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Prayer and Alleluia
Anton Bruckner (arr. David Marlatt)
This work bears the designation WAB 19.
General Info
Year: 1868 / 2009
Duration: c. 2:50
Difficulty: II (see Ratings for explanation)
Original Medium: Male voices and trombones
Publisher: Eighth Note Publications
Cost: Score and Parts (print) - $52.00 | Score Only (print) - $10.00
Instrumentation
Full Score
Flute
Oboe
Bassoon
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II
Horn in F
Trombone I-II
Euphonium
Tuba
Timpani
Percussion, including:
- Bells
- Chimes
- Crash Cymbals
- Suspended Cymbal
Errata
None discovered thus far.
Program Notes
This motet, actually called Inveni David, is an offertory that was originally set for male chorus and four trombones. This powerful work opens in B-flat minor and gradually builds to a brilliant B-flat major Alleluia with full, rich sonorities.
- Program Note from publisher
Inveni David translates from the Latin as "I Have Found David."
Commercial Discography
- Audio CD: Buchholz High School Wind Symphony (John LaCognata, conductor) - 2009
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Buchholz High School (Gainesville, Fla.) Wind Symphony (John LaCognata, conductor) – 17 December 2009 (2009 Midwest Clinic)
Works for Winds by This Composer
- Adagio from Symphony No 7 (arr. Schmalz) (1881-83/1995)
- Adagio from Symphony No 7 (arr. Walker) (1881-83/2000)
- Antiphon (arr. Gordon) (1884/1976)
- Apollo March (arr. Leidzen) (1862/1951)
- Apollo March (arr. Rhodes) (1862/1986)
- Ave Maria (trans. Buehlman) (1861/)
- Ave Maria (arr. Doss) (1861/2012)
- Ave Maria (trans. Kreines) (1882/2006)
- Ave Maria (arr. Leinhart) (1861/2012)
- Ave Maria (arr. Malecki) (1861/?)
- Ave Maria (arr. Marlatt) (1861/)
- Ave Maria (trans. Powell) (1861/2012)
- Ave Maria (trans. Reid) (1861/2013)
- Cathedral Music (arr. Daehn) (1885/2005)
- Christus Factus Est (arr. Thurston). see: Two Solemn Pieces
- Christus Factus Est (setting Wilds) (1884/2018)
- Drei Satze und Marsch in D Moll (arr. Schrijvers) (1862/2008)
- Ecce Sacerdos Magnus (arr. O'Neil) (1885/)
- Festive Cantata (1862)
- Germanenzug (1863-64)
- Hunt Scherzo from Symphony No 4 (arr. Dytrt) (1878/1979)
- Hymn of Praise (arr. Gordon) (1885/1969)
- Locus iste (arr. Grevenbroek) (1869/1998)
- March in E-flat (arr. Tousignant) (1865/2013)
- March in E-flat Major (arr. Leidzen) (1865/1951)
- March in Es-dur (arr. Takahashi) (1865/2011)
- Marsch in Es-dur (ed. Bornhöft) (1865/1996)
- Mass No. 2 in E minor (1866/1882)
- Mass No. 2 in E minor (tr. Scatterday) (1866/1882/)
- Motets for Band (arr. Grevenbroek) (2000)
- Os Justi (arr. Doss) (1879/2004)
- Os Justi (arr. Forbes) (1879/2017)
- Os Justi (arr. Meyer) (1879/)
- Prayer and Alleluia (arr. Marlatt) (1868/2009)
- Symphony No 4, Movement 1 (arr. Schmalz) (1874/1878/)
- Symphony Nr 5: Finale (arr. Jenssen) (1975-78/2004)
- Three Preludes (arr. Broege) (1836/1996)
- Two Solemn Pieces (arr. Thurston)
- Christus Factus Est (arr. Thurston) (1884/1999)
- Vexilla Regis (arr. Stevens) (1892/1995)
Resources
- Bruckner, A.; Marlatt, D. (2009). Prayer and Alleluia [score]. Eighth Note Publications: [Markham, Ont.].