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Lincolnshire Posy (1937)
This work bears the designation No. 34.
General Info
Year: 1937 / 1940
Duration: c. 16:45
Difficulty: VI (see Ratings for explanation)
Original Medium: Folk songs
Publisher: Schott Music Distribution, through G. Schirmer
Cost: Score and Parts (print) - $118.75 | Score Only (print) - $12.99
For availability information, see Discussion tab, above.
Movements (may be played without pause)
1. Dublin Bay (Lisbon) – 1:20
2. Horkstow Grange – 2:50
3. Rufford Park Poachers – 4:00
4. The Brisk Young Sailor – 1:40
5. Lord Melbourne – 3:25
6. The Lost Lady Found – 2:20
Instrumentation
Condensed Score
C Piccolo
Flute I-II
Oboe I-II
English Horn (optional)
Bassoon I-II
Contrabassoon (optional)
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Soprano Saxophone
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Bass Saxophone (optional)
B-flat Cornet/Trumpet I-II-III
Horn in E-flat I-II-III-IV
Horn in F I-II-III-IV
Trombone I-II
Bass Trombone
Euphonium
Tuba
String Bass
Piano
Timpani
"Tuneful" Percussion, including:
- Bass Drum
- Crash Cymbals
- Side Drum
- Swiss Hand Bells
- Tubular Bells (optional)
- Xylophone
Errata
This history of errors in this work is legend. When Percy Grainger wrote it, he wrote out all of the parts FIRST, then made a “compressed full score," meaning a two-line score like a condensed score, but with much more complete information than your usual condensed score.
Using that process, and under time pressure for the premiere, many errors found their way into parts and score. In this original Schott/Shirmer publication, there are over **500** errors. Frederick Fennell found most of them; others were discovered by other conductors (H. Robert Reynolds, Jennifer Martin, several others), and by players young and old, and were sent to Fennell over the years. Fennell made his first edition principally to fix those errors and to clarify information discovered in Grainger’s manuscript score and parts, while working from an unpublished full score by Ward Hammond. The 1987 Fennell edition may be found here.
- Edition Note by Jennifer Martin
Program Notes
Lincolnshire Posy was commissioned by the American Bandmasters Association and premiered at their convention with the composer conducting. It is in six movements, all based on folk songs from Lincolnshire, England. Grainger's settings are not only true to the verse structure of the folk songs, but attempt to depict the singers from whom Grainger collected the songs. Since its premiere, it has been recognized as a cornerstone of the wind band repertoire.
Lincolnshire Posy, as a whole work, was conceived and scored by me direct for wind band early in 1937. Five, out of the six, movements of which it is made up existed in no other finished form, though most of these movements (as is the case with almost all my compositions and settings, for whatever medium) were indebted, more or less, to unfinished sketches for a variety of mediums covering many years (in this case, the sketches date from 1905 to 1937). These indebtednesses are stated in the score.
This bunch of "musical wildflowers" (hence the title) is based on folksongs collected in Lincolnshire, England (one notated by Miss Lucy E. Broadwood; the other five noted by me, mainly in the years 1905-1906, and with the help of the phonograph), and the work is dedicated to the old folksingers who sang so sweetly to me. Indeed, each number is intended to be a kind of musical portrait of the singer who sang its underlying melody -- a musical portrait of the singer's personality no less than of his habits of song -- his regular or irregular wonts of rhythm, his preference for gaunt or ornately arabesqued delivery, his contrasts of legato and staccato, his tendency towards breadth or delicacy of tone.
