)
- In Dulci Jubilo (arr. Reed) (1970)
- Jesu, Joy of Man's Desiring (tr. Cailliet) (1723/1962)
- Jesu, Joy of Man's Desiring (arr. Custer) (1723/1975/1997)
- Jesu, Joy of Man's Desiring (arr. Hazo) (1723/2012)
- Jesu, Joy of Man's Desiring (tr. Leidzen) (1723/1936)
- Jesu, Joy of Man's Desiring (arr. Moerenhout) (1723/2019)
- Jesu, Joy of Man's Desiring (arr. Pekas) (1723/)
- Jesu, Joy of Man's Desiring (arr. Reed) (1723/)
- Jesu, Joy of Man's Desiring (arr. Sapieyevski) (1723/)
- Jesu, Joy of Man's Desiring (arr. Sparke) (1723/2004)
- Jig Fugue (arr. Marlatt) (2003)
- Komm, Susser Tod (arr. Leidzen) (1736/1936)
- A Little Bach Suite (arr. Gordon) (1966)
- Little Fugue (arr. Romm; adapt. Custer) (c. 1705/1974/1991)
- Little Fugue in G minor (arr. Howland) (c. 1705/1974/2015)
- Little Fugue in G Minor, BWV 578 (arr. Parks)
- March (arr. Grainger) (1946)
- My Heart, Ever Faithful (arr. Barnes) (1988)
- My Heart is Filled With Longing (arr. Reed) (c. 1710/1986)
- My Jesus, Oh What Anguish (arr. Reed)
- My Soul Longeth to Depart in Peace
- Nun komm der Heiden Heiland (arr. McAlister)
- Nun komm, der Heiden Heiland (arr. Stert) (c. 1748/2013)
- O Jesu Christ, meins Lebens Licht (arr. Westover) (c. 1736/2017)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
- Our Father Who Art in Heaven (arr. Reed) (1710/1988)
- Passacaglia (arr. Glover) (c. 1703-1713?/2014)
- Passacaglia and Fugue in C minor (tr. Hunsberger) (1703-1713?/ 1968/1975)
- Passacaglia and Thema Fugatum in C Minor (tr. Stowkowski; ed. Sosnowchik) (1703-1713?/2014)
- Passacaglia and Fugue in C minor (tr. Falcone) (ca. 1712/1969)
- Passacaglia from "Cantata No. 12" (arr. Daehn) (1714/2011)
- Präludium und Fuge d-Moll (tr. Rechtman) (1722/2003)
- Prelude IV (arr. Reed) (1722/1983)
- Prelude and Fugue No. 6, BWV 535 (arr. Anthenien) (1722/1979)
- Prelude and Fugue in A-flat, BWV 557 (tr. Moehlmann) (1964)
- Prelude and Fugue in Bb major (Brass Ensemble) (arr. Beyrent)
- Prelude and Fugue in B-flat major (Brass Quintet) (arr. Beyrent)
- Prelude and Fugue in B-flat major, BWV 553 (arr. Moehlmann) (1852/1955)
- Prelude and Fugue in B-flat major BWV 553 (Flex instrumentation) (arr. Ring) (?/2020)
- Prelude and Fugue in B-flat minor, BWV 559 (arr. Moehlmann) (1852/1969)
- Prelude and Fugue in C major (arr. Beyrent)
- Prelude and Fugue in D major, BWV 532 (arr. Steinmetz) (1710/2018)
- Prelude and Fugue in D minor, BWV 554 (arr. Beyrent) (1722/2001)
- Prelude and Fugue in D minor, BWV 555 (arr. Coleman) (1852/2017)
- Prelude and Fugue in D minor, BWV 554 (tr. Moehlmann) (1852/1988)
- Prelude and Fugue in D minor (tr. Rechtman). See: Präludium und Fuge d-Moll
- Prelude and Fugue in E-flat, BWV 552 (setting Hunsberger) (c. 1739/2009)
- Prelude and Fugue in F major (arr. Moehlmann) (1852/?)
- Prelude and Fugue in F minor, BWV 555 (arr. Moehlmann) (1852/1954)
- Prelude and Fugue in G minor, BWV 535 (tr. Moehlmann) (1852/1939)
- Prelude, Chorale and Fugue (arr. Godfrey) (1919)
- Prelude in E-flat, BWV 552 (arr. Tamura) (c. 1739/2001)
- Prelude No. 22 (tr. Lynch) (c. 1722/2013)
- "Ricercare a 6" from Musical Offering, BWV 1079 (tr. McAlister)
- Saint Anne's Fugue (arr. Rhoads) (1965)
- Sarabande (arr. Kennaway) (1972/1977/1995)
- Second Bach Suite for Band (tr. Tolmage) (1965)
- Sehet was die liebe tut (arr. Grainger) (1937)
- Sheep May Safely Graze (arr. Reed) (1713/1981)
- Sinfonia from "Cantata No 29" (arr. Ninmer)
- Sinfonia from "Cantate 156" (arr. Daniels) (1729/)
- Sixteen Chorales (ed. King) (1958)
- Sixteen Chorales (arr. Lake) (1938)
- Sleepers, Awake! (arr. Patterson) (1731/1995)
- Sleepers, Awake! (arr. Reed) (1731)
- Sleepers, Awake! (tr. Sparke) (1731/2002)
- Songs of Exaltation (arr. Gordon) (1974)
- St. Anne. See: Prelude and Fugue in E-flat
- Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Thus Do You Fare, My Jesus (arr. Reed)
- Toccata, Adagio and Fugue in C Major (arr. Rechtman) (c. 1717)
- Toccata, Adagio, and Fugue, BWV 564 (tr. Paynter) (c. 1717/2000)
- Toccata, Adagio and Fugue (tr. Knox) (c. 1717)
- Toccata, Aria, and Fugue in C Major (tr. Knox) (c. 1717)
- Toccata & Fuge d-Moll (arr. Goldhammer) (1705/2011)
- Toccata and Fugue in D minor (arr. Goldhammer). See: Toccata & Fuge d-Moll
- Toccata and Fugue in D minor (tr. Goto) (1705/2014)
- Toccata and Fugue in D minor (tr. Hindsley) (1705)
- Toccata and Fugue in D minor (tr. Hunsberger) (1705/1998)
- Toccata and Fugue in D minor (tr. Leidzen) (1705/1942)
- Toccata and Fugue in D minor (arr. Lopez) (1705/2010)
- Toccata and Fugue in D minor (tr. Nowlin) (1705/2015)
- Violin Partita No. 3 in E major (arr. Kitakata) (1720/2018?)
- Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)
- Wachet auf (arr. Marlatt) (1731/)
- Wachet auf, ruft uns die Stimme (arr. Lauf Jr.) (1731/2019)
- Who Puts His Trust in God Most Just (arr. Croft) (1978)
- Wir Glauben All’ An Einen Gott (arr. Stokowski) (1739)
Resources
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications, pp. 25.