Nibelungen March
Richard Wagner (arr. A.J. Stretton)
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Subtitle: On Themes from "Der Ring des Nibelungen"
General Info
Year: c. 1874 / 1909
Duration:
Difficulty: (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Hawkes & Sons
Cost: Score and Parts – Out of print.
Instrumentation
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Errata
None discovered thus far.
Program Notes
This celebrated march written by Wagner as a complement to his great masterpiece is generally played as a fanfare at Bayreuth to attract the audience to their seats at the theatre after the interval. The march is constructed on melodies and fanfares contained in the four sections of the Ring and is most effective for military band.
However, according to the Deutsche National Bibliothek (National Library of Germany), Gottfired Sonntag (1846–1921) is actually the composer of this march, which simply takes themes from Wagner’s celebrated four-opera Ring Cycle.
— "Program Note the score with additional research by Joe Clark
Sonntag was bandmaster of the 7th Bavarian Infantry Regimen at Bayreuth when he composed Nibelungen March based on themes from Richard Wagner’s The Ring of Nibelungen. Using themes from well-known operatic works as the basis of a march was common practice among march composers, as evidenced by the many works in the repertory of brass bands from this period of musical history. This German arrangement has been carefully arranged to preserve the uniqueness of this piece.
- Program Note from Texas A&M Symphonic Band concert program, 18 November 2018
Media
State Ratings
None discovered thus far.
Performances
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- Texas A&M University (College Station) Symphonic Band (Russell Tipton, conductor) – 18 November 2018
- University of Illinois (Champaign) Hindsley Symphonic Band (Barry Houser, conductor) – 7 March 2018
Works for Winds by This Composer
- Awake (arr. Houseknecht) (1868/1957)
- Chor der Junger from "Das Liebesmahl der Apostel" (arr. Pohler)
- Die Meistersinger (arr. Milford) (1868/1998)
- Die Meistersinger, Excerpts from the Opera (arr. Eric Osterling)
- Die Meistersinger Overture (tr. Hindsley) (1868/197-?)
- Die Meistersinger, Prelude (arr. Moses-Tobani/H.R. Kent) (1904/1948)
- Die Meistersinger Themes (arr. Daehn) (18684/2009)
- Die Meistersinger von Nurnbürg (tr. Hindsley) (1868/196-?)
- Die Walkure, Act 2, Scene 4 (arr. King)
- Elsa's feierlicher Zug zum Münster (tr. Nefs) (1848/2017)
- Elsa's Procession to the Cathedral from "Lohengrin" (tr. Bourgeois) (1848/1997)
- Elsa's Procession to the Cathedral from "Lohengrin" (tr. Cailliet) (1848/1938)
- Elsa's Procession to the Cathedral (arr. Cherry) (1848/1999/2019)
- Elsa's Procession to the Cathedral. See also: Procession to the Cathedral (tr. Patterson)
- Entry of the Gods into Valhalla (arr. Godfrey) (1869/1906)
- Entry of the Gods into Valhalla (arr. O'Neill) (1869/1930)
- Evening Star (arr. Barnard) (1845/1927)
- Festmusik (arr. Seifert-Kressbronn) (1843-1982)
- Fest Marsch from "Tannhäuser" (tr. Rumbelow) (1845/1997)
- The Flying Dutchman (tr. Hindsley) (1843/197-?)
- The Flying Dutchman Overture (arr. Godfrey) (1843/1955)
- Funeral Music from "The Dusk of the Gods" (arr. Godfrey) (1876/1919)
- Gathering of the Armies (arr. Friedman) (1850/1995)
- Homage March (ed. Bourgeois)
- Huldigungsmarsch (ed. Reed) (1864/2002)
- Huldigungsmarsch (ed. Schaefer) (1864/1971)
- Huldigungsmarsch (ed. Whitwell) (1864/2015)
- Italian Polka (arr. Leidzen) (1941)
- Kaisermarsch (tr. Godfrey) (1871/1912)
- King Heinrich’s Call (tr. Bourgeois) (1850/1983)
- Invocation of Alberich from "Rheingold" (arr. Cailliet) (1869/1940)
- Liebestod (arr. Shishikura) (1856/2014)
- Liebestod (arr. Bainum) (1856/1964)
- Lohengrin (arr. Patterson) (1850/2016)
- Lohengrin (arr. Tamanini) (1850/2005)
- Lohengrin: Introduction to Act III (arr. Drumm) (1850/1937)
- March from "Tannhäuser" (arr. Lake) (1926)
- March on, America
- Nibelungen March (arr. Stretton) (c.1874/1909)
- Overture to Rienzi (arr. Grabel) (1842/1933)
- Pilgrim's Chorus (arr. Geese) (1845/2009)
- Pilgrim's Chorus (arr. Musser) (1845/)
- Pilgrim's Chorus (arr. Musser; ed. Rapp) (1845/2009)
- Pilgrim's Chorus (arr. Reed) (1845/1991)
- Prelude to Act I of "Die Meistersinger" (trans. Kreines) (1862/2012)
- Prelude to Act III from "Lohengren" (tr. Hindsley) (1850)
- Prelude to Act III from "Lohengrin" (tr. Brand) (1850/2001)
- Prelude to Act III from "Lohengrin" (arr. McAlister and Reed) (1850/2006)
- Prelude to Parsifal (tr. Bourgeois) (1882/2016)
- Procession of the Knights of the Holy Grail from "Parsifal" (arr. Houseknecht) (1964)
- Procession to the Cathedral (tr. Patterson) (1846-48/1997)
- Ride of the Valkyries (tr. Patterson)
- Ride of the Valkyries (arr. Laurendeau) (1870/1908)
- Ride of the Valkyries (tr. Longwood) (1870/2000)
- Ride of the Valkyries (arr. Hernandez) (1870)
- Rienzi Overture (arr. Meyrelles) (1842/1892)
- The Ring (arr. Higgins) (1848-1874/2020)
- Selections from Act III of "Die Meistersinger von Nurnbürg" (arr. Hanna) (1868/2015)
- Seigfried Fantasie (arr. Seidel) (1876/1893)
- Siegfried Idyll (1870)
- Siegfried's Funeral March (tr. Tanick) (1876/)
- Siegfried's Funeral March from "Gotterdammerung" (tr. Bourgeois)
- Siegfried's Funeral Music (arr. Whear) (1876/1966)
- Tannhäuser (arr. Lake) (1845/1926)
- Tannhäuser Grand March (tr. McAlister) (1845/2005)
- Tannhäuser March (arr. E. Fall) (1845)
- Tannhäuser Overture (arr. Fall) (1845/1936)
- Tannhäuser Overture (tr. Safranek) (1845/1913)
- Tannhäuser Overture (arr. Sousa) (1845/)
- Tannhäuser Overture (arr. Winterbottom) (1845/1903)
- Tannhäuser Selection (arr. Lake) (1926)
- Trauersinfonie (ed. Votta/Boyd) (1844/1924/1994)
- Trauersinfonie (tr. Leidzen) (1844/1924/1949)
- Tristan und Isolde (tr. Janssen) (1862/2015)
- Vorspiel und Liebestod (arr. Godfrey) (1865/1909)
- Wotan's Farewell and Magic Fire Music from "Die Walküre" (arr. Lake) (1874/1937)
Resources
- Hewitt, C.; Stretton, A.; Czibulka, A.; Wagner, R. (1909). Nibelungen March, on Themes from "Der Ring des Nibelungen" [score]. Hawkes & Sons, London.