March from Second Suite in F Major

Gustav Holst

General Info

Year: 1911 / 2018
Duration: c. 2:15
Difficulty: III (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Danielle Fisher
Cost: Score and Parts (digital) - $35.00

Instrumentation (Flexible)

Full Score
C Instruments

Part 1
Part 2
Part 3
Part 4

B-flat Instruments

Part 1
Part 2
Part 3
Part 4

E-flat Instruments

Part 1
Part 2
Part 3
Part 4

F Instruments

Part 1
Part 2
Part 3
Part 4

Low Bass Clef Instruments

Part 1
Part 2
Part 3
Part 4

C Bass Clef Instruments

Part 1
Part 2
Part 3
Part 4

Percussion (optional), including:

Bass Drum
Crash Cymbals
Snare Drum
Triangle

Errata

None discovered thus far.

Program Notes

The Second Suite consists of four movements, all based on specific English folk songs.

Movement I: March: Morris Dance, Swansea Town, Claudy Banks. "The "March" of the Second Suite begins with a simple-five note motif between the low and high instruments of the band. The first folk tune is heard in the form of a traditional British brass band march using the Morris-dance tune Glorishears. After a brief climax, the second strain begins with a euphonium solo playing the second folk tune in the suite, Swansea Town. The theme is repeated by the full band before the trio. For the trio, Holst modulates to the unconventional sub-dominant minor of B-flat minor and changes the time signature to 6/8, thereby changing the meter. (Usually one would modulate to sub-dominant major in traditional march form. While Sousa, reputably the "king of marches", would sometimes change time signatures for the trio (most notably in El Capitan), it was not commonplace.) The third theme, called Claudy Banks, is heard in a low woodwind soli, as is standard march orchestration. Then the first strain is repeated da capo.

- Program Note by Imogen Holst

N.b. The title of the work on the score is Suite No. 2 in F Major, though it is shown elsewhere on the publisher's website as Holst Second Suite: March and Second Suite March: Holst.

Performance Notes

Fully flexible. Assign parts as you see fit.

Media

(Needed - please join the WRP if you can help.)

State Ratings

None discovered thus far.

Performances

To submit a performance please join The Wind Repertory Project

Works for Winds by This Composer

Adaptable Music

Chaconne from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2016)
Fantasia on the "Dargason" (Flex instrumentation) (arr. Stanton) (1911/2013)
Intermezzo (Flex instrumentation) (arr. Stanton) (1909/2017)
Jupiter (arr. Deterling) (Flex instrumentation) (1916/2020)
Jupiter, the Bringer of Jollity (Adaptable Band) (arr. Fisher) (1916/2020)
March (Flex instrumentation) (arr. Stanton) (1911/2010)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
March from Second "Suite in F Major" (Flex instrumentation) (arr. Fisher) (1911/2018)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
Mars (Flex instrumentation) (arr. Vinson) (1916/2009)
A Moorside March (Flex instrumentation) (arr. Wright; ed. M. Brand) (1928/2021)
Songs from the "Second Suite" (Flex instrumentation) (arr. Stanton) (1911/2012)
Suite from "The Planets" (Flex instrumentation) (arr. Vinson) (1916/2018)

