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Talking Points (Mitton)

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Stephen Mitton

Stephen Mitton


General Info

Year: 2020
Duration: c. 4:05
Difficulty: VII (see Ratings for explanation)
Publisher: Stephen Mitton Music
Cost: Score and Parts (print) - $60.00   |   Score Only (print) - $20.00


Instrumentation

Full Score
Flute
Oboe
Bassoon
B-flat Soprano Clarinet
E-flat Alto Saxophone
B-flat Tenor Saxophone
E-flat Baritone Saxophone
C Trumpet
Horn in F
Trombone
Euphonium
Tuba
Harp
Percussion, including:

  • Bass Drum
  • Hi-Hat
  • Triangle
  • Vibra-slap
  • Wood Block

Fixed media


Errata

None discovered thus far.


Program Notes

Talking Points is my second piece centered on the topic of political discourse. It was written just after the disastrous first presidential debate on September 29, 2020, and much of the material for the accompanying fixed media tracks is sourced from that event.

I frequently find myself thinking about the correlations between verbal discourse and musical counterpoint, with ideas about conversation and turn-taking translating naturally into motivic development and musical form. In this piece, those ideas break down as I juxtapose a percussive, additive rhythmic pattern (which is heard in the first three measures) with a meandering theme first played by the low brass. These two themes become the basis for the rest of the piece, with the first repeatedly interrupting the second with only slight variations each time.

In our modern political discourse, we are constantly being fed carefully crafted talking points through social media, radio, and television. We hear them over and over again with only slight variations each time. For me, this awareness comes with a desire to cut through the noise and think for myself, rather than let the talking points do the thinking for me.

Courtney Snyder at the University of Michigan had asked Evan Chambers if any composition students would write pieces to accommodate the reduced performing forces resulting from COVID-19. I had the opportunity to choose from different instrumental subsets outlined by Dr. Snyder and ended up going with a dectet, which I opted to augment with harp and percussion. The idea to include fixed media came after I had written the first half of the piece.

- Program Note by composer


Media

(Needed - please join the WRP if you can help.)


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • University of Michigan (Ann Arbor) Concert Band (Courtney Snyder, conductor) - 14 March 2021 *Premiere Performance*


Works for Winds by This Composer

Adaptable Music


All Wind Works


Resources