Music from the Redneck Songbook II
1. Full Pull
2. To the Pines
4. Cage Match
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Contrabass Clarinet
B-flat Soprano Saxophone
E-flat Alto Saxophone
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
(percussion detail desired)
None discovered thus far.
Music from the Redneck Songbook II is a multi-movement work inspired by the composer's childhood memories of growing up in the South. The first movement, Full Pull, emulates the mechanical precision and power of a tractor pull. A “full pull” means when a tractor or other vehicle pulls a given amount of weight to the finish line.
The second movement, In the Pines, is inspired by the Southern folk song In the Pines that the composer used in his clarinet concerto X. Many other artists have also used this tune, including Kurt Cobain and Muddy Waters. This movement is in variation form and portrays the story of a mother who found her son’s head deep in the piney woods near a railroad track, but never found his body.
Wilt, the third movement, is inspired by the oak wilt disease that has devastated many of the great live oaks in the South. Once the tree gets the fungus, it shuts its root system down and by doing so kills itself. An optional pedal steel guitar is used in this movement and the Hank Williams (senior) song I’m So Lonesome I could Cry was a particular influence on this movement.
The last movement Cage Match is inspired by the old WWF [World Wrestling Federation] wrestling league in the 1970s and early eighties. The legacy of Rick Flare (Nature Boy) and Dusty Rhodes in a match where a cage is placed over the ring was one of the earliest memories of the composer. The beginning fanfare emulates the over-the-top, flamboyant entrance that Rick Flare would do before a match. Dusty Rhodes was known for his ending blow, the Bionic Elbow move, which the composer uses the first four notes from the old seventies television series, The Six Million Dollar Man to portray musically.
- Program Note by composer
(Needed - please join the WRP if you can help.)
None discovered thus far.
To submit a performance please join The Wind Repertory Project
- University of Nebraska (Lincoln) Wind Ensemble (Anthony Falcone, conductor) – 22 April 2019
- Cuthbertson High School (Waxhaw, N.C.) Blue Note Winds (Todd Ebert, conductor) - 25 October 2018
- Baylor University (Waco, Tx.) Wind Ensemble) (J. Eric Wilson, conductor) – 21 April 2018
- California State University, Northridge, Wind Ensemble (Lawrence Stoffel, conductor) – 17 October 2017
- California State University, Bakersfield, Concert Band (Leo Sakomoto, conductor) - 5 June 2015
- California State University, Northridge, Wind Ensemble (Lawrence Stoffel, conductor; Steven Thachuk, guitar) - 21 March 2015 (2015 Sutherland Wind Festival (Fresno, Calif.)
- California State University, Northridge, Wind Ensemble (Tony Rowe, conductor) - 17 February 2015
- Detroit Symphony Civic Wind Ensemble (Kenneth Thompson, conductor) - 6 March 2014
- Texas State University (San Marcos) Wind Ensemble (Rodney Schueller, conductor) – 24 March 2011 (CBDNA 2011 National Conference, Seattle, Wash.) *Premiere Performance*
Works for Winds by This Composer
- AMP (2016)
- Atipa-Tcoba (2020)
- Black Dog (2002)
- Clear Shade Creek (2018)
- Concerto Americana (2015)
- The Flight of the Elephant (2018)
- Freebirds (2010)
- Funkinetics (2014)
- Gone (2013)
- In Praise of Joe (2019)
- Krump (2007)
- Love Songs (2010)
- Mercury on the Moon (2009)
- Music from the Redneck Songbook II (2011)
- Popcopy (2007)
- Popcopy Rated T (2014)
- X Concerto (1996)
- X2 - Concerto for Saxophone and Wind Ensemble
- Zing! (2008)
- Heritage Encyclopedia of Band Music. "Scott McAllister." Accessed 5 February 2015.