March, Opus 99
N.B.: There exists an unpublished edition of the Yoder arrangement by Mark Davis Scatterday.
Bb Clarinet I-II-III
Eb Alto Clarinet
Bb Bass Clarinet
Alto Saxophone I-II
Bb Bass Saxophone
Trumpet (in Bb) I-II
Horn in F I-II-III-IV
Baritone(Bass Clef & Treble Clef)
- Bass Drum
- Crash Cymbals
- Snare Drum
None discovered thus far.
Apart from transcriptions of the march from the Love for Three Oranges (1919), this Op. 99 effort is the most popular among the half-dozen or so marches for military band that Prokofiev wrote. It is festive and short, lasting two to three minutes, and its merriment never becomes bombastic, its prismatic colors never blindingly brilliant.
The main theme here is utterly memorable in its bouncing vigor and celebratory cheer. Prokofiev obviously felt it a worthwhile creation since he reused it in his opera The Story of a Real Man, Op. 117 (1947-1948). If the outer sections of this B-flat march are fleet and festive, the middle section can be characterized as relatively subdued in contrast, but without breaking the joyous mood. Prokofiev's robust scoring and deft instrumental balancing throughout enhance the march's effectiveness: this is not band music of blaring brass and pounding drums, but a composition both unashamedly merry and masterfully subtle. One of a group of patriotic compositions Prokofiev wrote in support of the Russian war effort, the work was premiered via a Moscow radio broadcast on April 30, 1944.
- Program note from Allmusic.com
March, Op. 99 (1943) was written at a time when many Russian composers were turning to the march genre as a show of support to their country during World War II. According to Harlow Robinson, Prokofiev’s biographer, the piece was a political composition written in honor of May Day, also known as International Workers’ Day. May 1 is perhaps the most important political holiday in the Soviet calendar, second only to the October Revolution. The march was broadcast over government radio as part of the 1944 May Day celebration. Prokofiev also included the march in his opera The Story of a Real Man (1947).
- Program Note from University of North Texas Concert Band concert program, 23 November 2015
Originally composed for band by Prokofiev, this is the well-known version adapted and arranged by Paul Yoder. Although not written in the traditional march style, this impressive work is solidly scored and is a solid programming choice.
- Program note by publisher
Written towards the close of World War II, this work captures the military spirit common in so many contemporary Russian works from this period. Prokofiev’s tendency to employ humor in his compositions is very evident in this march, which is optimistic in mood and humorous in execution. Sounding like music fit for the most colorful big-top circus show, this work is not the militaristic somber exposition that listeners might expect from an embattled Russian composer -- but it is consistent with Prokofiev’s early works. Considering the music from the societal comedy, For the Love of Three Oranges, and the farcical music for the film score of Lieutenant Kijé, it is little wonder that such mischievous and vibrant music flowed from Prokofiev’s pen. Written in a time when there was little to be optimistic about, this work was the forerunner of a long-delayed and much happier time.
- Program Note from Baylor University Wind Ensemble concert program, 2 March 2020
None discovered thus far.
To submit a performance please join The Wind Repertory Project
- East Carolina University (Greenville, N.C.) Concert Band (Jay Juchniewicz, conductor) - 23 March 2021
- Massachusetts Institute of Technology (Cambridge, Mass.) Wind Ensemble (Fred Harris, Jr., conductor) - 5 December 2020
- James Logan High School (Union City, Calif.) Wind Symphony (Adam Wilke, conductor) - 21 February 2020 (2020 CASMEC Conference, Fresno)
- Northshore Concert Band (Evanston, Ill.) (Mallory Thompson, conductor) – 19 November 2019
- University of Science and Arts of Oklahoma (Chickasha) (Kaleb Benda, conductor) - 18 November 2019
- Metropolitan Wind Symphony (Lexington, Mass.) (Richard Wyman, conductor) – 27 October 2019
- Northshore Concert Band (Evanston, Ill.) (Mallory Thompson, conductor) - 26 September 2019
- Northshore Concert Band (Evanston, Ill.) (Mallory Thompson, conductor) - 9 May 2019
- Eastman School of Music (Rochester, N.Y.) Wind Ensemble (Mark Scatterday, conductor) – 6 May 2019
- Penn State University (University Park) Symphonic Band (Dennis Glocke, conductor) – 25 April 2019
- Northshore Concert Band (Evanston, Ill.) (Mallory Thompson, conductor) - 14 April 2019
- University of Georgia (Athens) Hodgson Wind Symphony (Jaclyn Hartenberger, conductor) – 18 February 2019
- Atlanta (Ga.) Wind Symphony (David Kehler, conductor) – 14 October 2018
- Callanwode Concert Band (Atlanta, Ga.) (Robert Meehan, conductor) - 25 March 2018
- Gwinnett Symphony Wind Orchestra (Lawrenceville, Ga.) (Robert Dunham, conductor) – 11 March 2018
- University of Wisconsin-Parkside Community Band and Wind Ensemble (Laura Rexroth, conductor) – 8 March 2018
- Brigham Young University (Provo, Utah) Wind Symphony (Donald Peterson, conductor) – 7 December 2016
- University of Texas (Austin) Symphony Band (Jerry Junkin, conductor) – 30 November 2016
- Peninsula Symphonic Band (Palo Alto, Calif.) (Ted Henderson, conductor) – 22 May 2016
- University of North Texas (Denton) Concert Band (Kelly Desjardins, conductor) – 23 November 2015
- Catskill Valley Wind Ensemble (Oneonta, N.Y.) (Scott Rabeler, conductor) – 15 November 2015
Works for Winds by this Composer
- Athletic Festival March (arr. Goldman) (1936/1980)
- Concerto No. 3 in C for Piano (tr. Hunsberger) (1921/)
- Dance of the Knights (trans. Jones) (1935/2019)
- Finale to "Symphony No 1" (tr. Johnson) (1917/2016)
- Gavotte (arr. Gordon)
- Lieutenant Kije Symphonic Suite (arr. Schyns)
- March from "The Love of Three Oranges" (arr. Cray) (1921/1943)
- Marche from the Opera "Love for Three Oranges" (arr. Erickson) (1921/1992)
- Marche from "The Love of Three Oranges," Opus 33 (arr Johnson) (arr. Johnson) (1921/1947)
- March, Opus 69 (arr. Gingery) (1937/1985)
- March, Opus 99 (arr. Meredith) (1943-44/2017)
- March, Opus 99 (arr. Mindeman) (1943-44)
- March, Opus 99 (arr. Yoder; ed. Berz) (1943-44)
- Masquerade Variations On A Theme Of Prokofiev (arr. Gryc)
- Music for Children (arr. Ahronheim)
- Ode to the End of the War (1945/1969/1979)
- Peter and the Wolf (arr. Daniels) (1936)
- Peter and the Wolf (arr. Curnow) (1936/1986)
- Piano Concerto No. 3 (arr. Hunsberger) (1921/)
- Suite from the Ballet "Romeo & Juliet" (arr. de Meij) (1935/1990)
- Suite from "Romeo and Juliet" (arr. Kreines) (1935/199-?)
- Symphony V: Scherzo (arr. Moore) (1947/2014)
- Visions fugitives (orch. Missal) (1917/2017)
- Prokofiev, S.; Yoder, P. (2003). March Op 99 [score]. Hal Leonard: Milwaukee, Wisc.