Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!
|
Moonlight Sonata
Ludwig van Beethoven (adapt. Andrew F. Poor)
Subtitle: Sonata Quasi una Fantasia
This work bears the designation Opus 27, No. 2.
General Info
Year: 1801 / 2010
Duration: c. 5:10
Difficulty: IV (see Ratings for explanation)
Original Medium: Piano
Publisher: C.L. Barnhouse
Cost: Score and Parts (print) - $68.00 | Score Only (print) - $7.00
Instrumentation
Full Score
Flute I-II
Oboe
Bassoon
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II
Trombone I-II-III
Euphonium
Tuba
String Bass (optional)
Piano (optional)
Timpani
Percussion, including:
- Bells
- Marimba
- Suspended Cymbal
Errata
None discovered thus far.
Program Notes
The lush and haunting sounds of Beethoven’s universally loved Moonlight Sonata are faithfully brought to life in Andrew F. Poor’s colorful setting for band. Listeners and performers will be able to imagine Beethoven sitting at a piano as the sounds of the band dramatically emerge from the musical score.
- Program Note from publisher
The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil Countess Giulietta Guicciardi. The popular name Moonlight Sonata goes back to a critic's remark after Beethoven's death, likening the music to the moonlight shining upon Lake Lucerne.
The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favourite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata.
- Program Note from Wikipedia
Media
- Audio: Reference recording. Ensemble and conductor unknown
- Audio CD: Washington Winds (Edward Petersen, conductor)
State Ratings
- Alabama: Class BB
Performances
To submit a performance please join The Wind Repertory Project
Works for Winds by This Composer
Adaptable Music
- Allegretto (Flex instrumentation) (arr. Longfield) (1812/2011)
- Europa (Flex instrumentation) (with Charpentier; arr. Haan) (2009)
- The Great Beethoven Bonanza (Flex instrumentation) (arr. Jones) (2015)
- March of the Guards (Flex instrumentation) (arr. Glover) (1805/2019)
- Ode to Joy (Flex instrumentation (arr. Brand) (1824/2000(?))
- Ode to Joy (Flex instrumentation) (arr. Fisher) (1824/2018)
- Ode to Joy (Flex instrumentation) (arr. Stanton) (1824/2020)
- Symphony No. 5 in C Minor (Flex instrumentation) (arr. Stanton) (1804-1808/2014)
- Symphony No. 6, "Pastoral" Selections (Flex instrumentation) (arr. Kanayama) (1808/2014)
- Variations on a Motive of Beethoven (Flex instrumentation) (arr. Ring) (1826/2020)
All Wind Works
- Adagio Cantabile (arr. Daehn) (1798/2009)
- Adagio Pathétique (arr. Hautvast) (1798/2011)
- Allegretto (arr. Court) (1812/1997)
- Allegretto (ar. Longfield) (1812/2011)
- Allegretto (Flex instrumentation) (arr. Longfield) (1812/2011)
- The Allegretto from Beethoven's Symphony No. 7 (arr. Evans) (1812/2013)
- Allegro con Brio (tr. Kreines) (1804-1808/)
- Beethoven's Fifth Symphony, 2nd Movement (arr. Harnsberger) (1804-1808/)
- Coriolan Overture (tr. Hanna) (1807/2014)
- Drei zapfenstreiche (adopt. Schaefer) (1808-1810/1984)
- Écossaise for Military Band (arr. Stalter) (1810/2015)
- Egmont Overture (arr. Grevenbroek) (1810/2012)
- Egmont Overture (tr. Hindsley) (1810/197-?)
- Egmont Overture (tr. McLain) (1810/2015)
- Egmont Overture (arr. Tobani) (1810/1900)
- Egmont Overture (arr. Winterbottom) (1810/1924)
- Eroica (arr. Ripley) (1804/1900)
- Europa (Flex instrumentation) (with Charpentier; arr. Haan) (2009)
- The European Anthem (arr. Karajan) (1824/1972)
- Finale to "Symphony No. 5" (arr. Isaac) (1804-1808/1965)
- Finale to "Symphony No. 5" (adapt. Longfield) (1804-1808/2020)
- First and Second Movements from Symphony No. 5 in C minor (arr. Godfrey) (1804-1808/1921)
- Five Short Pieces for Wind Ensemble (arr. Reynolds) (1975)
- For Elise (arr. Long) (1810/1992)
- Für Elise (arr. Hautvast) (1810/2020)
- Für Elise (arr. Korson) (1810/1867/20--?)
