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Sinfonia from "Cantata No 29"
Johann Sebastian Bach (arr. Ninmer)
General Info
Year: 1731
Duration: c. 4:00
Difficulty: VI (see Ratings for explanation)
Publisher: Manuscript
Cost: Score and Parts - Unknown
Instrumentation
E-flat Soprano Clarinet
B-flat Clarinets I-II-III-IV
B-flat Alto Clarinets I-II
B-flat Bass Clarinets I-II
E-flat Contra Alto Clarinet
E-flat Contrabass Clarinet
Errata
None discovered thus far.
Program Notes
Some of Bach’s most popular and enduring music comes from his cantatas. Among his offerings in this genre, numbering as many as 220, is the spirited Sinfonia from Cantata No. 29, “Wir danken dir, Gott’ which was first performed in 1731. Bach wrote sinfonias for several of his cantatas, but the reason for their inclusion in a sacred choral work remains somewhat of a mystery. Some scholars speculate that Bach added these instrumental features as a way to showcase his own organ playing or to highlight the skills of a visiting instrumentalist. The melody of this particular sinfonia was borrowed from an earlier partita for solo violin, BWV 1006, written in the fruitful period while Bach was employed in Cöthen. Just as the piece acts as an instrumental overture to the cantata, this popular sinfonia also is often heard as a stand-alone overture in the concert hall.
- Program Note from U.S. Marine Band concert program, 14 December 2016
This work is an arrangement for clarinet choir of the opening movement of Bach’s Wir danken dir, Gott, wir danken dir, (We thank you, God, we thank you), BWV 29.
Media
(Needed - please join the WRP if you can help.)
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- United States Marine Band (Washington, D.C.) Clarinet Choir (Ryan J. Nowlin, conductor) - 14 December 2016 (2016 Midwest Clinic) - *Transcription Premiere Performance*
Works for Winds by This Composer
Adaptable Music
- The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
- Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
- Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
- Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
- French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
- Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
- Prelude and Fugue in B-flat major (Flex instrumentation) (arr. Ring) (?/2020)
- Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)
All Wind Works
- 5 Preludes and Fugues (arr. Beyrent)
- Adagio (arr. Hautvast)
- Adagio (arr. Warner)
- Air (arr. Hautvast)
- Air (arr. Klemke) (c. 1730/2006)
- Air (tr. Lang) (c. 1730/1958)
- Air for Woodwind Choir (arr. Blahnik)
- Allegro: From Brandenburg Concerto #3 (arr. Daehn) (1721/1980)
- Arioso (arr. De Haan) (1729/2000)
- Arioso (arr. Hill) (1729/1984)
- Arioso (arr. Reed) (1729/1998)
- The Art of Fugue (tr. Amis) (c. 1745)
- Ave Maria
- Ave Maria (Bach-Gounod) (arr. Lovrien) (1853/2004)
- Bach: Air (arr. McGinty) (c. 1730/)
- The Bach Buch (tr. Pann) (2011)
- Bach Chorale and March (arr. Wilson) (c. 1730/1990)
- Bach: Chorale and Variation (arr. McGinty) (1994)
- Bach Fugue (arr. Kinyon) (/1984)
- The Bach Initiative (Flex instrumentation) (arr. Folliard) (2019)
- Bach's Fugue à la Gigue (ed. Brand). See: Fugue à la Gigue
- Bach's Fugue à la Gigue (tr. Holst; ed. Mitchell) (1921/2005)
- Before Thy Throne I Now Appear (arr. Bukvich) (1750/1993)
- Berceuse (arr. Hautvast) (/1994)
- Bourrée (arr. Isaac) (1720/1969)
- Brandenburg Concerto No. 3 (arr. Marlatt) (1721/2011)
- Brandenburg Concerto No 3. See also: Allegro: From Brandenburg Concerto #3
- Canzona (orch. Stock)
- Chaconne (arr. Ito) (1720/1987)
- Chaconne and Festive Aria (arr. Daehn)
- Chaconne in D Minor (arr. Daehn) (1720/)
- Chaconne in D Minor (tr. Whitwell) (1720/2015)
- Choral Prelude BWV 727 (Flex instrumentation) (arr. Costa)
- Chorale and Fugue (arr. Warner)
- Chorale and Fugue in F Major (arr. Daehn) (1988)
- Chorale Prelude on "A Mighty Fortress Is Our God" (tr. Damrosch; adapt. O'Toole)
- Chorale in C Minor (arr. Topolewski) (2012)
- Christ He Is My Life (arr. Cailliet) (1973)
- Christmas Pastorale (arr. Hastings) (1970)
- Ciaccona (arr. Votta) (1720/2021)
- Come, Blessed Peace (arr. Tolmage) (1736/1958)
- Come, Sweet Death (arr. Reed) (1736/1976)
- Come, Sweet Death (Flex instrumentation) (tr. Reed; arr. Benson) (1736/1976/2019)
- Concerto IV (Alto Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Alto Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Flute and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Flute, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Soprano Saxophone and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto IV (Soprano Saxophone, Piano and Percussion Ensemble) (tr. Paxton; ed. Young) (c. 1738/2015)
- Concerto for Prince Johann (arr. Daehn) (c. 1713 / 2011)
- Contrapunctus I (arr. Barnes) (c. 1745/1988)
- Contrapunctus I (arr. King) (c. 1745/1960)
- Contrapunctus III (arr. King) (c. 1745/1955)
- Contrapunctus IX (arr. Clark) (c. 1745/2005)
- Contrapunctus V (arr. Daehn) (c. 1745)
- Contrapunctus XIV (Flex instrumentation) (arr. Aho) (2018)
- Deck Thyself, My Soul, With Gladness (arr. Reed) (1990)
- Fantasia and Fugue in C Minor (arr. Elgar; tr. Topolewski) (1727?)
