Orpheus in the Underworld Overture
Jacques Offenbach (arr. Mayhew Lake and H. R. Kent)
General Info
Year: 1858 / 1946
Duration: c. 4:00
Difficulty: VI (see Ratings for explanation)
Publisher: Carl Fischer
Cost: Score and Parts - Out of print.
For availability information, see Discussion tab, above.
Instrumentation
Full Score
D-flat Piccolo
C Piccolo/Flute III
Flute I-II
Oboe I-II
Bassoon I-II
E-flat Soprano Clarinet
B-flat Soprano Clarinet Solo-I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Bass Saxophone
Cornets Solo-I-II-III
E-flat Horn or Alto I-II-III-IV
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion, including:
- Bass Drum
- Crash Cymbals
- Snare Drum
- Triangle
Errata
None discovered thus far.
Program Notes
The music of this overture is well known throughout world. The plot of the opera, not so well known, concerns the mythological musician Orpheus and his wife, Eurydice. Their domestic life leaves much to be desired, and Orpheus seeks happiness with Chloe, the beautiful shepherdess. His wife is in love with the shepherd, Aristeus, who is Pluto in disguise. On one occasion Eurydice is gathering flowers in the meadow, and by some mischance Orpheus mistakes her for Chloe; his perfidy is discovered, and Eurydice flies to Hades with Aristeus. Orpheus is delighted to have disposed of her so easily, but Popular Opinion demands that he make some effort to recover his spouse. Therefore Orpheus accuses Pluto before Jupiter, and all the gods of Olympus decide to accompany Orpheus to investigate the charges.
Eurydice is hidden in a secret chamber and is guarded by a stupid lout called John Styx. Jupiter, disguised as a fly, enters the chamber and buys Eurydice’s love with the promise of freedom. Pluto is compelled to return her to Orpheus, who is to receive her only if he can reach the river without turning to look at his wife. But Jupiter is plotting to keep Eurydice himself, and he causes a blinding flash of lightning, which forces Orpheus to turn his head and look back. Thus Jupiter retains Eurydice in subjection as a Bacchante, and Orpheus returns happily to Chloe.
- Program Note by Program Notes for Band
Media
(Needed - please join the WRP if you can help.)
State Ratings
- Alabama: Class A
- North Carolina: VI
- South Carolina: V
Performances
To submit a performance please join The Wind Repertory Project
- College of the Sequoias (Visalia, Calif.) Concert Band (Cooper Walden, conductor) - 17 March 2013 (2013 Sutherland Wind Festival (Fresno, Calif.))
- McKinney Community Band (Alan Wagner, conductor) - 20 October 2013
- Callanwolde Concert Band (Raymond Handfield, conductor) - 6 June 2010
Works for Winds by This Composer
Adaptable Music
- The Can-Can (Flex instrumentation) (arr. Thorp) (1858/2008)
All Wind Works
- Ballet Parisian (arr. Bender) (1938/1993
- Ballet Parisien (arr. Isaac) (1953)
- Barcarolle
- The Can-Can (Flex instrumentation) (arr. Thorp) (1858/2008)
- Drum Major's Daughter, The (arr. Odom) (1879/1974)
- Galop (arr. Bourgeois) (1859/2001)
- Infernal Galop (arr. VanDuren) (1858/2019)
- La Belle Hélène Overture (arr. Odom) (1864/1978)
- La Vie Parisienne (arr. Singleton) (2004)
- Le Can (arr. Whitcomb) (1858)
- Les Contes d'Hoffmann (arr. Safranek) (1880/1910)
- Madame Favart Overture
- Orpheus in the Underworld Overture (arr Binder) (arr. Binder, ed. McAlister) (1858/2004)
- Orpheus in the Underworld (tr. Nefs) (1858/2019)
- Orpheus in the Underworld Overture (arr Odom) (arr. Odom) (1858/1984)
- Orpheus in the Underworld Overture (arr. Lake and Kent) (1858/1946)
- Overture to "La Vie Parisienne" (arr. Singleton) (1866/2004)
- Overture to "Voyage to the Moon" (trans. Bourgeois) (1875/2017)
- Portraits from La Périchole
- Tales of Hoffman (arr. Safranek). See: Les Contes d'Hoffmann
- Themes from "La Belle Hélène" (arr. Mahaffey) (1864/1997)
- Themes from Offenbach (arr. Johnson) (1959)
Resources
- Offenbach, J.; Kent, H.; Lake, M. (1946). Orpheus: Overture [score]. Carl Fischer : New York.
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications. pp. 452.