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Masque

From Wind Repertory Project
W. Francis McBeth

William Francis McBeth


This work bears the designation Opus 44.


General Info

Year: 1968
Duration: c. 11:00
Difficulty: IV (see Ratings for explanation)
Publisher: Southern Music
Cost: Score and Parts - $85.00   |   Score Only - $8.75


Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe
Bassoon I-II
Eb Clarinet
Bb Clarinet I-II-III
Eb Alto Clarinet
Bb Bass Clarinet
Contrabass Clarinet
Alto Saxophone I-II
Tenor Saxophone
Baritone Saxophone
Trumpet (in Bb) I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Baritone
Bass
Timpani
Percussion, including:

  • Bass Drum
  • Chimes
  • Crash Cymbals
  • Glockenspiel
  • Gong
  • Snare Drum
  • Suspended Cymbal
  • Tambourine
  • Triangle
  • Vibraphone


Errata

None discovered thus far.


Program Notes

Francis McBeth’s Masque was commissioned by the University of Central Arkansas (State College of Arkansas, at the time) for the opening of their new fine arts auditorium in 1968. The first performance, by the college’s concert band, was conducted by Homer Brown.

The title refers to a type of courtly entertainment much favored in sixteenth- and seventeenth-century England, involving acting, singing, ballet, acrobatics, and elaborate costumes and sets. The McBeth work aims to capture the spirit of those diversions without any specific reference.

- Program notes by David Goza


Masque is in a rounded three-part form, with the middle section differentiated from the flanking sections by its slower tempo and the absence of the persistent rhythmic motives of the earlier section. McBeth crafts the entire work from a small three-note motive first heard in the open measures of the work.

- Program notes by California State Long Beach concert program, 29 November 2012


Masque is in a contemporary idiom familiar to followers of concert band music -- not unusually experimental but nevertheless making use of twentieth-century devices. For example, Masque uses a variety of percussion instruments, has nontraditional harmonies, and makes use of short motifs for melodic interest. Two themes serve as the basic material for the entire piece; one is rhythmic, being heard only in the fast sections, and the other is a melodic three-note motif, which is developed during the entire course of the work.

- Program notes from University of North Carolina, Greensboro, University Band concert program, 3 October 2016


Commercial Discography


Audio Links

Sample download; ensemble and conductor unknown


State Ratings

  • Alabama: Class A
  • Arkansas: IV
  • California: V Class A
  • Florida: V
  • Georgia: IV
  • Iowa: III
  • Indiana: ISSMA SENIOR BAND GROUP II
  • Louisiana: IV
  • Michigan: A
  • Minnesota: Category 2
  • Mississippi: IV-A, V-A, VI-A
  • North Carolina: V
  • New York: V
  • South Carolina: V
  • Tennessee: IV
  • Virginia: V


Performances

To submit a performance please join The Wind Repertory Project


Works for Winds by this Composer


References