Second Suite for Band

Alfred Reed

Subtitle: Latino-Mexicano

General Info

Year: 1980
Duration: c. 13:45
Difficulty: VI (see Ratings for explanation)
Publisher: Hal Leonard
Cost: Score and Parts (print) - $100.00 | Score Only (print) - $7.50

Movements

1. Son montuno
2. Tango ("Sargasso serenade")
3. Guaracha
4. Pasa doble ("A la Corrida!")

Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-II, including:

Bass Drum
Bell Tree
Bells
Castanets
Chimes
Claves
Cowbell
Crash Cymbals
Guiro
Maracas
Marimba
Sandpaper Blocks
Snare Drum
Suspended Cymbal
Tambourine
Timbales
Tom-Tom
Triangle
Vibraphone
Xylophone

Errata

None discovered thus far.

Program Notes

The Second Suite for Band was commissioned by the Sterling, Illinois, High School Wind Ensemble, G. Jack Schuler, Director, in memory of Ina R. Schuler. The first performance took place on March 29, 1979, with the Sterling group, under the direction of the composer.

The Second Suite for Band consists of four movements, each one based on a characteristic song, march or dance form usually associated with either a single Latin-American country or group of countries. The first movement, Son Montuno, is based on a rhythm closely associated with the calypso, and seems to have had its origin in Cuba or the nearby Caribbean countries. Its basic two-beat rhythm is performed lightly, and its melodies are also light, vivacious and delicate in character.

The second movement, Tango, is based not on the dramatic, highly charged Argentinian version which has become so familiar to us, but on the less frequently heard Brazilian interpretation, which is slower, smoother, and dreamier, rather than forthright and dramatic. Although they are both basically four-beat rhythms, the beats in the Brazilian version are played almost in a gliding fashion rather than in the emphatic manner of the Argentinian.

The third movement, Guaracha, is a rollicking Argentinian drinking song, in effect a little scherzo, that bounces along its insouciant way to contrast with the preceding Tango and the succeeding Paso Doble.

The fourth movement, Paso Doble, is built on rhythms associated either with a dance or march, and is Mexican in origin (although the term is also found in Spain, from where, presumably, it was brought to Mexico). Despite its name, which, literally translated, means "two-step", we find pasos dobles written in both duple and triple time, either for dancing or marching. The present version combines these two basic patterns into quintuple meter (5/4) in a brilliant march to the bull ring on a festival day, ending with one of those typical long Spanish melodic lines in triple time that suggest both a dance and a march.

- Program Note by Rundel

Media

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State Ratings

Indiana: ISSMA SENIOR BAND GROUP I
Kansas: V
Louisiana: IV
Massachusetts: IV
New York: Concert Band VI
Tennessee: VI
Virginia: VI

Performances

To submit a performance please join The Wind Repertory Project

West Chester (Penn.) University Wind Symphony (M. Gregory Martin, conductor) - 7 October 2021
Callanwolde Concert Band (Decatur, Ga.) (Glenn Moore, conductor) – 29 September 2019
Beijing (China) Wind Orchestra (Li Fangfang, conductor) – 18 July 2019
University of Georgia (Athens) Hodgson University Band – 23 April 2018
Duke University (Durham, N.C.) Wind Symphony (Verena Mösenbichler-Bryant, conductor) – 16 November 2017
Spring-Ford (Penn.) High School Band (Seth Jones, conductor) – 5 February 2016 – (West Chester University (Penn.) Concert Band Symposium)
Atlanta (Ga.) Wind Symphony – 2013
Ryukoku University (Kyoto, Japan) Symphonic Band – 29 June 2013

Works for Winds by This Composer

Adaptable Music

Come, Sweet Death (Flex instrumentation) (as transcriber; arr. Benson) (1736/1976/2019)
Two Bagatelles (Flex instrumentation) (arr. Clark) (1983/1997/2010)