- Program Note by Percy Aldridge Grainger
Commercial Discography
Media
- Audio: Reference recording. Dallas Winds (Jerry Junkin, conductor)
- Audio: Reference recording. U.S. Air Force Band (Lowell E. Graham, conductor)
State Ratings
- Alabama: Class AA
- Arkansas: II
- California: SCSBOA Band Music List Grade V
- Florida: IV, V, VI
- Georgia: VI
- Iowa: VI
- Kansas: VI
- Louisiana: II, III, IV, V
- Maryland: V, VI
- Minnesota: I
- Mississippi: V-A, VI-A
- North Carolina: VI
- Oklahoma: III-A, IV-A, V-A
- South Carolina: VI
- Tennessee: VI
- Texas: II, III, IV, V. Complete
- Virginia: VI
- West Virginia: VI
- Wisconsin: Event 3000 Concert Band Class A Standard Repertoire
Performances
To submit a performance please join The Wind Repertory Project
- Eastman Wind Ensemble (Rochester, N.Y.) (Frederick Fennell, conductor) – 17 November 1961 *Premiere Eastman Wind Ensemble Concert*
- Ernest Williams School Band (Brooklyn, N.Y.) (Percy Aldridge Grainger, conductor) - 29 May 1937 *Premiere Performance*
Works for Winds by This Composer
Adaptable Music
- Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
- Molly on the Shore (Flex instrumentation) (arr. Sheehan) (1920/2020)
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (as arranger; ed. Brand and Brion) (1724?/1937-1942/1987)
- Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
- Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
- Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)
All Wind Works
- Angelus ad Virginem (as arranger) (1940s)
- The Annunciation Carol
- The Annunciation Carol (tr. Grainger) (13th Cent./1942/1993)
- Arrival Platform Humlet (arr. Eichenberger) (1912/)
- Arrival Platform Humlet (tr. Simpson) (1912/1916/1995)
- Arrival Platform Humlet (tr. Patterson) (1916/2011)
- Australian Up-Country Tune (arr. Bainum) (1930/1970)
- Bell Piece (ed. Duffy and Ould) (1935/1953/1991)
- Blithe Bells (1931)
- Blithe Bells (arr. Jager) (1931/1989)
- Blithe Bells (ed. Ould) (1931/2013)
- A Bridal Lullaby (arr. Hartley)
- Brigg Fair (arr. Ballenger) (1905/1991)
- British Waterside (arr. Moss) (1921)
- British Waterside (arr. Wilson) (1921/1998)
- Children's March (rev. Erickson) (1919/1971)
- Children's March (rev. Rogers) (1919/1995)
- Children's March (arr. Wagner) (1919/2000)
- Choral No 2 for Organ (as scorer; ed. Rogers) (1890/1941/20--?)
- Colonial Song (1912/1918)
- Colonial Song (ed. Rogers) (1918/1997)
- Colonial Song (ed. Topolewski) (1918/2001)
- Colonial Song (arr. Wagner) (1919/2014)
- Country Gardens (1918/1990)
- Country Gardens (arr. Sousa, Brion and Schissel) (1918/1953)
- Country Gardens (arr. Karrick) (1918/2013)
- Country Gardens (arr. Clark) (1918/1931)
- County Derry Air (ed. Ould)
- The Cutting of the Hay (arr. Wilson)
- Danish Folk Music Suite (arr. Kreines) (1926-41/1950/)
- Danny Deever (arr. Carpenter)
- Danny Deever (tr. Ragsdale). See: Three Tragic Ballads
- Died for Love
- Died for Love (arr. Conway) (1912/2011?)
