Somerset Rhapsody, A

Gustav Holst

This work bears the designation Opus 21.

General Info

Year: 1906 / 1927 / 1980
Duration: c. 9:30
Difficulty: V (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Boosey & Hawkes, Inc.
Cost: Score and Parts (print) - $90.00 | Score Only (print) - $12.50

Instrumentation

Full Score
C Piccolo
Flute I-II (4 players suggested)
Oboe I-II
English Horn
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Contrabass Clarinet
E-flat Alto Saxophone
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion (4-5 players), including:

Bass Drum
Crash Cymbals
Glockenspiel
Snare Drum
Suspended Cymbal
Vibraphone

Errata

None discovered thus far.

Program Notes

A Somerset Rhapsody, Op. 21, was composed in 1906 and was dedicated to Cecil Sharp, the renowned collector of English folksong music. It is based on three tunes found among Sharp’s many collections: It’s a Rosebud in June, High Germany, and The Lover’s Farewell. It was rewritten and premiered at Queens Hall by conductor Edward Mason in April of 1910, and published by Boosey & Hawkes in 1927.

- Program Notes by Nikk Pilato

The nationalistic inclinations displayed by the cataloguing and cultivation of folk songs in the nineteenth and early twentieth centuries was enthusiastically embraced by Gustav Holst and his contemporaries. A Somerset Rhapsody was composed in 1906 at the request of Cecil Sharp, one of England's foremost folk song collectors. The piece received its first performance in February of 1906 by the City of Bath Pump Room Orchestra with Holst conducting. It was rewritten following this performance and produced at Queens Hall, London, by Edward Mason on April 6, 1910. Clare Grundman transcribed the work for band in 1980.

The three folk songs employed, Sheep Shearing, High Germany, and The True Lover's Farewell, are presented without significant melodic variation. More interesting is the harmonic language and contrapuntal textures Holst offers. The choice of this piece3 for transcription is a natural one given the subject material.

- Program Note from the West Chester University Wind Ensemble concert program, 1 November 2020

Media

(Needed - please join the WRP if you can help.)

State Ratings

Florida: V
Georgia: V
Indiana: ISSMA SENIOR BAND GROUP I
Kansas: V
Louisiana: IV
Maryland: V
South Carolina: V
Virginia: V

Performances

To submit a performance please join The Wind Repertory Project

West Chester (Penn.) University Wind Ensemble (Andrew Yozviak, conductor) - 1 November 2020
Eastman School of Music (Rochester, N.Y.) Wind Orchestra (Mark Scatterday, conductor) – 18 October 2019
Massachusetts Youth Wind Ensemble (Boston) (Michael Mucci, conductor)– 18 December 2018
McGill University (Montreal, Que.) Wind Orchestra (Alain Cazes, conductor) – 2 November 2018
Colorado (Denver) Wind Ensemble (David Kish, conductor) – 7 April 2018
Henderson State University (Arkadelphia, Ark.) Wind Ensemble (Steven M. Knight, conductor) -29 November 2016
Lexington (Mass.) Bicentennial Band (Jeffrey Leonard, conductor) – 31 January 2016
California State University Symphonic Band (Nikk Pilato, conductor) - 15 March 2012

Works for Winds by This Composer

Adaptable Music

Chaconne from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2016)
Fantasia on the "Dargason" (Flex instrumentation) (arr. Stanton) (1911/2013)
Intermezzo (Flex instrumentation) (arr. Stanton) (1909/2017)
Jupiter (arr. Deterling) (Flex instrumentation) (1916/2020)
Jupiter, the Bringer of Jollity (Adaptable Band) (arr. Fisher) (1916/2020)
March (Flex instrumentation) (arr. Stanton) (1911/2010)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
March from Second "Suite in F Major" (Flex instrumentation) (arr. Fisher) (1911/2018)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
Mars (Flex instrumentation) (arr. Vinson) (1916/2009)
A Moorside March (Flex instrumentation) (arr. Wright; ed. M. Brand) (1928/2021)
Songs from the "Second Suite" (Flex instrumentation) (arr. Stanton) (1911/2012)
Suite from "The Planets" (Flex instrumentation) (arr. Vinson) (1916/2018)

