Scenes from "Billy the Kid"
Aaron Copland (arr. Hilliard)
General Info
Year: 1941 / 2000
Duration: c. 9:40
Difficulty: V (see Ratings for explanation)
Original Medium: Two Pianos
Publisher: Boosey & Hawkes
Cost: Score and Parts - $95.00 | Score Only - $12.95
Movements
1. The open prairie
2. Street in a frontier town
3. Cowboys with lassos
4. Mexican dance and finale
5. Gun battle
6. Celebration (after Billy's capture)
7. Billy's death
8. The open prairie again
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III-IV, including:
- Bass Drum
- Crash Cymbals
- Glockenspiel
- Gourd
- Slapstick
- Snare Drum
- Suspended Cymbal
- Triangle
- Wood Block
- Xylophone
Errata
None discovered thus far.
Program Notes
Following the success of his El Salón México, Aaron Copland was called upon by ballet impresario Lincoln Kirstein to compose the music to a ballet based on the legend of Billy the Kid, drawn from the 1925 best seller by Walter Noble Burns. Premiered by Ballet Caravan in 1938 in a two-piano version, a full orchestral score was completed in May 1939. The ballet was a great success and Copland began getting royalty checks of $40 for each performance. He related “It was after Billy, when I was almost forty years old, that my mother finally said that the money spent on piano lessons for me was not wasted.”
The Suite from the ballet music was completed by Copland in the summer of 1939. As arranged for wind ensemble by Quincy C. Hilliard, the Suite is programmatic. Beginning with The Open Prairie, Copland’s conveys the space and isolation of the New Mexico prairie. He depicts the life in a frontier town with cowboys demonstrating their skill with lassos and follows with a Mexican dance. A brawl breaks out and gun shots are heard. Billy’s mother is accidentally killed and Billy takes revenge by stabbing those guilty, necessitating his flight into the night. A posse is successful in capturing him and the town rejoices. Billy’s demise is noted in a short, solemn passage. The Suite concludes with an adoption of the opening theme to convey a new dawn opening over the prairie.
- Program Note by Foothill Symphonic Winds
Media
(Needed - please join the WRP if you can help.)
State Ratings
- Florida: VI
- Georgia: V
Performances
To submit a performance please join The Wind Repertory Project
- Golden State Wind Orchestra (Sacramento, Calif.) (Marlon A. Ramirez, conductor) – 11 June 2016
- Los Angeles Symphonic Winds (Stephen Piazza, conductor) - 29 May 2016
- Foothill Symphonic Winds (Palo Alto, Calif.) (David Bruce Adams, conductor) - 8 March 2015
Works for Winds by This Composer
- Appalachian Spring (arr. Morita) (1944)
- Appalachian Spring (arr. Patterson) (1944)
- Buckaroo Holiday from "Rodeo" (tr. Megan) (1941/2000)
- Buckaroo Holiday from "Rodeo" (tr. Sudduth) (1941)
- Canticle of Freedom (arr. Duffy) (2000)
- Celebration (arr. Lang) (1938/1945)
- Ceremonial Fanfare
- A Copland Portrait (arr. Grundman) (1986)
- A Copland Tribute (arr. Grundman) (1986)
- Danzón Cubano (tr. Rogers) (1949/2000)
- The Dodger (arr. Knox) (c. 1880/1950/)
- The Dodger. See also: Old American Songs I
- Down a Country Lane (tr. Patterson) (1962/1991)
- El Salón México (tr. Hindsley) (1939/1972)
- Emblems (1964)
- Excerpts from "Appalachian Spring" (arr. Longfield) (1944)
- Fanfare for the Common Man (1942/1944)
- Fanfare for the Common Man (arr. Longfield) (1942/1944/2007)
- Finale from "Symphony No. 3" (trans. Patterson) (1946/)
- Four Dance Episodes from "Rodeo" (arr. Patterson) (1942/)
- Grover's Corners (arr. Longfield) (1940/2023)
- Hoe Down from "Rodeo" (arr. Moss)
- Hoe Down from "Rodeo" (tr. Rogers)
- Inaugural Fanfare
- Laurie's Song (tr. Martin) (1954/ )
- Laurie's Song (arr. Silbert and Buchanan) (1954/ )
- Letter from Home (arr. Belski) (1944)
- Lincoln Portrait (tr. Beeler) (1942/1951)
- Old American Songs (arr. Moss) (1950/2006)
- Old American Songs I (arr. Silvester) (1950/2001)
- Old American Songs II (arr. Duffy) (1952/2001)
- Our Town (arr. Singleton)
- An Outdoor Overture (1938/1948)
- Preamble for a Solemn Occasion (1949/1974)
- The Promise of Living (arr. Curnow) (1954/2012)
- The Promise of Living (tr. Duffy) (1954/2000)
- The Promise of Living (tr. Hile) (1954)
- The Promise of Living (tr. Singleton) (1954/2002)
- Quiet City (arr. Hunsberger) (1941/1992)
- The Red Pony (1969)
- Scenes from "Billy the Kid" (arr. Hilliard) (1941/2000)
- Stomp Your Foot (tr. Duffy) (1954/1956/2000)
- Symphony No. 3
- Symphony No. 3. See also: Finale from "Symphony No. 3"
- Themes from "An Outdoor Overture" (arr. Curnow) (1938/2014)
- Three Excerpts from "Our Town" and "Simple Gifts" (arr. Cohen)
- Three Latin American Sketches (arr. Mikkelson) (1972/2021)
- Variations on a Shaker Melody (1960)
- Waltz and Celebration (arr. Lang) (1944/1972)
Resources
- Copland, A.; Hilliard, Q. (2000). Scenes from Billy the Kid: Ballet Suite [score]. Boosey & Hawkes: New York.