John Mackey (transcribed by the composer)
Duration: c. 9:00
Difficulty: VI (see Ratings for explanation)
Original Medium: Symphony Orchestra
Publisher: Osti Music
Cost: Score and Parts (Rental) - $375.00 | Score (Purchase) - $60.00
Eb Soprano Clarinet
Bb Soprano Clarinet I-II-III
Bb Bass Clarinet
Alto Sax I-II
Trumpet (in Bb) I-II-III-IV
Horn in F I-II-III-IV
Percussion I-II-III-IV-V-VI, including:
- Bass Drum
- Cymbal (suspended)
- Finger Cymbals
- Tom-Toms (4)
None discovered thus far.
Redline Tango takes its title from two sources. The first is the common term of "redlining an engine," or pushing it to the limit. In the case of this score, "redline" also refers to the "red line," or the IRT subway line (2 and 3 trains) of the New York subway system, which is the train that goes between my apartment on the Upper West Side of Manhattan and BAM, where this work was premiered.
The work is in three sections. The first section is the initial virtuosic "redlining" section, with constantly-driving 16th-notes and a gradual increase in intensity. After the peak comes the second section, the "tango," which is rather light but demented, and even a bit sleazy. The material for the tango is derived directly from the first section of the work. A transition leads us back to an even "redder" version of the first section, with one final pop at the end.
Originally commissioned by the Brooklyn Philharmonic, this is the re-worked, or "windstrated" version.
Redline Tango was commissioned by Emory University, Lamar University, Arizona State University, Florida State University, Louisiana State University, Illinois State University, University of Kansas, and Mercer University. Consortium organized by Scott A. Stewart of Emory University and Scott Weiss of Lamar University.
The work was premiered February 26, 2004, by the Emory University Wind Ensemble, Scott Stewart, conductor.
- Program Note by John Mackey
As the title implies, Redline Tango is based on and contains elements of the Argentine dance form tango. It is in single-movement sonata form and incorporates elements of the tango, a reflection of Mackey's extensive experience writing for dance companies in New York.
- Program Note from Teaching Music through Performance in Band
- ABA/Ostwald Prize (2005)
- Audio CD: University of Kansas Wind Ensemble (John P Lynch, conductor).
- Audio CD: University of Florida Wind Symphony (David A Waybright, conductor).
- Texas: V
To submit a performance please join The Wind Repertory Project
- University of Utah (Salt Lake City) Wind Ensemble (Scott Hagen, conductor) – 5 February 2020
- State University of New York, Fredonia, All College Band (Carrie Pawelski, conductor) – 19 November 2019
- Abilene (Tx.) Christian University Wind Ensemble (Steven D. Ward, conductor) – 25 April 2019
- Penn State University (University Park) Symphonic Wind Ensemble (Dennis Glocke, conductor) – 18 April 2019
- Brock University (St. Catharines, Ont.) Wind Ensemble (Zoltan Kalman, conductor)– 2 April 2019
- Lone Star Wind Orchestra (Dallas, TX) (Eugene Migliaro Corporon, conductor) – 27 January 2019
- University of North Carolina (Chapel Hill) Wind Ensemble (Evan Feldman, conductor) – 5 December 2018
- Texas Christian University (Fort Worth) Symphonic Band (Matthew Garrett, conductor) – 18 October 2018
- University of Illinois (Champaign) Wind Symphony (Stephen G. Peterson, conductor) – 12 October 2018
- Michigan State University (East Lansing) Symphony Band (David Thornton, conductor) – 20 March 2018
- Grand Street (New York) Community Band (Brian Worsdale, conductor) – 11 March 2018
- Louisiana State University (Baton Rouge) Wind Ensemble (Frank Wickes, conductor) – 20 February 2018
- Texas Tech University (Lubbock) Symphonic Band (Sarah McKoin, conductor) – 12 February 2018
- Baldwin-Wallace College (Berea, Ohio) Symphonic Wind Ensemble (Dwight Oltman, conductor) – 21 April 2017
- United States Coast Guard Band (New London, Conn.) (Richard Wyman, conductor) – 19 March 2017
- The Ohio State University (Columbus) Wind Symphony (Onsby C. Rose, conductor) – 3 November 2016
- Cornell University (Ithaca, N.Y.) Wind Symphony (James Spinazzola, conductor) – 6 March 2016
- University of North Texas (Denton) Wind Ensemble (Nicholas Enrico Williams, conductor) – 6 October 2015
- United States Army Band (Dustin Barr, conductor) – 23 July 2015
- Colorado Wind Ensemble (Denver) (Alan Mills, conductor) - 14 February 2015
Works for Winds by this Composer
- Antique Violences (2017)
- Asphalt Cocktail (2009)
- Aurora Awakes (2009)
- Clocking (2007)
- Concerto for Soprano Sax and Wind Ensemble (2007)
- Damn (1998)
- Drum Music: Concerto for Percussion (2011)
- Fanfare For Full Fathom Five (2015)
- Foundry (2011)
- The Frozen Cathedral (2012)
- Harvest: Concerto for Trombone (2009)
- High Wire (2012)
- Hymn to a Blue Hour (2010)
- Kingfishers Catch Fire (2007)
- Lightning Field (2015)
- Liminal (2016)
- The Night Garden (2017)
- Places We Can No Longer Go (2018)
- (redacted) (2013)
- Redline Tango (2004)
- The Rumor of a Secret King (2017/2018)
- Sacred Spaces (2019)
- Sasparilla (2005)
- Sheltering Sky (2012)
- Snarl (2018)
- Songs from the End of the World (2015)
- The Soul Has Many Motions (2013)
- Night on Fire (2013)
- Strange Humors (2006)
- This Cruel Moon (2014/2017)
- Turbine (2006)
- Turning (2007)
- Undertow (2008)
- Until the Scars (2014/2019)
- Wine-Dark Sea (2014)
- Xerxes (2010)
- John Mackey website
- Mackey, J. (2004). Redline Rango [score]. Ostimusic: [Boston].
- Phillips, Rebecca L. John Mackey: The Composer, His Compositional Style and a Conductor's Analysis of Redline Tango and Turbine [Doctoral Dissertation].
- Trachsel, Andrew. "Redline Tango." In Teaching Music through Performance in Band. Volume 6, edit. & comp. by Richard Miles, 863-875. Chicago: GIA Publications, 2007.