All Wind Works

Acclamation!
Alleluia! Laudamus Te (1973)
Arioso (as arranger) (1729/1998)
Armenian Dances (1972-1978)
- Armenian Dances, Part One (1972/1974)
- Armenian Dances, Part Two (1978)
Around the World in 80 Days: Selections (as arranger; ed. Rogers) (1957/2017)
Autumn Leaves (as arranger; ed. Rogers) (1947/2017)
Ballade (1956/1999)
Bachianas Brasileiras No. 4 Suite (as arranger) (1965)
Berceuse and Finale from "The Firebird" (as editor; arr. McAlister) (1910/2005)
The Big East March (1997)
Canto e Camdombe
Carmen (as editor; tr. McAlister) (1875/2000)
A Celebration Fanfare (1989)
A Ceremonial Fanfare (1971)
Ceremony of Flourishes (1964)
Chanson Triste (as arranger) (1878/1989)
Characteristic Dances from "The Nutcracker Suite" (as editor with McAlister; tr. Rogan) (1892/2001)
Children's Suite (2000)
A Christmas Suite (1974)
Chorale Prelude in E minor (1953/1966)
A Christmas Celebration (1987)
A Christmas Intrada (1980)
Clear Track Polka (2000)
Come, Sweet Death (as arranger) (1736/1976)
Come, Sweet Death (as transcriber; arr. Benson) (1736/1976/2019)
Concertino (as arranger; ed. McCathren) (1811/1962)
Concertino for Marimba and Winds (1993)
Concerto for Trumpet and Winds (1995/1997)
- Sonata
- Slow Blues, Jazz Waltz
- Song, Samba
Curtain Up! (1991)
Dance of the Hours (as editor; tr. Kennedy) (1876/)
Danza Caribe (1986)
Deck Thyself, My Soul, With Gladness (as arranger) (1653/1724/1990)
Divertimento for Flute and Wind Orchestra (1998)
Double Wind Quintet (1975)
East and West (2003)
El Camino Real (1985)
El Camino Real (arr. Longfield) (1985/2013)
The Enchanted Island (1980)
The Entertainer (as arranger) (1902/1974)
Evolutions (1993)
Exhortation and Praise (2003)
Fanfare and Processional (2005)
The Fantasticks (as arranger) (1966)
Fantasy on "Black Is the Color of My True Love's Hair" (as arranger) (1973)
A Festival Prelude (1962)
A Festive Overture (1963)
Fifth Suite for Band (1995)
Fifth Symphony (1995)
Finlandia (as editor; tr. McAlister) (1900/2004)
First Suite for Band (1975)
Five Cameos (2002)
Five Dances for Five Clarinets and Band
Forget Me Not, O Dearest Lord (as arranger) (c. 1736/1985)
Fourth Suite for Band (1994)
Fourth Symphony (1992)
French Suite
Funiculi Funicula (as arranger) (1880/1994)
The Garden of Proserpine
Giligia (2000)
Golden Eagle (1989/1995)
Golden Jubilee (1987)
The Golden Year (1997)
Greensleeves (1993/2011)
Gypsy Dance (as arranger) (1872/1997)
Havana Moon
Highlights from "Exodus" (as arranger) (1960/1962)
Highlights from Walt Disney's "Mary Poppins" (as arranger) (1963/1965)
The Hounds of Spring (1981)
Huldigungsmarsch (as editor) (1864/2002)
Hungarian Rhapsody No. 2 (as editor; tr. McAlister) (1853/2002)
Hymn Variants (1992)
I Left my Heart in San Francisco (as transcriber; ed. Rogers) (1954/1963)
Imperatrix (1972)
In Dulci Jubilo (as arranger) (1970)
In Memoriam (1972)
Intrada Drammatica (1968/1992)
Jazz Waltz. See: Concerto for Trumpet and Winds
Jesu, Joy of Man's Desiring (as arranger) (1723/1981)
Jidai (2001)
Joyeux Noël (Brass Ensemble) (1998)
Joyeux Noël (Wind Ensemble) (1998/2001/2002)
A Jubilant Overture (1970)
A Jubilant Overture (arr. Conaway) (1970/2011)
The King of Love My Shepherd Is (1995)
L’Arlésienne Suite No 2 (as editor, with McAlister) (1872/2002)
Laid-Back Rag
Light Cavalry Overture (as editor; tr. McAlister) (1866/2003)
A Little Concert Suite (1984)
Lumberjack Overture
Macarena (as arranger) (1992)
Mancini! (as arranger) (1965)
March Grandioso (as arranger) (1901/1969)
Mary Poppins (as arranger) (1964/2006)
Might and Majesty
Millennium III (1999)
Mr. Music (1990)
The Music-Makers (1968)
Music for Hamlet (1973/2018)
