Songs from the "Second Suite"

Gustav Holst

Subtitle: Song without Words and Song of the Blacksmith

General Info

Year: 1911 / 2012
Duration: c. 3:20
Difficulty: III (see Ratings for explanation)
Publisher: C.L. Barnhouse
Cost: Score and Parts (print) - $60.00 | Score Only (print) - $7.00

Instrumentation (Flexible)

Full Score
Part 1

C Treble
High B-flat
High E-flat

Part 2

C Treble
High B-flat
High E-flat
F Horn

Part 3

Low B-flat
Low E-flat
Bass Clef
F Horn
Viola

Part 4

Low B-flat
Low E-flat
Bass Clef
Bass
Tuba

Timpani (optional)
Piano (optional)
Percussion, including:

Mallets (optional)
Bass Drum
Snare Drum
Crash Cymbal (optional)
Triangle (optional)
Anvil

Guitar (optional)

Errata

None discovered thus far.

Program Notes

For the second movement of Second Suite, entitled Song without Words, Holst places the fourth folk song, I'll Love My Love in stark contrast to the first movement. The movement begins with a chord from French horns and moves into a solo of clarinet with oboe over a flowing accompaniment in F Dorian. The solo is then repeated by trumpet, forming an arc of intensity. The climax of the piece is a fermata in measure 32, followed by a trumpet pick-up into the final measures of the piece.

In the third movement, Song of the Blacksmith, Holst contrasts the slow second movement to the rather upbeat third movement which features the folk song A Blacksmith Courted Me. The brass section plays in a pointillistic style depicting a later Holst style. There are many time signature changes, making the movement increasingly difficult because the brass section has all of their accompaniment on the up-beats of each measure. The upper woodwinds and horns join on the melody around the body of the piece, and are accompanied with the sound of a blacksmith forging metal with an anvil called for in the score. The final D major chord has a glorious, heavenly sound, which opens way to the final movement. This chord works so effectively perhaps because it is unexpected: the entire movement is in F major when the music suddenly moves to the major of the relative minor.

- Program Note from Wikipedia

Media

Audio: Reference recording. Ensemble and conductor unknown

State Ratings

None discovered thus far.

Performances

To submit a performance please join The Wind Repertory Project

Works for Winds by This Composer

Adaptable Music

Chaconne from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2016)
Fantasia on the "Dargason" (Flex instrumentation) (arr. Stanton) (1911/2013)
Intermezzo (Flex instrumentation) (arr. Stanton) (1909/2017)
Jupiter (arr. Deterling) (Flex instrumentation) (1916/2020)
Jupiter, the Bringer of Jollity (Adaptable Band) (arr. Fisher) (1916/2020)
March (Flex instrumentation) (arr. Stanton) (1911/2010)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
March from Second "Suite in F Major" (Flex instrumentation) (arr. Fisher) (1911/2018)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
Mars (Flex instrumentation) (arr. Vinson) (1916/2009)
A Moorside March (Flex instrumentation) (arr. Wright; ed. M. Brand) (1928/2021)
Songs from the "Second Suite" (Flex instrumentation) (arr. Stanton) (1911/2012)
Suite from "The Planets" (Flex instrumentation) (arr. Vinson) (1916/2018)

