No Shade So Rare

George Frideric Handel

George Frideric Handel (arr. Leland Forsblad)

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General Info

Year: 1738 / 1999
Duration: c. 3:40
Difficulty: III (see Ratings for explanation)
Original Medium: Voice
Publisher: Grand Mesa Music
Cost: Score and Parts (print) - $40.00 | Score Only (print) - $8.00

Instrumentation

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Errata

None discovered thus far.

Program Notes

Though Handel's reputation from his death to the current day is built mainly on a few orchestral works and oratorios, opera dominated his compositional work for much of his career.

No Shade So Rare is a transcription of the most recognized aria from Handel's 1738 opera Xerxes. The original aria, titled Ombra mai fu, opens the opera as the title character Xerxes praises the shade of a tree. Although Xerxes was not one of Handel's successes, this aria was rediscovered in the nineteenth century and has become one of Handel's most well-known pieces.

- Program Note from Teaching Music Through Performance in Band

Media

Audio: Reference recording. Ensemble and conductor unknown

State Ratings

Alabama: Class D
Florida: II
Georgia: III
North Carolina: Iv
South Carolina: II

Performances

To submit a performance please join The Wind Repertory Project

Tualatin Valley Community Band (Tigard Ore.) (Kevin Soon, conductor) – 18 March 2018

Works for Winds by This Composer

Adaptable Music

Hail the Conquering Hero (Flex instrumentation) (arr. Marlatt) (1746/2008/2014)
Hallelujah Chorus (Flex instrumentation) (arr. Stanton) (1741/2013)
Hallelujah Chorus (Flex instrumentation) (arr. Thorp) (1741/2003)
Hornpipe from the "Water Music" (Flex instrumentation) (arr. Stanton) (1717/2012)
Handel's Largo (Flex instrumentation) (arr. Brand) (1738/2007)
See the Conquering Hero Comes (Flex instrumentation) (arr. Brand) (1746/2007)
Water Music Suite (Flex instrumentation) (arr. Kanayama) (1717)