Music in the Air! (2000)
The Music Man: Highlights (as arranger) (1957/1959)
My Fair Lady (as arranger) (1956/?)
My Heart Is Filled With Longing (as arranger) (c. 1710/1986)
Nimrod (as arranger) (1899/1965)
Nocturne (as arranger) (1886/1953/1975)
A Northern Legend (1972)
O Little Town (as arranger)
O Most Wonderful (as arranger)
Ode for Trumpet (1956)
Old and New (2002)
Othello (1977)
Our Father Who Art in Heaven (as arranger) (1710/1988)
Passacaglia (1967)
Pavane for a Dead Princess (as orchestrator; ed. McAlister) (1899/1988)
Piccolo Concerto in C major (as arranger) (1728-29/1962/1969)
Pilgrim's Chorus (as arranger) (1845/1991)
The Pledge of Allegiance (1970)
Pomp and Circumstance Military March No. 1 (as editor; tr. Retford) (1907/2000)
Pomp and Circumstance Military March No. 2 (as editor; tr. Retford) (1907/2000)
Pomp and Circumstance Military March No. 3 (as editor; tr. Retford) (1907/2000)
Pomp and Circumstance Military March No. 4 (as editor; tr. Retford) (1907/2000)
Praise Jerusalem! (1986)
Prelude IV (as arranger) (1722/1983)
Prelude and Capriccio (1978)
Prelude, Op. 9, No. 1 (as arranger) (1894/1985)
Presentation of the Silver Rose (as arranger) (1910/1988)
Pro Texana (1984)
Punchinello (1974)
Radetzky March (as arranger) (1848/1993)
Rahoon (1965)
The Ramparts of Courage (1995)
Rosalind in the Forest of Arden (2005)
Rushmore (1981)
Russian Christmas Music (1944)
Russian Christmas Music (arr. Curnow) (1944/1990)
A Sacred Suite
Salutations! (1995)
Samba. See: Concerto for Trumpet and Winds
Seascape: A Dramatic Intermezzo (1962)
Second Century (1986)
Second Suite for Band (1980)
Second Symphony (1979)
Selections from Walt Disney's "Mary Poppins" (as editor; arr. Kostal) (1963/1964)
Serenade (1966)
Seventh Suite for Band (2002)
The Severn Suite (as arranger) (1973)
Siciliana Notturno (1977)
Silver Shadow (1998/1999)
Sine Nomine (as arranger) (1906/1976)
Sixth Suite for Band
Slavonic Folk Suite (1953/1987)
Slow Blues. See: Concerto for Trumpet and Winds
Sonata. See: Concerto for Trumpet and Winds
Song. See: Concerto for Trumpet and Winds
Song of the High Cascades
Song of Threnos (1964)
A Springtime Celebration (1991)
The Strenuous Life (as arranger) (1902/1974)
Sumus Futuro (1999)
A Symphonic Prelude (1963)
Symphony for Brass and Percussion (1952/1967)
Symphony No. 1. See: Symphony for Brass and Percussion
Symphony No. 2. See: Second Symphony
Symphony No. 3 (1988)
- Variations on the Porazzi Theme of Wagner (1882/1988)
Symphony No. 4. See: Fourth Symphony
Symphony No. 5. See: Fifth Symphony
Tannhäuser Grand March (as editor; tr. McAlister) (1847/2005)
Tarantella (1996)
Testament of an American (1974)
Theme from "Lawrence of Arabia" (as arranger) (1963)
Third Suite for Band (1982)
Third Symphony. See: Symphony No. 3
Three Chorales (as arranger; ed. McAlister) (?/2013)
Three Revelations from the Lotus Sutra (1984)
Three Symphonic Preludes (as arranger)
Thunder and Lightning (1999)
The Tsar's Farewell (as arranger) (2001)
Twelfth Night (2003)
Two Bagatelles (Flex instrumentation) (arr. Clark) (1983/1997/2010)
Two Bagatelles (1983/1995)
Two Bagatelles for Concert Band (1983/1997)
Two Bagatelles for Four Trombones (1983)
Variations on the Porazzi Theme of Wagner. See: Symphony No. 3
Victory! (2005)
Vilia (as arranger) (1905/1990)
Vilabella March (as editor) (1970)
Viva Musica! (1984)
Wapawekka (1963)
With Trumpets And Drums (1992)

Resources

Heritage Encyclopedia of Band Music. "Alfred Reed." Accessed 6 February 2016
Reed, A. (1980). Second Suite for Band: Latino-Mexicano [score]. Piedmont Music: New York.
Second Suite for Band, Rundel Accessed 6 February 2016