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Prelude and Scherzo
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Johannes Brahms (arr. Hubbell)
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General Info
Year: c. 1857 / 1981
Duration: c. 5:30
Difficulty: II (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Ludwig Masters
Cost: Score and Parts (print) - $35.00 | Score Only (print) - $10.00
Instrumentation
(Needed - please join the WRP if you can help.)
Errata
None discovered thus far.
Program Notes
(Needed - please join the WRP if you can help.)
Media
(Needed - please join the WRP if you can help.)
State Ratings
- Florida: III
- Louisiana: II
- Texas: II. Complete
- Virginia: III
Performances
To submit a performance please join The Wind Repertory Project
- Kent State (Ohio) Communiversity Band (John Franklin, conductor) – 1 May 2018
- Minooka (Ill.) Junior High 8th Grade Band – 10 December 2015
Works for Winds by This Composer
Adaptable Music
- Allegro (Flex instrumentation) (arr. Watkin) (1876/2003)
- Hungarian Dance No. 5 (Flex instrumentation) (arr. Deterling) (1869/2020)
- Hungarian Dance No. 5 (Flex instrumentation) (arr. Stanton) (1869)
- St. Anthony Chorale and Variation VI (Flex instrumentation) (arr. Brand) (1873/1991/2007)
All Wind Works
- Academic Festival Overture (arr. Allen) (1880/2019)
- Academic Festival Overture (arr. Safranek) (1880/1914)
- Academic Festival Overture (tr. Hindsley) (1880/1914/197-?)
- Academic Festival Overture (tr. Patterson) (1880/2012)
- Allegro (Flex instrumentation) (arr. Watkin) (1876/2003)
- Begräbnisgesang (ed. Whitwell) (1858/2014)
- Blessed Are They (arr. Buehlman) (1868/1970)
- Blessed Are They (arr. Kreines) (1868/xxx)
- Blessed Are They Who Mourn (arr. Hanna) (1868)
- A Child's Lullaby (arr. Swearingen) (1868/1996)
- Clarinet Sonata No. 1 (1894)
- Der Jäger (tr. Schuetter) (1859-60/2010)
- Famous Melodies of Brahms (arr. Ployhar) (1970)
- Finale from Brahms Symphony No. 1 (arr. Bobrowitz) (1862-76/2019)
- Finale from "Symphony No. 1" (arr. Butts) (1862-76/)
- Finale from "Symphony No. 1" (arr. Johnson) (1862-76/)
- Finale from "Symphony No. 1" (arr. Nelson) (1862-76/1972)
- Finale from "Symphony No. 1" (arr. Wilcox) (1862-76/)
- Finale from "Symphony No. 1" (arr. Williams) (1862-76/2008)
- Four Serious Songs (arr. Langslet) (1897/2017)
- Funeral Hymn (arr. Westover) (1858/2018)
- How Lovely Is Thy Dwelling Place (tr. Williams)
- Hungarian Dance No 5 (arr. Laurendeau) (1869/1905)
- Hungarian Dance No. 5 (Flex instrumentation) (arr. Deterling) (1869/2020)
- Hungarian Dance No. 5 (arr. Longfield) (1869/1996)
- Hungarian Dance No. 5 (arr. Mahl) (1869/1911)
- Hungarian Dance No. 5 (arr. Stalter) (1869)
- Hungarian Dance No. 5 (Flex instrumentation) (arr. Stanton) (1869)
- Hungarian Dance No. 5 (tr. Thompson) (1869/2018)
- Hungarian Dance No. 6 (arr. Laurendeau) (1869/1905)
- Hungarian Dance No. 6 (arr. Longfield) (1869/2005)
- Hungarian Dance No. 6 (arr. Halle) (1869/1905)
- Hungarian Dance No. 6 (arr. Price) (1869/1940)
- Hungarian Dance No. 7 (arr. Hildreth) (1869/1919)
- Hungarian Dances Nos 3, 5, 11 and 16 (arr. Sheen) (1869/1985)
- Hungarian Dances No 7-8 (arr. Brockton) (1922)
- Hymn of Freedom (tr. Gardner) (1876/1950/1995)
- Nänie (tr. Smith) (1881/2020)
- Oyama (arr. Laurendeau) (1905)
- Piano Quintet in F minor (tr. Stroble) (/2020)
- Prelude and Scherzo (arr. Hubbell) (c. 1857/1981)
- Romanza (tr. Paxton) (c. 1865-1873/2020)
- Serenade No. 2 in A major (ed. Smith) (1860/2012)
- Sleep Gently, My Child (arr. Mahaffey) (1892/2001)
- St. Anthony Chorale and Variation VI (Flex instrumentation) (arr. Brand) (1873/1991/2007)
- Symphony No. 1 Theme (arr. Feldstein and Clark) (1876/2006)
- Symphony No. 4 (arr. Wirgler)
- Three Chorale Preludes (arr. Boyd; ed. Fennell) (1896/1996)
- Three Hungarian Dances (arr. Singleton) (1858-1868/2009)
- Tragic Overture (tr. Kreines) (1880/)
- Variations and Fugue on a Theme by Handel (1862)
- Variations and Fugue on a Theme by Handel (tr. Kreines; ed. Johnson) (1862)
- Variations on a Theme by Haydn (tr. Duthoit) (1873/1938)
- Variations on a Theme by Haydn (tr. Hindsley) (1873/197-?)
- Variations on a Theme by Haydn (tr. Popkin) (1873/1996)
Resources
None discovered thus far.