All Wind Works

Air and Finale (arr. Balent) (1717/1989)
Amen (arr. Grace)
Antiphonal Alleluia (arr. Liebergen) (1746/1999)
Ariodante Suite (arr. Elledge) (1735/2004)
Arm, Arm, Ye Brave (arr. Barrow) (1746/1980)
Arrival of the Queen of Sheba (arr. Allen) (1748/2007)
Arrival of the Queen of Sheba (arr. Kenny) (1748/1988)
Arrival of the Queen of Sheba (arr. Ricketts) (1748/2004)
Concerto Grosso, Op 6
Concerto Op. 5, No. 6 (arr. Werle)
Conquering Hero Comes, The, from "Judas Maccabeus"
Dead March from "Saul"
Entrance of the Queen of Sheba (arr. Marlatt) (1748/2011)
Finale Grandioso (arr. Philip Gordon)
Fughetta (tr. Conley) (1986)
The Gods Go A-Begging (arr. Beecham; arr. Duthoit; rev. Leidzen) (1929/1947)
Hail the Conquering Hero (arr. Marlatt) (2008)
Hail the Conquering Hero (Flex instrumentation) (arr. Marlatt) (1746/2008/2014)
Hallelujah (arr. Davis and Longfield) (1741/2004)
Hallelujah, Amen (arr. Barnes) (1986)
Hallelujah Chorus (arr Ades) (1741/1958)
Hallelujah Chorus (arr. Barnes) (1741/1988)
Hallelujah Chorus (arr. Chiaffarelli) (1741/1941)
Hallelujah Chorus (arr. Glover) (1741/2016)
Hallelujah Chorus (arr. Johnson) (1741/1951)
Hallelujah Chorus (arr. Longfield) (1741/1994)
Hallelujah Chorus (arr. Rondeau) (1741/2010)
Hallelujah Chorus (Flex instrumentation) (arr. Stanton) (1741/2013)
Hallelujah Chorus (Flex instrumentation) (arr. Thorp) (1741/2003)
A Handel Celebration (arr. Erickson) (1985)
Handel's Largo (Flex instrumentation) (arr. Brand) (1738/2007)
The Harmonious Blacksmith (arr. Osterling) (1720/1992)
The Harmonious Blacksmith (arr. Syler) (1720/2020)
Hear Me, Ye Winds and Waves (arr. Barrow) (1726/1973)
Hornpipe from the "Water Music" (Flex instrumentation) (arr. Stanton) (1717/2012)
Hornpipe from "Water Music Suite" (1717)
La Rejouissance (arr. Williams)
La Rejouissance from "Music for the Royal Fireworks" (arr. Seipp)
Larghetto (arr. Bullock) (1738/1994)
Larghetto (arr. Molenaar) (1739-40/1955)
Largo (arr. Barnes) (1738/1988)
Largo (arr. Fagan) (1738/2004)
Largo (arr. Hautvast) (1738/)
Lascia Ch'io Pianga (arr. Tamura) (1711/2014)
Let Me Weep (arr. Haan) (1711/2004)
March and Gavotte (arr. King) (1705/1956/1990)
Menuet Varié (Clarinet Choir) (arr. Hautvast) (/2011)
Menuet Varié (Saxophone Quartet) (arr. Hautvast) (/2011)
Menuetto from Symphony No. 104 "London" (arr. Glover)
Messiah Overture (arr. Johnson) (1741/1966)
The Music for the Royal Fireworks (arr. Boudreau) (1749/1959)
Music for the Royal Fireworks (arr. Erickson) (1749/1997)
Music for the Royal Fireworks (rescored Hindsley) (1749/197-?)
Music for the Royal Fireworks (arr. Leenhouts) (1749/2021)
The Music for the Royal Fireworks (arr. Mackerras and Baines) (1749/1960)
Music for the Royal Fireworks (ed. Rodenmacher) (1749/)
Music for Two Wind Bands (arr. Schaefer) (1977)
No Shade So Rare (arr. Forsblad) (1738/1999)
An Occasional Suite (arr. Osterling) (1746/1958)
Overture in D Minor
Passacaglia (arr. Longfield) (c. 1720/2014)
Royal Fireworks Music (arr. Sartorius) (1749/1941)
Royal Fireworks Music (arr. Schaefer) (1749/1982)
Sarabande (arr. Daehn) (1703-1706/1733/2004)
Sarabande (arr. Gingery) (1703-1706/1733/1976)
Sarabande (arr. Van Grevenbroek) (1703-1706/1733/2012)
Sarabande (arr. Hautvast) (1703-1706/1733/2004)
See the Conquering Hero Comes (Flex instrumentation) (arr. Brand) (1746/2007)
Slow March from "Scipio"
Song of Jupiter (arr. Anderson) (1952)
Suite from "Messiah" (trans. Curnow) (1741/1989)
A Suite of Baroque Dances (arr. Kinyon) (1979/1995)
Thanks Be to Thee
Three Chorales for Band (with Pasquini and Tchaikovsky; arr. Thornton) (1992/2004)
Three Movement from "Water Music" (arr. Wagner) (1715/2014)
Water Music (arr. Longfield) (1717/1997)
Water Music Suite (arr. Erickson) (1717/1985)
Water Music Suite (Flex instrumentation) (arr. Kanayama) (1717)
Water Music Suite (arr. Kay) (1717/1950)
Zadok the Priest

Resources

Brown, Andrea E.. "No Shade So Rare." In Teaching Music through Performance in Band. Volume 6, edit. & comp. by Richard Miles, 209-214. Chicago: GIA Publications, 2007.
Handel, G.; Forsblad, L. (1999). No Shade So Rare [score]. Grand Mesa Music: Gran Junction, Colo.