All Wind Music

Ave Maria (tr. Woodley) (1900)
Bach's Fugue à la Gigue (as arranger; ed. Brand). See: Fugue à la Gigue
Bach's Fugue à la Gigue (as arranger; ed. Mitchell) (1707/1928/2005)
Brook Green Suite (tr. Curnow) (1933/2006)
Capriccio (tr. Boyd) (1932/1967/1974)
Capriccio (arr. Paul Noble) (1932/1967/2019)
Chaconne from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2016)
Chorale from Jupiter (arr. James Curnow)
Christmas Day (arr. Daehn) (1910/2011)
Christmas Day (arr. Beringen) (1910/2010)
Country Song (arr. Klein) (1906)
Dance of the Spirits of Fire (trans. Harpham) (1918/1922/1971)
Dirge for Two Veterans
Fantasia on the "Dargason" (Flex instrumentation) (arr. Stanton) (1911/2013)
Fantasia on the "Dargason" (arr. Story) (1911/2000)
First Suite in E-flat (1909/1921)
First Suite in E-flat (ed. Matthews) (1909/1921/1984)
First Suite in E-flat (ed. Ito) (1909/2011)
First Suite in E-flat (arr. Longfield) (1909/2006)
First Suite in E-flat for Military Band (ed. Fennell) (1909/2006)
First Suite in E-flat Themes (arr. Sweeney). See: Themes from "First Suite in E-flat"
A Fugal Concerto (arr. Brand) (1923/1993?)
A Fugal Overture (arr. Noble) (1922/2014)
A Fugal Overture (trans. Ponto) (1922)
Fugue à la Gigue (as arranger; ed. Brand) (1707/1928/2008)
Fugue à la Gigue (as arranger; ed. Mitchell). See: Bach's Fugue à la Gigue
Gustav Holst Band Classics (arr. Edwards) (2020)
Hammersmith: Prelude and Scherzo (1930)
A Holst Hymn (arr. Smith) (1921/2022)
A Holst Suite (trans. Thompson) (2018)
Hymns from the Rig Veda (tr. Windram, ed. Mitchell) (1908/1917/2017)
I Vow to Thee, My Country (setting Vaughan Williams; ed. Grechesky) (1921/1988)
I Vow to Thee, My Country (arr. Knorr) (1921/2017)
Illumination (arr. Gene Milford)
In the Bleak Midwinter. See: Winter Suite
Intermezzo (Flex instrumentation) (arr. Stanton) (1909/2017)
Japanese Suite (adapt. Boyd) (1915/1982/1999)
Jupiter (arr. Deterling) (Flex instrumentation) (1916/2020)
Jupiter from "The Planets" (arr. Pay and Smith) (1916/1924)
Jupiter from "The Planets" (arr. Branchfield) (1916/2014)
Jupiter (arr. Brown) (1916)
Jupiter (tr. Curnow) (1916/1990)
Jupiter (arr Hurt) from "The Planets" (arr. Hurt) (1916)
Jupiter (arr. Owens) (1916/2006)
Jupiter Hymn (arr. de Meij) (1916/1921/1990)
Jupiter, the Bringer of Jollity (Adaptable Band) (arr. Fisher) (1916/2020)
Jupiter, the Bringer of Jollity (tr. McAlister; ed. Reed) (1916/2003)
March (Flex instrumentation) (arr. Stanton) (1911/2010)
March from "First Suite for Military Band" (arr. Story) (2011)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
March from Second "Suite in F Major" (Flex instrumentation) (arr. Fisher) (1911/2018)
Marching Song (1906/1930)
Marching Song (arr. Moss) (1906/2006)
Marching Song (ed. Reynish) (1906/1983)
Mars (arr. Bocook) (1916/1998)
Mars (arr. Owens) (1916/2009)
Mars from "The Planets" (tr. Pay and Smith) (1916/1924)
Mars, from "The Planets" (tr. Singleton) (1916/2001)
Mars (Flex instrumentation) (arr. Vinson) (1916/2009)
Midwinter (arr. Phillips) (2012)
Moorside March (arr. Jacob) (1928/1960)
A Moorside March (Flex instrumentation) (arr. Wright; ed. M. Brand) (1928/2021)
A Moorside Suite (arr. Wright)
Morris Dance Tunes (arr. Wagner) (1910/2010)
On This Day the Earth Shall Ring (arr. Smith) (2001)
The Perfect Fool (arr. Short) (1922/2005)
The Planets (tr. Inagaki) (1916)
The Planets (tr. Janssen) (1916/2017)
The Planets (tr. Patterson) (1916)
The Planets (arr. Schrijvers) (1916/2005)
The Planets (tr. Vives) (1916/2007?)
Planets, The (tr. Smith) (1916/1921)
Scherzo (tr. Patterson) (1933/2021)
Second Suite in F (ed. Fennell; score assembly Schissel) (1911/2006)
Second Suite in F (arr. Johnston) (1911/2011)
Second Suite in F (ed. Matthews) (1911)
Second Suite in F (ed. Neumann) (1911)
Second Suite in F (ed. Ito) (1911/1922/2012)
Second Suite in F (adapt. Longfield) (1911/2007)
A Somerset Rhapsody (tr. Clare Grundman) (1906/1927/1980)
The Song of the Blacksmith (arr. Loest) (1911/2011)
Songs from the "Second Suite" (Flex instrumentation) (arr. Stanton) (1911/2012)
Songs of the West (arr. James Curnow) (1907/1986)
St. Paul's Suite (arr. Sparke) (1912-1913/2017)
Suite from "The Planets" (arr. Custer) (1916/1991)
Suite from "The Planets" (Flex instrumentation) (arr. Vinson) (1916/2018)
Themes from "First Suite in E-flat" (arr. Sweeney) (1909/2006)
Two Songs Without Words (arr. Erickson) (1906/1996)
Uranus (tr. Curnow) (1916/1991)
Winter Suite
- On This Day Earth Shall Ring (arr. Smith) (1924/2001)
- In the Bleak Midwinter (arr. Bullock) (1906/1996)
- In the Bleak Midwinter (arr. Giroux) (1906/2018)
- In the Bleak Midwinter (arr. Smith) (1906/1992)
- Old Brenton Carol (arr. Smith) (1910/2001)

Resources

Perusal score
Second Suite in F for Military Band, Wikipedia Accessed 30 May 2020