All Wind Music

Ave Maria (tr. Woodley) (1900)
Bach's Fugue à la Gigue (as arranger; ed. Brand). See: Fugue à la Gigue
Bach's Fugue à la Gigue (as arranger; ed. Mitchell) (1707/1928/2005)
Brook Green Suite (tr. Curnow) (1933/2006)
Capriccio (tr. Boyd) (1932/1967/1974)
Capriccio (arr. Paul Noble) (1932/1967/2019)
Chaconne from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2016)
Chorale from Jupiter (arr. James Curnow)
Christmas Day (arr. Daehn) (1910/2011)
Christmas Day (arr. Beringen) (1910/2010)
Country Song (arr. Klein) (1906)
Dance of the Spirits of Fire (trans. Harpham) (1918/1922/1971)
Dirge for Two Veterans
Fantasia on the "Dargason" (Flex instrumentation) (arr. Stanton) (1911/2013)
Fantasia on the "Dargason" (arr. Story) (1911/2000)
First Suite in E-flat (1909/1921)
First Suite in E-flat (ed. Matthews) (1909/1921/1984)
First Suite in E-flat (arr. Longfield) (1909/2006)
First Suite in E-flat for Military Band (ed. Fennell) (1909/2006)
First Suite in E-flat Themes (arr. Sweeney) (1909/2007)
A Fugal Overture (arr. Noble) (1922/2014)
A Fugal Overture (trans. Ponto) (1922)
Fugue à la Gigue (as arranger; ed. Brand) (1707/1928/2008)
Fugue à la Gigue (as arranger; ed. Mitchell). See: Bach's Fugue à la Gigue
Gustav Holst Band Classics (arr. Edwards) (2020)
Hammersmith: Prelude and Scherzo (1930)
A Holst Suite (trans. Thompson) (2018)
I Vow to Thee, My Country (setting Vaughan Williams; ed. Grechesky) (1921/1988)
I Vow to Thee, My Country (arr. Knorr) (1921/2017)
Illumination (arr. Gene Milford)
In the Bleak Midwinter. See: Winter Suite
Intermezzo (Flex instrumentation) (arr. Stanton) (1909/2017)
Japanese Suite (adapt. Boyd) (1915/1982/1999)
Jupiter (arr. Deterling) (Flex instrumentation) (1916/2020)
Jupiter from "The Planets" (arr. Pay and Smith) (1916/1924)
Jupiter from "The Planets" (arr. Branchfield) (1916/2014)
Jupiter (arr. Brown) (1916)
Jupiter (tr. Curnow) (1916/1990)
Jupiter (arr Hurt) from "The Planets" (arr. Hurt) (1916)
Jupiter (arr. Owens) (1916/2006)
Jupiter Hymn (arr. de Meij) (1916/1921/1990)
Jupiter, the Bringer of Jollity (Adaptable Band) (arr. Fisher) (1916/2020)
Jupiter, the Bringer of Jollity (tr. McAlister; ed. Reed) (1916/2003)
March (Flex instrumentation) (arr. Stanton) (1911/2010)
March from "First Suite for Military Band" (arr. Story) (2011)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
March from Second "Suite in F Major" (Flex instrumentation) (arr. Fisher) (1911/2018)
Marching Song (1906/1930)
Marching Song (arr. Moss) (1906/2006)
Marching Song (ed. Reynish) (1906/1983)
Mars (arr. Bocook) (1916/1998)
Mars (arr. Owens) (1916/2009)
Mars from "The Planets" (tr. Pay and Smith) (1916/1924)
Mars, from "The Planets" (tr. Singleton) (1916/2001)
Mars (Flex instrumentation) (arr. Vinson) (1916/2009)
Midwinter (arr. Phillips) (2012)
Moorside March (arr. Jacob) (1928/1960)
A Moorside March (Flex instrumentation) (arr. Wright; ed. M. Brand) (1928/2021)
A Moorside Suite (arr. Wright)
Morris Dance Tunes (arr. Wagner) (1910/2010)
On This Day the Earth Shall Ring (arr. Smith) (2001)
The Perfect Fool (arr. Short) (1922/2005)
The Planets (tr. Inagaki) (1916)
The Planets (tr. Janssen) (1916/2017)
The Planets (tr. Patterson) (1916)
The Planets (arr. Schrijvers) (1916/2005)
The Planets (tr. Vives) (1916/2007?)
Planets, The (tr. Smith) (1916/1921)
Scherzo (tr. Patterson) (1933/2021)
Second Suite in F (ed. Fennell; score assembly Schissel) (1911/2006)
Second Suite in F (arr. Johnston) (1911/2011)
Second Suite in F (ed. Matthews) (1911)
Second Suite in F (ed. Neumann) (1911)
Second Suite in F (adapt. Longfield) (1911/2007)
A Somerset Rhapsody (tr. Clare Grundman) (1906/1927/1980)
The Song of the Blacksmith (arr. Loest) (1911/2011)
Songs from the "Second Suite" (Flex instrumentation) (arr. Stanton) (1911/2012)
Songs of the West (arr. James Curnow) (1907/1986)
Suite from "The Planets" (arr. Custer) (1916/1991)
Suite from "The Planets" (Flex instrumentation) (arr. Vinson) (1916/2018)
Two Songs Without Words (arr. Erickson) (1906/1996)
Uranus (tr. Curnow) (1916/1991)
Winter Suite
- On This Day Earth Shall Ring (arr. Smith) (1924/2001)
- In the Bleak Midwinter (arr. Bullock) (1906/1996)
- In the Bleak Midwinter (arr. Giroux) (1906/2018)
- In the Bleak Midwinter (arr. Smith) (1906/1992)
- Old Brenton Carol (arr. Smith) (1910/2001)

Resources

Holst, G.; Grundman, C. [1980]. A Somerset Rhapsody [score]. Boosey & Hawkes: London.
Holst, Imogen. (1938). Gustav Holst: A Biography. London: Oxford University Press.
Holst, Imogen. (1984). The Music of Gustav Holst. London: Oxford University Press.