Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!

Norwegian Dances

From Wind Repertory Project
Jump to navigation Jump to search
Edvard Grieg

Edvard Grieg (arr. David Cristóbal Litago)


This article is a stub. If you can help add information to it,
please join the WRP and visit the FAQ (left sidebar) for information.


This work bears the designation Opus 35.


General Info

Year: 1883 /
Duration: c. 18:00
Difficulty: (see Ratings for explanation)
Original Medium: Piano four-hands
Publisher: Unknown
Cost: Score and Parts - Unknown


Movements

1. Allegro marcato - 6:15
2. Allegretto tranquillo e grazioso - 2:10
3. Allegro moderato alla Marcia - 2:50
4. Allegro molto - 5:55


Instrumentation

Full Score
E-flat Soprano Saxophone I-II
E-flat Alto Saxophone I-II-III
B-flat Tenor Saxophone I-II
E-flat Baritone Saxophone
B-flat Bass Saxophone


Errata

None discovered thus far.


Program Notes

The Norwegian Dances, Op. 35, (1883) of Norwegian composer Edvard Grieg are for the most part based on tunes he found in Ludvig Mathias Lindemans' folk song collection Mountain Melodies Old and New. Like many sets of national dances from the nineteenth century -- Brahms' Hungarian Dances and Dvorák's Slavonic Dances, for example -- Grieg's Norwegian Dances were originally scored for piano duet to satisfy demand for music to be played in the home. They were later orchestrated by the Czech-born conductor Hans Sitt and it is in this guise that they are best known to later audiences.

All four of the dances are in simple ternary form. Three of the four -- the first, third, and fourth -- have quick outer sections and slower inner sections while the second reverses this order. Taken as a whole, the Norwegian Dances are in symphonic form, that is, the first and fourth dances (Allegro marcato and Allegro molto) are more expansive and more developed while the two central dances are like the Intermezzo's central movements of Brahms' symphonies with the second (Allegretto tranquillo e grazioso) taking the place of a slow movement and the third (Allegro moderato alla Marcia) serving as a march-like Scherzo à la the later march-scherzos of Tchaikovsky's Symphony No. 6.

Like all of Grieg's best music, the Norwegian Dances are filled with achingly beautiful tunes set to supple chromatic harmonies, joyously festive tunes above cheerful rhythms, and the occasional faux-frightening tunes with skittering harmonies. At least two sections of the dances -- the cheerful opening of the first dance and insouciant opening of the second -- are nearly as well-known as the first Peer Gynt Suite or the Holberg Suite.

- Program Note from liner notes from Berlin Classic CD Grieg, E.: Piano Music for 4 Hands


Grieg’s Norwegian Dances exemplify this nationalistic blend. The folk song collection "Mountain Melodies Old and New by Ludvig Mathias Lindeman was Grieg’s inspiration for this collection of four dances — and while they were originally written as piano duets, audiences are more familiar with the current orchestral version.

- Program Note by Alyce Stokke for University of Iowa Saxophone Ensemble concert program, 10 December 2020


Media

(Needed - please join the WRP if you can help.)


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • Appalachia: A Southeastern Wind Symphony (Knoxville, Tenn.) (Logan Campbell, conductor) - 5 February 2021 (Virtual)
  • University of Iowa (Iowa City) Symphony Band (Yo-yo Su, conductor) - 10 December 2020


Works for Winds by This Composer

Adaptable Music


All Wind Works


Resources