Overture to Rienzi

Richard Wagner

This article is a stub. If you can help add information to it,
please join the WRP and visit the FAQ (left sidebar) for information.

General Info

Year: 1842 / 1933
Duration: c. 10:30
Difficulty: VI (see Ratings for explanation)
Publisher: C.L. Barnhouse
Cost: Score and Parts - $90.00 | Score Only - $10.00

Instrumentation

Full Score
Db Piccolo
Flute I-II-III
Oboe I-II
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III-IV
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II
B-flat Trumpet I-II
Bb Flugehorn I-II
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba I-II
String Bass
Timpani
Percussion

(percussion detail desired)

Errata

None discovered thus far.

Program Notes

During his residence in Riga -- a period of alternating hope and disappointment -- Wagner sketched the Opera Rienzi, deliberately building it on such a stupendous scale that it could only be offered to some royal theater. He had read Bulwer Lytton's Rienzi, The Last of the Barons, and "was carried away by this picture of great political and historical event." Wagner wrote as follows in explanation of the beginning of the work: "Grand opera, with its scenic and musical display, its sensationalism and massive effects, loomed large before my eyes: the aim of my artistic ambition was not merely to imitate it, but with reckless extravagance, to outdo it in every particular." He carried out his intentions so well that the premiere performance at Dresden in 1842 lasted six hours.

The overture is based upon thematic material from the opera, beginning with the long-drawn trumpet call, followed by Rienzi's prayer. This is followed by the allegro chorus of the first act finale and the battle hymn. The second act finale is then introduced, followed by the development section, which is based chiefly on the battle hymn. A brief recapitulation of the first part occurs and a brilliant coda bring the overture to its conclusion. With a wealth of colorful music, the overture has always remained popular -- principally because of one noble melody, Rienzi's prayer for the people.

- Program Note by Everett Kisinger from Program Notes for Band and Band Music Notes

Media

(Needed - please join the WRP if you can help.)

State Ratings

Alabama: Class AA
Arkansas: V
Georgia: VI
South Carolina: VI
Tennessee: VI
Virginia: VI

Performances

To submit a performance please join The Wind Repertory Project

Taku Winds (Juneau, Alas.) (William Todd Hunt, conductor) – 29 October 2017
Encore Concert Band (Orland Park, Ill.) (Bill Schuetter, conductor) - 26 October 2014
San Luis Obispo (Calif.) Wind Orchestra (William V. Johnson, conductor) - 17 May 2003

