Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!

Lion of Lucerne

From Wind Repertory Project
Jump to navigation Jump to search
James Curnow

James Curnow


This article is a stub. If you can help add information to it,
please join the WRP and visit the FAQ (left sidebar) for information.


General Info

Year: 1986
Duration: c. 5:45
Difficulty: III (see Ratings for explanation)
Publisher: Hal Leonard Corporation
Cost: Score and Parts (print) - $65.00   |   Score Only (print) - $5.00


Instrumentation

Full Score
Flute
Oboe
Bassoon
Contrabassoon
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II
Trombone I-II
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III

(percussion detail desired)


Errata

None discovered thus far.


Program Notes

Lion of Lucerne was inspired by the same name carved into the face of a rock in Lucerne, Switzerland. The carving commemorates a contingent of Swiss guards who died in Paris defending the palace of the king on August 10, 1792, during the French Revolution. The work is built upon three main themes: Majesty – The Sculpture, Spirit of the Swiss Guard, and Unser Leben or Life's Journey.

- Program Note from Teaching Music Through Performance in Band


Media

(Needed - please join the WRP if you can help.)


State Ratings

  • Alabama: Class C
  • Indiana: ISSMA SENIOR BAND GROUP III
  • Kansas: III
  • Michigan: Senior High C
  • New York: Concert Band III
  • South Carolina: III
  • Tennessee: III
  • Virginia: III
  • West Virginia: III


Performances

To submit a performance please join The Wind Repertory Project


Works for Winds by This Composer

Adaptable Music


All Wind Works


Resources

  • Curnow, J. [1986]. Lion of Lucerne: Overture for Band [score]. Hal Leonard: Milwaukee, Wisc.
  • Heritage Encyclopedia of Band Music. "James Curnow." Accessed 14 January 2017
  • Miles, Richard B., and Larry Blocher. 2002. Teaching Music Through Performance in Band. Volume 4. Chicago: GIA Publications. pp. 174-179.