Subtitle: For Concert Wind Band and Pre-Recorded Soundscape
Bb Soprano Clarinet I-II
Bb Bass Clarinet
Eb Alto Saxophone I-II
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Trumpet I-II
Horn in F I-II
Euphonium (Bass Clef & Treble Clef)
- Suspended Cymbal
None discovered thus far.
From the acclaimed composer of Paper Cut, Alex Shapiro, this unique, high-energy work could be described by the following: imagine Arnold Schoenberg, Henry Mancini, and Charlie Parker walking into a dance club in Havana, and staying for three minutes. Tight Squeeze ventures into new territory as it explores chromaticism and syncopation against a prerecorded percussion groove. The result is the repertoire's first electroacoustic twelve-tone techno Latin bebop band piece! Okay, maybe Schoenberg did all that first, but it never sounded quite like this!
- Program Note by publisher
On the heels of composing Paper Cut, which pairs a wind band with not only an electronic track but a ream of printer paper, I knew I wanted to create another even more up-tempo, groove-oriented piece that would be fun for fidgety teenagers with the attention spans of diabetic gnats. Okay, even fun for calmer musicians. Unexpectedly, that turned out to feature a twelve-tone row theme, possibly the world's first for high school band, at least this far west of Vienna.
Initially the melody only had eight notes. When I noticed that none repeated themselves, I decided to go for broke, in a tip of the hat to my beloved 90-year old German composition teacher Ursula Mamlok, who was a renowned serialist during the earlier years of her career. The only serialism I've ever been interested in is granola, but I had a good time with this little tone row, which I paired with a techno-rock-infused percussion groove and electric bass line (yeah, I know; Schoenberg did that first), plus a few Latin rhythms and a hint of jazz. Voila: Electroacoustic Twelve-tone Techno Latin Bebop.
The twelve pitches are first introduced in all their chromatic glory at bars 7-10, and they reappear in different keys throughout the piece. The music, however, is not really in any key at all, since I only think in terms of keys if I'm locked out of my car. And if I were locked out of my car, this is probably the kind of thing I'd be hearing in my head while frantically trying to get back in.
Which leads to the title, which has nothing to do with my car. It has everything to do with a young gull who landed on a rock in front of my desk window as I was finishing this music, with a sizable flounder, uh, floundering in his clamped beak. The rather goofy-looking bird was having a challenging time figuring out how to swallow his windfall. I said to the bird, "Wow, tight squeeze!", and immediately realized that all these notes that were cramming the score page would soon be squeezing through the students’ instruments, as snugly as a fat flounder in a gull's mouth. I also realized that talking to birds is pointless; they make lousy conversationalists.
I really care about education and about giving students opportunities to be challenged. My observation of much (not all) band music is that it's often very straight and plodding in rhythm, and lacking in chromaticism. Tight Squeeze is another of my humble attempts to broaden the scope of the repertoire. Yessirree folks, for one low price, just look at what's included:
The twelve tone row theme appears in several keys throughout the piece: it first starts on C, later it begins on D, and somewhere in there it also begins on Bb. Dizzying. Packets of Dramamine should be included with each score set. So, students will learn chromaticism by playing almost every note on their instrument! They will learn syncopation! They will learn to pay ridiculously close attention to articulations and phrasing! And maybe even to the band director! And despite all this work, they'll be happy because they get to play really loudly! But wait, there's more!
They'll get a feel for bebop and Latin jazz traditions -- especially important for the players who are not in a jazz band (oh, pity the oboists), but who deserve to play this quintessential American music. Lots of 21st century concert music is infused with various grooves, and classically trained musicians need to be comfortable with all genres. Just like this gull, they should learn to digest everything.
- Program Note by composer
Tight Squeeze was premiered February 13, 2013, in Brevard, North Carolina, at Brevard College, Miller Asbill conducting.
None discovered thus far.
None discovered thus far.
To submit a performance please join The Wind Repertory Project
- Ball State University (Muncie, Ind.) Symphony Band (Caroline Hand, conductor) – 26 February 2020
- University of Wisconsin-Madison Wednesday University Band (Allison Jaeger, conductor) – 8 December 2019
- Arkansas State University (Jonesboro) Symphonic Winds (Shawn Crawford, conductor) – 21 November 2019
- University of Dubuque (Iowa) Wind Ensemble (Cassandra Blanchard, conductor) – 2 November 2019
- Stephen F. Austin State University (Nacogdoches, Tx.) Symphonic Band (Chris Kaatz, conductor) – 15 October 2019
- California Polytechnic State University, San Luis Obispo, Wind Orchestra (Christopher J. Woodruff, conductor) – 9 June 2019
- Kent State (Ohio) Wind Ensemble (Mason Smith, conductor) – 3 May 2019
- University of Texas (Austin) Texas Concert Band (Scott Hanna, conductor) – 22 April 2019
- Kansas Wesleyan University (Salina) Wind Ensemble (Carl Rowse, conductor) – 28 February 2019
- University of Minnesota (Minneapolis) University Band (Lance Sample, conductor) – 29 October 2018
- Northwest Missouri State University Wind Symphony (John Bell, conductor) – 18 October 2018
- University of Georgia (Athens) Hodgson Symphonic Band (Andrew Blair, conductor) – 24 September 2018
- Rowan University (Glassboro, N.J.) Concert Band (Joseph Higgins, conductor) – 24 April 2018
- University of Kentucky (Lexington) Concert Band (Kaitlin Bove, conductor) – 22 April 2018
- University of Florida (Gainesville) Tuesday/Thursday Night Band - 18 April 2018
- Kennesaw (Ga.) State University University Band (Trey Harris, conductor) – 17 April 2018
- University of California, Los Angeles, Symphonic Band (Travis J. Cross, conductor) – 7 March 2018
- University of Kansas (Lawrence) University Band (Sharon Toulouse, conductor) – 6 March 2018
- West Virginia University (Morgantown) Concert Band (Christopher Nichter, conductor) – 11 April 2017
- University of Minnesota, Duluth, Concert Band (Daniel Eaton, conductor) - 26 April 2014
- Rosemont High School Wind Symphony - 2013
Works for Winds by this Composer
- Ascent (2020)
- Below (2008)
- Beneath. See: Immersion (2010)
- Bioplasm (2005/2012)
- Deep (2004)
- Depth. See: Immersion
- Desert Tide (2005)
- Even Deeper (2014)
- Homecoming (2008)
- Immersion (2010)
- Lights Out (2015)
- Liquid Compass (2014)
- Moment (2016)
- Off the Edge (2019)
- Paper Cut (2010)
- Passages (2020)
- Re:pair (2000)
- Rock Music (2016)
- Shiny Kiss (2000)
- Surface. See: Immersion (2010)
- Tight Squeeze (2012)
- Trains of Thought (2015)
- Water Crossing (2002)
- Water Voyage (2007)
- Alex Shapiro website
- Shapiro, A. (2013). Tight Squeeze: For Concert Wind Band and Pre-Recorded Soundscape [score]. Activist Music: Friday Harbor, Wash.
- Thompson, Ken. "Tight Squeeze." In Teaching Music through Performance in Band. Volume 10, Compiled and edited by Richard Miles, 504-510. Chicago: GIA Publications, 2015.