Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!

Rhapsody for Euphonium and Band

From Wind Repertory Project
Jump to navigation Jump to search
Jim Curnow

James Curnow


General Info

Year: 1978 / 1999
Duration: c. 6:05
Difficulty: IV (solo), III (ensemble) (see Ratings for explanation)
Publisher: Curnow Music, Inc.
Cost: Score and Parts - $79.00


Instrumentation

Full Score
Solo Euphonium (Bass Clef & Treble Clef)
C Piccolo
Flute I-II
Oboe I-II
English Horn
Bassoon I-II
B-flat Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
Alto Saxophone I-II
Tenor Saxophone
Baritone Saxophone
Trumpet (in B-flat) I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium (Bass Clef & Treble Clef)
Tuba
String Bass
Timpani
Percussion I-II-III, including:

  • Bar Chimes
  • Bells
  • Chimes
  • Crash Cymbals
  • Snare Drum
  • Suspended Cymbal
  • Tambourine
  • Triangle
  • Xylophone

Errata

None discovered thus far.


Program Notes

Originally written by the composer as a teaching piece for his own euphonium students, Rhapsody for Euphonium is dedicated to the memory of the composer’s teacher, Leonard Falcone. Since its first release in 1978, Rhapsody for Euphonium has gone on to become a very important part of the euphonium literature.

The composition begins with an unaccompanied soliloquy by the soloist. This beautiful melody, set in the Dorian mode, establishes the molto espressivo style of the first third of the composition. Six measures later, the ensemble enters, playing undulating rhythmic patterns that help to create intensity. The solo continues with the euphonium presenting musical material, which is imitated and answered by the accompanying ensemble.

The second third of the composition features an exciting scherzo that presents call and response type statements between the soloist and the ensemble. Contrasting dynamics, exciting syncopation and fast-paced sixteenth passages also highlight this portion of the solo.

The last section of the solo features the extremely melodious tone of the euphonium in a lovely obbligato passage. This obbligato flows over melodic material from the first third of the piece. Via a rapid accelerando, the solo moves into a brilliant coda, which recapitulates many of the thematic ideas from earlier passages.

-Program note from score


Commercial Discography

None discovered thus far.


Audio Links

Reference recording: soloist and ensemble unknown


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • State University of New York, Potsdam, Symphonic Band (Brian K. Doyle, conductor; William Sutton, euphonium) – 21 November 2019
  • St. Cloud (Minn.) State University Wind Ensemble (Catherine Bushman, conductor; Ryan Anselment, euphonium) – 20 March 2018
  • United States Coast Guard Band (New London, Conn.) (Edward Cumming, conductor; Bonnie Denton, euphonium) – 11 February 2018
  • Cuesta Wind Ensemble (Jennifer Martin, conductor; Carlos Gama, Jr., euphonium) - 12 December 2012
  • Woodland (Calif.) Community Band (Bobby Rogers, conductor; Steve Drivon, euphonium) - 4 June 2011
  • Omaha Symphonic Winds (William Hall, conductor) - 28 February 2010


Works for Winds by this Composer

Adaptable Music


All Wind Works


Resources