- Down Longford Way & Shenandoah (as orchestrator; arr. Osmon) (1928/1935/1990)
- The Duke of Marlborough Fanfare (1939)
- The Duke of Marlborough Fanfare (ed. Hunsberger) (1939/2000)
- The Duke of Marlborough Fanfare (arr. Ragsdale) (1939/1995)
- Early One Morning (arr. Kreines). See: Two Grainger Melodies
- Eastern Intermezzo (arr. Warshaw) (1899/1922/)
- Faeroe Island Dance (1946//1954/1969)
- Father and Daughter. See: Three Tragic Ballads
- Folk Tune (as arranger) (1923/1942)
- Four Grainger Songs (arr. Svanoe) (2003) (unpublished)
- Gay but Wistful (tr. Patterson) (1916/2011)
- Gay But Wistful. See also: Tune in a Popular London Style
- A Grainger Threesome (arr. Ragsdale) (2007)
- Green Bushes (1906/2007) (tr. Pappajohn)
- Green Bushes. See also: Themes from "Green Bushes"
- Gumsucker's March (arr. Rogers) (1914/1942/1996)
- Handel in the Strand (arr. Brion and Schissel) (1912/2001)
- Handel in the Strand (arr. Goldman) (1912/1961)
- Handel in the Strand (arr. Rohrer) (1912/2015)
- Harlem 125th Street Walkabout (arr. Hartley)
- Harvest Hymn (tr. Kreines) (1940/1983)
- Hill Song No. 1 (1902)
- Hill Song No. 1 (adapt. Rogers) (1901/1922/1923/1997)
- Hill-Song Nr. 1 (trans. Clark) (1901/1922/1923/2019)
- Hill Song No. 2 (arr. Rogers) (1907/1929/1990)
- Horkstow Grange from "Lincolnshire Posy" (adapt. Sweeney) (1937/2008)
- The Hunter in His Career (arr. Robinson)
- The Immovable Do (1940)
- I'm Seventeen Come Sunday (tr. Daehn) (1905-12/1987)
- I'm Seventeen Come Sunday (arr. Wagner) (1905-12/1999)
- In a Nutshell (tr. Patterson) (1916/2011)
- In Dahomey (arr. Miller)
- Irish Tune (arr. Stotter) (1918)
- Irish Tune from County Derry (1918)
- Irish Tune from County Derry (arr. Clark and Schmidt) (1918/2001)
- Irish Tune from County Derry (arr. Erickson) (1918/1970)
- Irish Tune from County Derry (Flex instrumentation) (arr. Klarfeld) (1918/2014/2020)
- Irish Tune from County Derry (arr. Kreines) (1918/1996)
- Irish Tune from County Derry (ed. Renshaw) (1918)
- Irish Tune from County Derry (ed. Rogers) (1918/1994)
- Irish Tune from County Derry/Shepherd's Hey (tr. Stamp) (1918/2021)
- The Jungle Book Suite (arr. Ragsdale) (2011)
- Jutish Medley (arr. Kreines) (1923-1929/)
- Lads of Wamphray March (1905/1941)
- Lads of Wamphray March (ed. Kreines) (1905/1937/2003)
- Lads of Wamphray Ballad (arr. Ragsdale) (1905/2018)
- Lincolnshire Posy (1937/1940)
- Lincolnshire Posy (ed. Fennell) (1937/1987/2010)
- Lincolnshire Posy (ed. Fennell; rev. Rogers) (1937/1987/2010/2020)
- Lincolnshire Posy (arr. Higgins) (1937/2008)
- Lincolnshire Posy (arr. Osika) (1937/)
- Lisbon from "Lincolnshire Posy" (adapt. Sweeney) (1937/2017)
- Lord Maxwell's Goodnight (orch. Wilson)
- Lord Peter's Stable Boy (1925/1930)
- Lord Peter's Stable Boy (arr. Kreines)
- Lost Lady Found (arr. Sweeney) (1937/2011)
- March (as arranger) (1946)
- Marching Song of Democracy (1917/1948/1991)
- Marching Song of Democracy (ed. Brion) (1917/1948/1991)
- Marching Tune (2013) (arr. Story)
- The Merry King (ed. Schissel) (1905/2006)
- Mock Morris (arr. Kreines) (1910/1991)
- Mock Morris (arr. Patterson) (1910/ )
- Mock Morris (arr. Perna) (1910/2010/2016)
