Molly on the Shore (ed Clark and Schmidt)

Percy Aldridge Grainger

Percy Aldridge Grainger (ed. Larry Clark and Schmidt)

General Info

Year: 1920 / 2002
Duration: c. 4:00
Difficulty: IV (see Ratings for explanation)
Publisher: Carl Fischer
Cost: Score and Parts - $100.00   |   Score Only - $40.00

Instrumentation

Full Score
C Piccolo
Flute
Oboe
Bassoon
Contra-Bassoon
E-flat Clarinet
B-flat Soprano Clarinet Solo-I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Soprano Saxophone
E-flat Alto Saxophone
B-flat Tenor Saxophone
E-flat Baritone Saxophone
Cornets Solo-I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium (Bass Clef & Treble Clef)
Tuba
String Bass
Timpani
Percussion I-II-III, including:

• Bass Drum
• Crash Cymbals
• Glockenspiel
• Marimba, Steel
• Snare Drum

Errata

None discovered thus far.

Program Notes

One reason why things of mine like Molly on the Shore and Shepherd's Hey are good is because there is so little gaiety and fun in them. While other composers would have been jolly in setting such dance tunes, I have been sad or furious. My dance settings are energetic rather than gay.

In setting Molly on the Shore I strove to imbue the accompanying parts that made up the harmonic texture with a melodic character not too unlike that of the underlying reel tune. Melody seems to me to provide music with initiative, whereas rhythm appears to me to exert an enslaving influence. For that reason I have tried to avoid regular rhythmic domination in my music -- always excepting irregular rhythms, such as those of Gregorian chant, which seem to me to make for freedom. Equally with melody, I prize discordant harmony, because of the emotional and compassionate sway it exerts.

- Program Note by Percy Aldridge Grainger

Molly on the Shore receives frequent performances from high school and university ensembles, and it is certainly appropriate for a variety of concert programs. Although melodically straightforward, this brisk reel will provide several technical challenges, especially for younger players. For a successful performances, students must exhibit firm control over articulation and finger technique. Fast tonguing pervades the upper woodwind parts, and performers should approach the decorative triplet turns with care. Grainger's characteristically intricate tapestry of melodies and countermelodies is thoroughly enjoyed by audiences.

- Notes from Great Music for Wind Band

Commercial Discography

None discovered thus far.

Audio Links

• Audio: Reference recording. Ensemble and conductor unknown

State Ratings

• Alabama: Class A
• Arkansas: V
• Florida: VI
• Georgia: V
• Kansas: V
• Maryland: V
• Massachusetts: V
• Michigan: Senior High AA
• Mississippi: VI-A
• North Carolina: VI
• Oklahoma: V-A
• South Carolina: VI

Performance s

To submit a performance please join The Wind Repertory Project

• Colorado State University Symphonic Band (T. André Feagin, conductor)- 7 May 2019
• University of Georgia (Athens) Wind Symphony (Bradley Esau, conductor) - 24 April 2017
• University of California, Santa Barbara, Wind Ensemble (Paul Bambach, conductor) – 17 November 2016
• University of North Carolina, Greensboro, Symphonic Band (Mark Norman, conductor) – 23 February 2016
• Lawrence University (Appleton, Wisc.) Symphonic Band (Matthew Arau, conductor) – 17 November 2015
• Cuesta Wind Ensemble (San Luis Obispo, Calif.) (Jennifer Martin, conductor) – 17 October 2015