- Grand Serenade (arr. Crusell; ed. Rogers) (1800/2004)
- The Great Beethoven Bonanza (Flex instrumentation) (arr. Jones) (2015)
- Grosse Fuge (arr. Roxburgh) (1825/1995)
- The Heavens Resound (arr. Kinyon) (1803/1990)
- Joyful, Joyful, We Adore Thee (arr. Kirkland) (1824/1982)
- Leonore Overture No. 3 (tr. Hindsley) (1806/197-?)
- Marcia alla Turca (arr. Rondeau) (1809/2011)
- March in B-flat. See: Marsch
- March in F (arr. Dunnigan) (1809/1995)
- March of the Guards (Flex instrumentation) (arr. Glover) (1805/2019)
- Marsch (c. 1798/1865)
- Military March (Beethoven) (adapt. Greissle) (1816/1827/1945)
- Military March in D (ed. Bourgeois) (1816/2003)
- Moonlight Sonata (arr. Poor) (1801/2010)
- Octet (1792/1834)
- Octet (arr. Byrd) (1792/1834/2021)
- Ode to Joy (arr. Barrett) (1824/1965/1995)
- Ode to Joy (Flex instrumentation) (arr. Brand) (1824/2000(?))
- Ode to Joy (Flex instrumentation) (arr. Fisher) (1824/2018)
- Ode to Joy (Flex instrumentation) (arr. Stanton) (1824/2020)
- Overture to "Fidelio" (arr. Sedlak) (1814/1814)
- Piano Concerto No. 1 (arr. Odom) (1795/2019)
- Presto from "Symphony No. 7" (tr. Thompson) (1811/2018)
- Prometheus Overture (arr. Barnes) (1801/1963)
- Prometheus Overture (arr. Slocum) (1801/1987)
- Quintet in E-flat Major, Op 16 (1796)
- Reflections in Moonlight (arr. Smith) (1801/2007)
- Rocking 4 Elise (arr. Berger) (1810/2014)
- Rondino (1793/195-?)
- Scherzo and Finale from the Fifth Symphony (arr. Godfrey) (1804-1808/1920)
- Scherzo from "Symphony No. 9" (arr. Bocook) (1824/2004)
- Septet in E-flat Major, op. 20 (arr. Crusell)
- Sextet (1796)
- Sextet (1796/2020)
- Siegessinfonie (ed. Whitwell) (1813/2013)
- Six Country Dances (tr. McAlister) (1988)
- Symphony No. 1 in C major, Op. 21: Mvt. 1 (arr. Yu) (1800/2014?)
- Symphony No. 1 Op. 21 (tr. Schmitt; ed. Marlow) (1800/1817/2007)
- Symphony No. 3 (tr. Moehlmann; ed. Rogers) (1804/2020)
- Symphony No. 5: Second Movement (arr. Harnsberger). See: Beethoven's Fifth Symphony, 2nd Movement
- Symphony No. 5 in C minor (arr. Godfrey)
- First and Second Movements (arr. Godfrey). See: First and Second Movements from Symphony No. 5 in C minor
- Third and Fourth Movements (arr. Godfrey). See: Scherzo and Finale from the Fifth Symphony
- Symphony No. 5 in C Minor (Flex instrumentation) (arr. Stanton) (1804-1808/2014)
- Symphony No. 6, "Pastoral" Selections (Flex instrumentation) (arr. Kanayama) (1808/2014)
- Symphony No. 7 (arr. Sedlak) (1812/1989?)
- Symphony No. 9 (tr. Vives) (1822-1824/2013)
- Three Equale (1812)
- Turkish March (arr. Curnow) (1809/2001)
- Variations on a Motive of Beethoven (Flex instrumentation) (arr. Ring) (1826/2020)
- The Yorck Marche. See: March in F
Resources
- Perusal score
- Piano Sonata No. 14 (Beethoven). Wikipedia. Accessed 9 January 2023