- Fantasia and Fugue in C Minor (arr. Elgar; arr. Nowlin) (1727?/2016)
- Fantasia and Fugue in C minor, BWV 537 (arr. Hunsberger) (1727?/1997)
- Fantasia and Fugue in G minor (arr. Horovitz) (c. 1838/1986)
- Fantasia and Fugue in G minor, BWV 542 "The Great" (arr. Boyd) (c. 1838/1985)
- Fantasia in C (arr. Sterk) (1706/2017)
- Fantasia in G, BWV 572 (arr. Boyd) (1703-7/1957/1985)
- Fantasia in G, BWV 572 (arr. Goldman) (1703-7/1957/2012)
- Fervent is My Longing; Fugue in G Minor (tr. Cailliet) (c. 1710/1935/2006)
- Forget Me Not, O Dearest Lord (arr. Reed) (c. 1736/1985)
- French Suite No. 2 (Flex instrumentation) (arr. Shishikura) (1722/)
- Fugue à la Gigue (tr. Holst; ed. Brand) (1921/2008)
- Fugue à la Gigue (ed. Mitchell). See: Bach's Fugue à la Gigue
- Fugue à la Gigue (arr. Rondeau) (1921/2011)
- Fugue en sol mineur BWV 578 (Flex instrumentation) (arr. Costa) (1703-1707/)
- Fugue in B-flat Major (arr. Daehn) (1722/1988)
- Fugue in E-flat Major (tr. Abrams and Jones) (1739/2019)
- Fugue in G Minor (arr. Kimura) (1703-1707/1993)
- Fugue in G Minor (arr. Rechtman) (1703-1707/)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
- God Still Lives (arr. Reed)
- Goldberg Variations (arr. Colgrass)
- Hertzlich tut mich verlangen. See: Fervent is My Longing; Organ Fugue in G Minor
- If Thou Be Near (arr. Moehlmann) (1725/1940)
- If Thou Be Near (arr. Reed) (1725/1984)
- In Dulci Jubilo (arr. Reed) (1970)
- Jesu, Joy of Man's Desiring (tr. Cailliet) (1723/1962)
- Jesu, Joy of Man's Desiring (arr. Custer) (1723/1975/1997)
- Jesu, Joy of Man's Desiring (arr. Hazo) (1723/2012)
- Jesu, Joy of Man's Desiring (tr. Leidzen) (1723/1936)
- Jesu, Joy of Man's Desiring (arr. Moerenhout) (1723/2019)
- Jesu, Joy of Man's Desiring (arr. Pekas) (1723/)
- Jesu, Joy of Man's Desiring (arr. Reed) (1723/)
- Jesu, Joy of Man's Desiring (arr. Sapieyevski) (1723/)
- Jesu, Joy of Man's Desiring (arr. Sparke) (1723/2004)
- Jig Fugue (arr. Marlatt) (2003)
- Komm, Susser Tod (arr. Leidzen) (1736/1936)
- A Little Bach Suite (arr. Gordon) (1966)
- Little Fugue (arr. Romm; adapt. Custer) (c. 1705/1974/1991)
- Little Fugue in G minor (arr. Howland) (c. 1705/1974/2015)
- Little Fugue in G Minor, BWV 578 (arr. Parks)
- March (arr. Grainger) (1946)
- My Heart, Ever Faithful (arr. Barnes) (1988)
- My Heart is Filled With Longing (arr. Reed) (c. 1710/1986)
- My Jesus, Oh What Anguish (arr. Reed)
- My Soul Longeth to Depart in Peace
- Nun komm der Heiden Heiland (arr. McAlister)
- Nun komm, der Heiden Heiland (arr. Stert) (c. 1748/2013)
- O Jesu Christ, meins Lebens Licht (arr. Westover) (c. 1736/2017)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (arr. Grainger; ed. Brand and Brion) (1724?/1937-1942/1987)
- Our Father Who Art in Heaven (arr. Reed) (1710/1988)
- Passacaglia (arr. Glover) (c. 1703-1713?/2014)
- Passacaglia and Fugue in C minor (tr. Hunsberger) (1703-1713?/ 1968/1975)
- Passacaglia and Thema Fugatum in C Minor (tr. Stowkowski; ed. Sosnowchik) (1703-1713?/2014)
- Passacaglia and Fugue in C minor (tr. Falcone) (ca. 1712/1969)
- Passacaglia from "Cantata No. 12" (arr. Daehn) (1714/2011)
- Präludium und Fuge d-Moll (tr. Rechtman) (1722/2003)
- Prelude IV (arr. Reed) (1722/1983)
- Prelude and Fugue No. 6, BWV 535 (arr. Anthenien) (1722/1979)
