|
Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!
|
Masked
This is the third movement of the composer symphony Suspended.
General Info
Year: 2021
Duration: c. 25:15
Difficulty: V+ (see Ratings for explanation)
Publisher: Activist Music
Cost: Score and Parts (print or digital) - $200.00 | Score Only (print or digital) - $30.00
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
B-flat Soprano Clarinet I-II
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II
Horn in F I-II
Trombone I-II
Bass Trombone
Euphonium
Tuba
String Bass
Piano
Timpani
Percussion, including:
- Chimes
- China Cymbal
- Glockenspiel (2)
- Ping Pong Balls (10)
- Suspended Cymbal (2)
- Vibraphone
- Xylophone
Laptop for audio track playback
Errata
None discovered thus far.
Program Notes
Suspended is an emotional journey, and the catharsis I felt throughout the eight months of writing it helped keep me sane amidst a world of dismal uncertainty. The piece is composed in the tradition of an 18th century Classical symphony: four contrasting movements which serve specific functions and reveal a story. The work begins in absolute rage and chaos, then alternates between moments of grief and bleakness. Grim reality shifts to a macabre, circus-like insanity, and by the end, flickers of genuine hope contrast a pervasive sense of dread, and finally arrive at more optimistic possibilities.
Masked is composed in the exact shape of a Classical minuet and trio waltz, though the music -- a whimsical if somewhat demented masked ball (or, balls, in this case) -- bears little connection to that of Mozart or Haydn. Historically, third movement minuets gave way to the joke-like scherzo, and the trio section tips its hat to some welcome levity. Laugh with me.
As for the title: our lives have been suspended in countless ways: suspension of daily patterns due to the global Coronavirus pandemic, suspension of social justice and human rights, suspension of the U.S. government as it was held hostage by a vile cult leader and treasonous insurrectionists, and the overall suspension of decency as social media amplifies the most base and ugly instincts among people.
Surely, we can do better.
A piece of music should stand on its own, regardless of any message its composer may attach to it. Audiences don't read about music: they listen to it. But as Victor Hugo wrote, "Music expresses that which cannot be put into words and that which cannot remain silent".
The arts have a powerful role in improving society by awakening consciousness through thought-provoking, emotional moments. If a piece of music can spark conversation among listeners, that is a meaningful impact, and a benefit in addition to that of the notes themselves.
- Program Note by composer
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Kappa Kappa Psi and Tau Beta Sigma National Intercollegiate Band (Grand Rapids, Mich.) (Cynthia Johnston Turner, conductor) – 13 July 2021 *Premiere Performance*
Works for Winds by This Composer
Adaptable Music
- Count to Ten (Adaptable Band) (2021)
- Kitchen Sync (Adaptable Band) (2021)
- Kitchen Sync. See also: Suite Treats
- Passages (Adaptable Band) (2020)
All Wind Works
- Ascent (2020)
- Beneath. See: Immersion (2010)
- Bioplasm (flute choir) (2004/2012)
- Bioplasm (flute quartet) (2004)
- Breathe (2020)
- Count to Ten (Adaptable Band) (2021)
- Depth. See: Immersion
- Even Deeper (2014)
- Free (2022)
- Homecoming (2008)
- Immersion (2010)
- Kitchen Sync (Adaptable Band) (2021)
- Kitchen Sync. See also: Suite Treats
- Lights Out (2015)
- Liquid Compass (2014)
- Moment (2016)
- Off the Edge (2019)
- Paper Cut (2010)
- Passages (Adaptable Band) (2020)
- Pop Music (2022)
- Rock Music (2016)
- Surface. See: Immersion (2010)
- Suspended (2021)
- Tight Squeeze (2012)
- Train of Thought (sextet) (2015)
- Trains of Thought (concert band) (2015/2017)
Resources
- Alex Shapiro website Accessed 14 July 2021