Sarabande (arr. Hautvast)

George Frideric Handel

George Frideric Handel (arr. Willy Hautvast)

This work bears the designation HWV 437.

General Info

Year: 1703-1706 / 1733 / 2004
Duration:
Difficulty: II (see Ratings for explanation)
Original Medium: Harpsichord
Publisher: Molenaar Edition
Cost: Score and Parts (print) - €48.92 | Score Only (print) - €12.04

Instrumentation

Full Score
Flute
Oboe
Bassoon
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III
Trombone I-II-III
Euphonium
Tuba
Timpani
Percussion, including:

Bass Drum
Crash Cymbals
Snare Drum

Errata

None discovered thus far.

Program Notes

The Sarabande is the fourth movement of Handel's Keyboard Suite in D minor (HWV 437) for solo keyboard (harpsichord), composed between 1703 and 1706. It is also referred to as Suite de pièces Vol. 2 No. 4. It was first published in 1733.

The Sarabande has two variations. The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, Still a Queen (In My End Is My Beginning), from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's A.B.C. Murders.

- Program Note from Wikipedia

Media

(Needed - please join the WRP if you can help.)

State Ratings

None discovered thus far.

Performances

To submit a performance please join The Wind Repertory Project

Works for Winds by This Composer

Adaptable Music

Hail the Conquering Hero (Flex instrumentation) (arr. Marlatt) (1746/2008/2014)
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Hornpipe from the "Water Music" (Flex instrumentation) (arr. Stanton) (1717/2012)
Handel's Largo (Flex instrumentation) (arr. Brand) (1738/2007)
See the Conquering Hero Comes (Flex instrumentation) (arr. Brand) (1746/2007)
Water Music Suite (Flex instrumentation) (arr. Kanayama) (1717)

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Fughetta (tr. Conley) (1986)
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Hallelujah, Amen (arr. Barnes) (1986)
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Hallelujah Chorus (arr. Johnson) (1741/1951)
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Largo (arr. Barnes) (1738/1988)
Largo (arr. Fagan) (1738/2004)
Largo (arr. Hautvast) (1738/)
Lascia Ch'io Pianga (arr. Tamura) (1711/2014)
Let Me Weep (arr. Haan) (1711/2004)
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Messiah Overture (arr. Johnson) (1741/1966)
The Music for the Royal Fireworks (arr. Boudreau) (1749/1959)
Music for the Royal Fireworks (arr. Erickson) (1749/1997)
Music for the Royal Fireworks (rescored Hindsley) (1749/197-?)
Music for the Royal Fireworks (arr. Leenhouts) (1749/2021)
The Music for the Royal Fireworks (arr. Mackerras and Baines) (1749/1960)
Music for the Royal Fireworks (ed. Rodenmacher) (1749/)
Music for Two Wind Bands (arr. Schaefer) (1977)
No Shade So Rare (arr. Forsblad) (1738/1999)
An Occasional Suite (arr. Osterling) (1746/1958)
Overture in D Minor
Passacaglia (arr. Longfield) (c. 1720/2014)
Royal Fireworks Music (arr. Sartorius) (1749/1941)
Royal Fireworks Music (arr. Schaefer) (1749/1982)
Sarabande (arr. Daehn) (1703-1706/1733/2004)
Sarabande (arr. Gingery) (1703-1706/1733/1976)
Sarabande (arr. Van Grevenbroek) (1703-1706/1733/2012)
Sarabande (arr. Hautvast) (1703-1706/1733/2004)
See the Conquering Hero Comes (Flex instrumentation) (arr. Brand) (1746/2007)
Slow March from "Scipio"
Song of Jupiter (arr. Anderson) (1952)
Suite from "Messiah" (trans. Curnow) (1741/1989)
A Suite of Baroque Dances (arr. Kinyon) (1979/1995)
Thanks Be to Thee
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Water Music (arr. Longfield) (1717/1997)
Water Music Suite (arr. Erickson) (1717/1985)
Water Music Suite (Flex instrumentation) (arr. Kanayama) (1717)
Water Music Suite (arr. Kay) (1717/1950)
Zadok the Priest

Resources

Keyboard suite in D minor (HWV 437). Wikipedia Accessed 27 August 2021
Perusal score