Works for Winds by This Composer

Awake (arr. Houseknecht) (1868/1957)
Chor der Junger from "Das Liebesmahl der Apostel" (arr. Pohler)
Die Meistersingers, Excerpts from the Opera (arr. Eric Osterling)
Die Meistersinger Overture (tr. Hindsley) (1868/197-?)
Die Meistersinger, Prelude (arr. Moses-Tobani/H.R. Kent) (1904/1948)
Die Meistersinger Themes (arr. Daehn) (18684/2009)
Die Meistersinger von Nurnbürg (tr. Hindsley) (1868/196-?)
Die Walkure, Act 2, Scene 4 (arr. King)
Elsa's feierlicher Zug zum Münster (tr. Nefs) (1848/2017)
Elsa's Procession to the Cathedral from "Lohengrin" (tr. Bourgeois)
Elsa's Procession to the Cathedral from "Lohengrin" (tr. Cailliet)
Entry of the Gods into Valhalla (arr. Godfrey) (1869/1906)
Entry of the Gods into Valhalla (arr. O'Neill) (1869/1930)
Evening Star (arr. Barnard) (1845/1927)
Festmusik (arr. Seifert-Kressbronn) (1843-1982)
Fest Marsch from "Tannhäuser" (tr. Rumbelow) (1845/1997)
The Flying Dutchman (tr. Hindsley) (1843/197-?)
Flying Dutchman Overture, The (arr. Godfrey) (1843/1955)
Funeral Music from "The Dusk of the Gods" (arr. Godfrey) (1876/1919)
Gathering of the Armies (arr. Friedman) (1850/1995)
Homage March (ed. Bourgeois)
Huldigungsmarsch (ed. Reed) (1864/2002)
Huldigungsmarsch (ed. Schaefer) (1864/1971)
Italian Polka (arr Leidzen) (arr. Leidzen) (1941)
Kaisermarsch (tr. Godfrey) (1871/1912)
King Heinrich’s Call (tr. Bourgeois) (1850/1983)
Invocation of Alberich from "Rheingold" (arr. Cailliet) (1869/1940)
Liebestod (arr. Shishikura) (1856/2014)
Liebestod (arr. Bainum) (1856/1964)
Lohengrin (arr. Patterson) (1850/2016)
Lohengrin (arr. Tamanini) (1850/2005)
Lohengrin: Introduction to Act III (arr. Drumm) (1850/1937)
March from "Tannhäuser" (arr. Lake) (1926)
March on, America
Nibelungen March (arr. Stretton) (c.1874/1909)
Overture to Rienzi (arr. Grabel) (1842/1933)
Pilgrim's Chorus (arr. Geese) (1845/2009)
Pilgrim's Chorus (arr. Musser) (1845/)
Pilgrim's Chorus (arr. Musser; ed. Rapp) (1845/2009)
Pilgrim's Chorus (arr. Reed) (1845/1991)
Prelude to Act I of "Die Meistersinger" (trans. Kreines) (1862/2012)
Prelude to Act III from "Lohengren" (tr. Hindsley) (1850)
Prelude to Act III from "Lohengrin" (tr. Brand) (1850/2001)
Prelude to Act III from "Lohengrin" (arr. McAlister and Reed) (1850/2006)
Procession of the Knights of the Holy Grail from "Parsifal" (arr. Houseknecht) (1964)
Ride of the Valkyries (tr. Patterson)
Ride of the Valkyries (arr. Laurendeau) (1870/1908)
Ride of the Valkyries (tr. Longwood) (1870/2000)
Ride of the Valkyries (arr. Hernandez) (1870)
Rienzi Overture (arr. Meyrelles) (1842/1892)
Selections from Act III of "Die Meistersinger von Nurnbürg" (arr. Hanna) (1868/2015)
Seigfried Fantasie (arr. Seidel) (1876/1893)
Siegfried Idyll (1870)
Siegfried's Funeral March (tr. Tanick) (1876/)
Siegfried's Funeral March from "Gotterdammerung" (tr. Bourgeois)
Siegfried's Funeral Music (arr. Whear) (1876/1966)
Tannhäuser (arr. Lake) (1845/1926)
Tannhäuser Grand March (tr. McAlister) (1845/2005)
Tannhäuser March (arr. E. Fall) (1845)
Tannhäuser Overture (arr. Fall) (1845/1936)
Tannhäuser Overture (tr. Safranek) (1845/1913)
Tannhäuser Overture (arr. Sousa) (1845/)
Tannhäuser Overture (arr. Winterbottom) (1845/1903)
Tannhäuser Selection (arr. Lake) (1926)
Trauersinfonie (ed. Votta/Boyd) (1844/1924/1994)
Trauersinfonie (tr. Leidzen) (1844/1924/1949)
Tristan und Isolde (tr. Janssen) (1862/2015)
Vorspiel und Liebestod (arr. Godfrey) (1865/1909)
Wotan's Farewell and Magic Fire Music from "Die Walküre" (arr. Lake) (1874/1937)

Resources

Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications, pp. 621
Smith, Norman and Albert Stoutamire (1979). Band Music Notes. Rev. ed. San Diego: Kjos West, pp. 240
Wagner, R.; Grabel, V. (1933). Overture to Rienzi [score]. C.L. Barnhouse: Oskaloosa, Iowa.