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Magnolia Star

From Wind Repertory Project
Steve Danyewe

Steve Danyew


General Info

Year: 2012
Duration: c. 6:15
Difficulty: V (see Ratings for explanation)
Publisher: Steve Danyew
Cost: Score and Parts - $199.00   |   Score Only - $60.00


Instrumentation

Full Score
C Piccolo
Flute I-II-III
Oboe I-II
Bassoon I-II
Bb Soprano Clarinet I-II-III
Eb Alto Saxophone I-II
Bb Tenor Saxophone I-II
Eb Baritone Saxophone
Bb Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium (Bass Clef & Treble Clef)
Tuba
Percussion I-II-III-IV-V, including:

  • Bass Drum
  • Bell Tree
  • Bongos
  • Chimes
  • Conga
  • Crotales
  • Marimba
  • Snare Drum
  • Suspended Cymbal
  • Tambourine
  • Tam-Tam
  • Tenor Drum
  • Triangle
  • Whistle


Errata

None discovered thus far.


Program Notes

Magnolia Star was a train that ran from New Orleans to Chicago with the famous Panama Limited in the mid-20th century. This work evokes train travel with driving rhythms and train-like sonorities, and also uses the blues scale.

- Program Note by publisher


When I was playing saxophone in my middle school jazz band, we started every rehearsal the same way –- with an improvisation exercise that our director created. It was a simple yet brilliant exercise for teaching beginning improvisation and allowing everyone in the band a chance to “solo.” As a warm-up at the opening of each rehearsal, the whole band played the blues scale ascending, resting for one measure, descending, and resting for another measure. During the measures of rest, each member of the band took turns improvising a solo. Looking back, this exercise not only got the band swinging together from the start of rehearsal, but it made improvisation, a daunting musical task to many, seem within everyone’s abilities.

This experience was my introduction to the blues scale, and I have long wanted to write a piece inspired by this group of pitches. In Magnolia Star, I explore various ways to use these pitches in harmonies, melodies, and timbres, creating a diverse set of ideas that will go beyond sounds that we typically associate with the blues scale. I didn’t want to create a “blues” piece, but rather a piece in my own musical voice that uses and pays homage to the blues scale. Nearly all of the pitches used in Magnolia Star fit into the concert C blues scale. It is interesting to note that embedded within the C blues scale are both a C minor triad, an E-flat minor triad, and an E-flat major triad. I explore the alternation of these tonal areas right from the start of the piece, and continue to employ them in different ways throughout the entire work.

Another influence was trains and the American railroad. The railroad not only provides some intriguing sonic ideas, with driving rhythms and train-like sonorities, but it was also an integral part of the growth of jazz and blues in America. In the late 19th century, the Illinois Central Railroad constructed rail lines that stretched from New Orleans and the “Delta South” all the way north to Chicago. Many Southern musicians traveled north via the railroad, bringing “delta blues” and other idioms to northern parts of the country. The railroad was also the inspiration for countless blues songs by a wide variety of artists. Simply put, the railroad was crucial to the dissemination of jazz and blues in the early 20th century. Magnolia Star was an Illinois Central train that ran from New Orleans to Chicago with the famous Panama Limited in the mid-20th century.

- Program Note by composer


Awards


Commercial Discography


Audio Links


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • University of Wisconsin Stevens Point Wind Symphony (Michael Butler, conductor) – 12 December 2019
  • Central Michigan University (Mount Pleasant) Symphony Band (Chris Chapman, conductor) – 3 December 2019
  • Franklin & Marshall College (Lancaster, Penn.) Symphonic Wind Ensemble (Brian Norcross, conductor) – 8 November 2019
  • Central Michigan University (Mount Pleasant) Symphonic Wind Ensemble (John Campbell, conductor) – 16 April 2019
  • Lawrence University (Appleton, Wisc.) Symphonic Band (Matthew Arau, conductor) – 13 April 2019
  • University of Tennessee Martin Wind Ensemble (John Oelrich, conductor) – 26 February 2019
  • Indiana University (Bloomington) Concert Band (Jason H. Nam, conductor) – 12 February 2019
  • Northwestern University (Evanston, Ill.) Symphonic Band (Shawn Vondran, conductor) – 8 February 2019
  • Missouri All-State High School Band (Osage Beach) (J. Eric Wilson, conductor) – 26 January 2019
  • University of Colorado Boulder Symphonic Band (Matthew Roeder, conductor) – 14 November 2018
  • Slippery Rock (Penn.) University Symphonic Wind Ensemble (Jonathan Helmick, conductor) – 16 October 2018
  • Arizona State University (Tempe) Wind Orchestra (Gary W. Hill, conductor) – 25 September 2018
  • Colorado Wind Ensemble (Denver) (David Kish, conductor) - 19 May 2018
  • West Chester University (Penn.) Wind Ensemble (Andrew Yozviak, conductor) – 29 April 2018
  • Brigham Young University (Provo, Utah) Wind Symphony (Don L. Peterson, conductor) – 13 April 2018
  • College of the Sequoias (Visalia, Calif.) Symphonic Band (Michael Tackett, conductor) -17 March 2018 (2018 Sutherland Wind Festival (Fresno, Calif.)
  • University of California, Los Angeles, (UCLA) Wind Ensemble (Shaun Evans, conductor) – 7 March 2018
  • Oregon State University (Corvallis) Wind Symphony (Olin Hannum, conductor) – 27 February 2018
  • Santa Monica (Calif.) High School Wind Ensemble (Kevin McKeown, conductor) – 23 February 2018
  • Northwest Missouri State University Wind Symphony (John Bell, conductor) – 20 February 2018
  • The Alabama Winds (Tuscaloosa) (Randall Ogren Coleman, conductor) - 20 December 2017 (2017 Midwest Clinic)


Works for Winds by this Composer


References

  • Belongia, Daniel A. "Magnolia Star." In Teaching Music through Performance in Band. Volume 11, Compiled and edited by Richard Miles, 731-738. Chicago: GIA Publications, 2018.
  • Steve Danyew website