All Wind Music

Ave Maria (tr. Woodley) (1900)
Bach's Fugue à la Gigue (as arranger; ed. Brand). See: Fugue à la Gigue
Bach's Fugue à la Gigue (as arranger; ed. Mitchell) (1707/1928/2005)
Brook Green Suite (tr. Curnow) (1933/2006)
Capriccio (tr. Boyd) (1932/1967/1974)
Capriccio (arr. Paul Noble) (1932/1967/2019)
Chaconne from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2016)
Chorale from Jupiter (arr. James Curnow)
Christmas Day (arr. Daehn) (1910/2011)
Christmas Day (arr. Beringen) (1910/2010)
Country Song (arr. Klein) (1906)
Dance of the Spirits of Fire (trans. Harpham) (1918/1922/1971)
Dirge for Two Veterans
Fantasia on the "Dargason" (Flex instrumentation) (arr. Stanton) (1911/2013)
Fantasia on the "Dargason" (arr. Story) (1911/2000)
First Suite in E-flat (1909/1921)
First Suite in E-flat (ed. Matthews) (1909/1921/1984)
First Suite in E-flat (ed. Ito) (1909/2011)
First Suite in E-flat (arr. Longfield) (1909/2006)
First Suite in E-flat for Military Band (ed. Fennell) (1909/2006)
First Suite in E-flat Themes (arr. Sweeney). See: Themes from "First Suite in E-flat"
A Fugal Concerto (arr. Brand) (1923/1993?)
A Fugal Overture (arr. Noble) (1922/2014)
A Fugal Overture (trans. Ponto) (1922)
Fugue à la Gigue (as arranger; ed. Brand) (1707/1928/2008)
Fugue à la Gigue (as arranger; ed. Mitchell). See: Bach's Fugue à la Gigue
Gustav Holst Band Classics (arr. Edwards) (2020)
Hammersmith: Prelude and Scherzo (1930)
A Holst Suite (trans. Thompson) (2018)
Hymns from the Rig Veda (tr. Windram, ed. Mitchell) (1908/1917/2017)
I Vow to Thee, My Country (setting Vaughan Williams; ed. Grechesky) (1921/1988)
I Vow to Thee, My Country (arr. Knorr) (1921/2017)
Illumination (arr. Gene Milford)
In the Bleak Midwinter. See: Winter Suite
Intermezzo (Flex instrumentation) (arr. Stanton) (1909/2017)
Japanese Suite (adapt. Boyd) (1915/1982/1999)
Jupiter (arr. Deterling) (Flex instrumentation) (1916/2020)
Jupiter from "The Planets" (arr. Pay and Smith) (1916/1924)
Jupiter from "The Planets" (arr. Branchfield) (1916/2014)
Jupiter (arr. Brown) (1916)
Jupiter (tr. Curnow) (1916/1990)
Jupiter (arr Hurt) from "The Planets" (arr. Hurt) (1916)
Jupiter (arr. Owens) (1916/2006)
Jupiter Hymn (arr. de Meij) (1916/1921/1990)
Jupiter, the Bringer of Jollity (Adaptable Band) (arr. Fisher) (1916/2020)
Jupiter, the Bringer of Jollity (tr. McAlister; ed. Reed) (1916/2003)
March (Flex instrumentation) (arr. Stanton) (1911/2010)
March from "First Suite for Military Band" (arr. Story) (2011)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
March from Second "Suite in F Major" (Flex instrumentation) (arr. Fisher) (1911/2018)
Marching Song (1906/1930)
Marching Song (arr. Moss) (1906/2006)
Marching Song (ed. Reynish) (1906/1983)
Mars (arr. Bocook) (1916/1998)
Mars (arr. Owens) (1916/2009)
Mars from "The Planets" (tr. Pay and Smith) (1916/1924)
Mars, from "The Planets" (tr. Singleton) (1916/2001)
Mars (Flex instrumentation) (arr. Vinson) (1916/2009)
Midwinter (arr. Phillips) (2012)
Moorside March (arr. Jacob) (1928/1960)
A Moorside March (Flex instrumentation) (arr. Wright; ed. M. Brand) (1928/2021)
A Moorside Suite (arr. Wright)
Morris Dance Tunes (arr. Wagner) (1910/2010)
On This Day the Earth Shall Ring (arr. Smith) (2001)
The Perfect Fool (arr. Short) (1922/2005)
The Planets (tr. Inagaki) (1916)
The Planets (tr. Janssen) (1916/2017)
The Planets (tr. Patterson) (1916)
The Planets (arr. Schrijvers) (1916/2005)
The Planets (tr. Vives) (1916/2007?)
Planets, The (tr. Smith) (1916/1921)
Scherzo (tr. Patterson) (1933/2021)
Second Suite in F (ed. Fennell; score assembly Schissel) (1911/2006)
Second Suite in F (arr. Johnston) (1911/2011)
Second Suite in F (ed. Matthews) (1911)
Second Suite in F (ed. Neumann) (1911)
Second Suite in F (ed. Ito) (1911/1922/2012)
Second Suite in F (adapt. Longfield) (1911/2007)
A Somerset Rhapsody (tr. Clare Grundman) (1906/1927/1980)
The Song of the Blacksmith (arr. Loest) (1911/2011)
Songs from the "Second Suite" (Flex instrumentation) (arr. Stanton) (1911/2012)
Songs of the West (arr. James Curnow) (1907/1986)
St. Paul's Suite (arr. Sparke) (1912-1913/2017)
Suite from "The Planets" (arr. Custer) (1916/1991)
Suite from "The Planets" (Flex instrumentation) (arr. Vinson) (1916/2018)
Themes from "First Suite in E-flat" (arr. Sweeney) (1909/2006)
Two Songs Without Words (arr. Erickson) (1906/1996)
Uranus (tr. Curnow) (1916/1991)
Winter Suite
- On This Day Earth Shall Ring (arr. Smith) (1924/2001)
- In the Bleak Midwinter (arr. Bullock) (1906/1996)
- In the Bleak Midwinter (arr. Giroux) (1906/2018)
- In the Bleak Midwinter (arr. Smith) (1906/1992)
- Old Brenton Carol (arr. Smith) (1910/2001)

Resources

Danielle Fisher website Accessed 9 July 2020