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Short Ride in a Fast Machine (tr Bissell)
John Adams (tr. Bissell)
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General Info
Year: 1986 / 1994
Duration: c. 4:15
Difficulty: VII (see Ratings for explanation)
Publisher: Unknown
Cost: Score and Parts - Unknown | Score Only - Unknown
Instrumentation
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Errata
None discovered thus far.
Program Notes
Commissioned by the Great Woods Festival to celebrate its inaugural concert at Great Woods, Mansfield, Massachusetts, and first performed June 13, 1986, by the Pittsburgh Symphony Orchestra under the direction of Michael Tilson Thomas.
- Program Note from the orchestral full score
Short Ride in a Fast Machine is a joyfully exuberant piece, brilliantly scored for a large orchestra. The steady marking of a beat is typical of Adams’s music. Short Ride begins with a marking of quarter-notes (woodblock, soon joined by the four trumpets) and eighths (clarinets and synthesizers); the woodblock is fortissimo and the other instruments play forte. Adams sees the rest of the orchestra as running the gauntlet through that rhythmic tunnel. About the title: “You know how it is when someone asks you to ride in a terrific sports car, and then you wish you hadn’t?”
Short Ride in a Fast Machine features the usual minimalist earmarks: repetition, steady beat, and, perhaps most crucially, a harmonic language with an emphasis on consonance unlike anything in Western art music in the last five hundred years. Adams is not a simple — or simple-minded -- artist. His concern has been to invent music at once familiar and subtle. For all of their minimalist features, works such as Harmonium, Harmonielhere, and El Dorado are full of surprises, always enchanting in the glow and gleam of their sonority and bursting with the energy generated by their harmonic movement
- Program note by Michael Steinberg
Short Ride in a Fast Machine opens with a burst of barely contained exuberance: an insistent woodblock pounding out continuous quarter notes amid a whirling torrent of sound. The second of two fanfares (the other being Tromba Lontan or Distant Trumpet) composed in 1986, Short Ride in a Fast Machine has quickly become one of Adams’ most oft-performed works. A brilliant example of musical minimalism, the piece draws the audience in with a hypnotic, repetitive rhythm and subtly swerves through a complex series of harmonic shifts and instrumental color variations. A soaring trumpet fanfare in the midst of the mad rush of energy lends the composition a moment of ecstasy before rejoining the full-throttle race to the end.
- Program Note by Andrew Skaggs for the U.S. Navy Band
Media
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State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
Works for Winds by This Composer
- The Chairman Dances (tr. Cannon) (1985)
- Chamber Symphony (1992)
- Grand Pianola Music (1982)
- Lollapalooza (tr. Spinazzola) (1995/2006)
- Scratchband (1996/1997)
- Short Ride in a Fast Machine (tr. Odom) (1986/1995)
- Short Ride in a Fast Machine (tr. Bissell) (1986)
- Short Ride in a Fast Machine (arr. Saucedo) (1986/2006)
Resources
- Alex Ross - The Harmonist: John Adams
- John Adams website
- Lee, D. (2002) Masterworks of 20th-Century Music: The Modern Repertory of the Symphony Orchestra. New York: Routledge, 4-6
- Miles, R., comp. & ed. (2000). Teaching Music Through Performance in Band (Volume Three). Chicago, IL: GIA Publications, 537-542
- Schwarz, K.R. (1990). Process vs. Intuition in the Recent Works of Steve Reich and John Adams. American Music 8 (3), 245-273.