Works for Winds by this Composer

• The Annunciation Carol
• The Annunciation Carol (tr. Grainger)
• Arrival Platform Humlet (arr. Eichenberger) (1912/)
• Arrival Platform Humlet (tr. Simpson) (1912/1916/1995)
• Arrival Platform Humlet (tr. Patterson) (1916/2011)
• Australian Up-Country Tune (arr. Bainum) (1930/1970)
• Bell Piece (ed. Duffy) (1935/1953/1991)
• Blithe Bells (arr. Jager) (1931/1989)
• Blithe Bells (ed. Ould) (1931/2013)
• Brigg Fair (arr. Ballenger) (1905/1991)
• Children's March (rev. Erickson) (1919/1971)
• Children's March (rev. Rogers) (1919/1995)
• Children's March (arr. Wagner) (1919/2000)
• Choral No 2 for Organ (as scorer; ed. Rogers) (1890/1941/20--?)
• Colonial Song (ed. Rogers) (1919/1997)
• Colonial Song (ed. Topolewski) (1919/2001)
• Colonial Song (arr. Wagner) (1919/2014)
• Country Gardens (arr. Sousa, Brion and Schissel) (1918/1953)
• Country Gardens (arr. Karrick) (1918/2013)
• Country Gardens (arr. Clark) (1918/1931)
• Danish Folk Music Settings (arr. Kreines) (1926-41/1950/)
• Died for Love
• Down Longford Way & Shenandoah (as orchestrator; arr. Osmon) (1928/1935/1990)
• Duke of Marlborough Fanfare, The (ed. Hunsberger) (1939/2000)
• Duke of Marlborough Fanfare, The (arr. Ragsdale) (1939/1995)
• Early One Morning (arr. Kreines). See: Two Grainger Melodies
• English Waltz (tr. Rogers) (1899-1901/1940-1947/1999)
• Faeroe Island Dance
• Father and Daughter (arr. Ragsdale) (1912)
• Four Grainger Songs (arr. Svanoe) (2003) (unpublished)
• Gay but Wistful (tr. Patterson) (1916/2011)
• A Grainger Threesome (arr. Ragsdale) (2007)
• Green Bushes (1906/2007) (tr. Pappajohn)
• Gumsucker's March (arr. Rogers) (1914/1942/1996)
• Handel in the Strand (arr. Brion and Schissel) (1912/2001)
• Handel in the Strand (arr. Goldman) (1912/1961)
• Handel in the Strand (arr. Rohrer) (1912/2015)
• Harvest Hymn (tr. Kreines) (1940/1983)
• Hill Song No. 1 (adapt. Rogers) (1901/1922/1923/1997)
• Hill-Song Nr. 1 (trans. Clark) (1901/1922/1923/2019)
• Hill Song No. 2
• Horkstow Grange from "Lincolnshire Posy" (adapt. Sweeney) (1937/2008)
• The Immovable Do (1940)
• I'm Seventeen Come Sunday (tr. Daehn) (1905-12/1987)
• I'm Seventeen Come Sunday (arr. Wagner) (1905-12/1999)
• In Dahomey (arr. Miller)
• Irish Tune from County Derry (1918)
• Irish Tune from County Derry (arr. Kreines) (1918/1996)
• Irish Tune from County Derry (ed. Renshaw) (1918)
• Irish Tune from County Derry (ed. Rogers) (1918/1994)
• Lads of Wamphray Ballad (arr. Ragsdale) (1905/2018)
• Lads of Wamphray March (1905/1937)
• Lincolnshire Posy (ed. Fennell) (1937/1987/2010)
• Lincolnshire Posy (arr. Higgins) (1937/2008)
• Lisbon from "Lincolnshire Posy" (adapted. Sweeney) (1937/2017)
• Lord Maxwell's Goodnight (orch. Wilson)
• Lost Lady Found (arr. Sweeney) (1937/2011)
• Marching Song of Democracy (1917/1948/1991)
• Marching Song of Democracy (ed. Brion) (1917/1948/1991)
• Marching Tune (2013) (arr. Story)
• Merry King, The (ed. Schissel) (1905/2006)
• Mock Morris (arr. Kreines) (1910/1921)
• Mock Morris (arr. Perna) (1910/2010/2016)
• Molly on the Shore (1920)
• Molly on the Shore (ed. Clark and Schmidt) (1920/2002)
• Molly on the Shore (tr Ragsdale) (tr. Ragsdale) (1920/1978)
• My Dark-Haired Maid (ed. Ragsdale) (1899)
• Near Woodstock Town (arr. Cramer) (2004)
• Nightingale and the Two Sisters, The (arr. Kreines) (1931)
• O Mensch, Bewein' Dein Sünde Gross (setting) (1724?/1937-1942/1987)
• Pagodes from "Estampes" (as arranger)
• Percy Grainger Portrait, A (arr. Wagner) (2010)
• A Percy Grainger Suite (arr. Erickson) (1996)
• The Power of Rome and the Christian Heart (1947/1953)
• Prelude in the Dorian Mode (as scorer)
• Rustic Dance (arr. Rogers) (1899/1950/2010)
• Scotch Strathspey and Reel (arr. Osmon) (1901-1911.1982)
• Sheep Shearing Song (as arranger) (1904/1923/1942/2017)
• Shepherd's Hey (1918)
• Shepherd's Hey (ed. Rogers) (1918/1994)
• Shepherd's Hey (arr De Stefano) (1918/2012)
• Spoon River (arr. Bainum) (1922/1967/2009)
• Spoon River (ed. Carson & Naylor) (1922/2010)
• Spoon River (arr. Sheldon) (1922)
• Spoon River (arr. Story) (1922/2014)
• The Sussex Mummers' Christmas Carol (scored Goldman) (1916/1965)
• The Sussex Mummers' Christmas Carol (arr. Clark) (1916/1996)
• The Sussex Mummers' Christmas Carol (arr. Simpson) (1916/1988)
• Sussex Mummers' Christmas Carol, The (arr. Stotter) (1911/1916/2006)
• Themes from "Green Bushes" (arr. L. Daehn) (1906/1987)
• This is Not My Plaid (arr. Ragsdale) (2014)
• Three Tragic Ballads (arr. Ragsdale) (1924, 1902, 1909/2016)
• A Tribute to Grainger (arr. Ragsdale) (1999)
• Tuscan Serenade (as arranger) (1865/1937/1994)
• Two Grainger Melodies (trans. Kreines) (1912/1988)
• Two Grainger Sweets - Harvest Hymn and Mock Morris (arr. Krienes)
• Two Movements from "Lincolnshire Posy" (arr. Ryan) (1937/2019)
• Walking Tune (Woodwind Quintet) (1900)
• Walking Tune (arr. L. Daehn) (1900/1940/1988)
• The Warriors (tr. Pappajohn) (1916/1998)
• We Have Fed Our Sea for a Thousand Years (1911)
• Willow, Willow (1911/1992) (orch. Simpson)
• Ye Banks and Braes O' Bonnie Doon (1949)

References

• Broughton, B. (1987). Tuba Concerto [score]. Kamlus: Miami, Fla.
• Grainger, P.; Clark, L; Schmidt, D. (2002),. Molly on the Shore [score]. C. Fischer: New York.
• Nicholson, Chad. (2009). Great Music for Wind Band: A Guide to the Top 100 Works in Grades IV, V, VI. Galesville, MD: Meredith Music Publications. pp 7-8.