- Prelude and Fugue in A-flat, BWV 557 (tr. Moehlmann) (1964)
- Prelude and Fugue in Bb major (Brass Ensemble) (arr. Beyrent)
- Prelude and Fugue in B-flat major (Brass Quintet) (arr. Beyrent)
- Prelude and Fugue in B-flat major, BWV 553 (arr. Moehlmann) (1852/1955)
- Prelude and Fugue in B-flat major BWV 553 (Flex instrumentation) (arr. Ring) (?/2020)
- Prelude and Fugue in B-flat minor, BWV 559 (arr. Moehlmann) (1852/1969)
- Prelude and Fugue in C major (arr. Beyrent)
- Prelude and Fugue in D major, BWV 532 (arr. Steinmetz) (1710/2018)
- Prelude and Fugue in D minor, BWV 554 (arr. Beyrent) (1722/2001)
- Prelude and Fugue in D minor, BWV 555 (arr. Coleman) (1852/2017)
- Prelude and Fugue in D minor, BWV 554 (tr. Moehlmann) (1852/1988)
- Prelude and Fugue in D minor (tr. Rechtman). See: Präludium und Fuge d-Moll
- Prelude and Fugue in E-flat, BWV 552 (setting Hunsberger) (c. 1739/2009)
- Prelude and Fugue in F major (arr. Moehlmann) (1852/?)
- Prelude and Fugue in F minor, BWV 555 (arr. Moehlmann) (1852/1954)
- Prelude and Fugue in G minor, BWV 535 (tr. Moehlmann) (1852/1939)
- Prelude, Chorale and Fugue (arr. Godfrey) (1919)
- Prelude in E-flat, BWV 552 (arr. Tamura) (c. 1739/2001)
- Prelude No. 22 (tr. Lynch) (c. 1722/2013)
- "Ricercare a 6" from Musical Offering, BWV 1079 (tr. McAlister)
- Saint Anne's Fugue (arr. Rhoads) (1965)
- Sarabande (arr. Kennaway) (1972/1977/1995)
- Second Bach Suite for Band (tr. Tolmage) (1965)
- Sehet was die liebe tut (arr. Grainger) (1937)
- Sheep May Safely Graze (arr. Reed) (1713/1981)
- Sinfonia from "Cantata No 29" (arr. Ninmer)
- Sinfonia from "Cantate 156" (arr. Daniels) (1729/)
- Sixteen Chorales (ed. King) (1958)
- Sixteen Chorales (arr. Lake) (1938)
- Sleepers, Awake! (arr. Patterson) (1731/1995)
- Sleepers, Awake! (arr. Reed) (1731)
- Sleepers, Awake! (tr. Sparke) (1731/2002)
- Songs of Exaltation (arr. Gordon) (1974)
- St. Anne. See: Prelude and Fugue in E-flat
- Three Fugues by J.S. Bach (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 2 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 16 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Fugue No. 23 (Flex instrumentation) (arr. Danyew) (1722/2020)
- Thus Do You Fare, My Jesus (arr. Reed)
- Toccata, Adagio and Fugue in C Major (arr. Rechtman) (c. 1717)
- Toccata, Adagio, and Fugue, BWV 564 (tr. Paynter) (c. 1717/2000)
- Toccata, Adagio and Fugue (tr. Knox) (c. 1717)
- Toccata, Aria, and Fugue in C Major (tr. Knox) (c. 1717)
- Toccata & Fuge d-Moll (arr. Goldhammer) (1705/2011)
- Toccata and Fugue in D minor (arr. Goldhammer). See: Toccata & Fuge d-Moll
- Toccata and Fugue in D minor (tr. Goto) (1705/2014)
- Toccata and Fugue in D minor (tr. Hindsley) (1705)
- Toccata and Fugue in D minor (tr. Hunsberger) (1705/1998)
- Toccata and Fugue in D minor (tr. Leidzen) (1705/1942)
- Toccata and Fugue in D minor (arr. Lopez) (1705/2010)
- Toccata and Fugue in D minor (tr. Nowlin) (1705/2015)
- Violin Partita No. 3 in E major (arr. Kitakata) (1720/2018?)
- Wachet Auf (Flex instrumentation) (arr. DeJonge) (1731/2020)
- Wachet auf (arr. Marlatt) (1731/)
- Wachet auf, ruft uns die Stimme (arr. Lauf Jr.) (1731/2019)
- Who Puts His Trust in God Most Just (arr. Croft) (1978)
- Wir Glauben All’ An Einen Gott (arr. Stokowski) (1739)
Resources
- Scott Ninmer website Accessed 7 December 2016