- Mock Morris (arr. Simpson) (2010/1993)
- Molly on the Shore (ed. Rogers) (1920/1998)
- Molly on the Shore (ed. Clark and Schmidt) (1920/2002)
- Molly on the Shore (arr. Johnston) (1920/2011)
- Molly on the Shore (tr. Ragsdale) (1920/1978)
- My Dark-Haired Maid (ed. Ragsdale) (1899)
- My Robin Is to the Greenwood Gone (arr. Strum) (1912/1999)
- Near Woodstock Town (arr. Cramer) (2004)
- Nightingale and the Two Sisters, The (arr. Kreines) (1931)
- Northern March. See: Youthful Suite
- O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (setting) (1724?/1937-1942/1987)
- Pagodes from "Estampes" (as arranger) (1903/1928/1996)
- A Percy Grainger Portrait (arr. Wagner) (2010)
- Percy Grainger Suite (arr. Kreines) (1983)
- A Percy Grainger Suite (arr. Erickson) (1996)
- The Power of Rome and the Christian Heart (1947/1953)
- Prelude in the Dorian Mode (Flex instrumentation) (as scorer)
- Scotch Strathspey and Reel (arr. Osmon) (1901-1911/1982)
- Sehet was die liebe tut (as arranger) (1937)
- Sheep Shearing Song (as arranger) (1904/1923/1942/2017)
- Shenandoah (arr. Osmon)
- Shepherd's Hey (1918)
- Shepherd's Hey (arr. Clark) (1918/2001)
- Shepherd's Hey (ed. Rogers) (1918/1994)
- Shepherd's Hey (arr. De Stefano) (1918/2012)
- Shepherd's Hey (Flex instrumentation) (arr. Fisher) (1918/2020)
- Spoon River (1919-29/1940s)
- Spoon River (arr. Bainum) (1922/1967/2009)
- Spoon River (ed. Carson & Naylor) (1922/2010)
- Spoon River (arr. Sheldon) (1922)
- Spoon River (arr. Story) (1922/2014)
- Six Dukes Went A-Fishin' (arr. Kreines)
- The Sussex Mummers' Christmas Carol (scored Goldman) (1916/1965)
- The Sussex Mummers' Christmas Carol (arr. Clark) (1916/1996)
- The Sussex Mummers' Christmas Carol (arr. Simpson) (1916/1988)
- The Sussex Mummers' Christmas Carol (arr. Stotter) (1911/1916/2006)
- Themes from "Green Bushes" (arr. L. Daehn) (1906/1987)
- This is Not My Plaid (arr. Ragsdale) (2014)
- The Three Ravens. see: Three Tragic Ballads
- Three Tragic Ballads (arr. Ragsdale) (1924, 1902, 1909/2016)
- Danny Deever (1902/1909/2016)
- The Three Ravens (1902/2000)
- Father and Daughter
- A Tribute to Grainger (arr. Ragsdale) (1999)
- Tune in a Popular London Style (arr. Rogers) (1916/2005)
- Tuscan Serenade (as arranger) (1865/1937/1994)
- Two Grainger Melodies (trans. Kreines) (1912/1988)
- Two Grainger Sweets - Harvest Hymn and Mock Morris (arr. Krienes)
- Two Movements from "Lincolnshire Posy" (arr. Ryan) (1937/2019)
- Two Movements from "Lincolnshire Posy" (Flex instrumentation) (arr. Sweeney) (1937/2019)
- Walking Tune (1900)
- Walking Tune (arr. Daehn) (1900/1940/1988)
- Walking Tune (arr. Simpson)
- The Warriors (tr. Pappajohn) (1916/1998)
- We Have Fed Our Sea for a Thousand Years (1911)
- The Widow's Party (arr. Moon) (1923/1929/2011)
- The Widow's Party (arr. Osmon) (1923/1929/2009)
- Willow, Willow (1911/1992) (orch. Simpson)
- Ye Banks and Braes O' Bonnie Doon (1949)
- Ye Banks and Braes O' Bonnie Doon (arr. Ragsdale) (1903/1936/2008)
- Ye Banks and Braes O' Bonnie Doon (arr. Sweeney) (1949/2006)
- Youthful Suite (tr. Rogers) (1899/1950)
- Northern March (arr. Rogers) (c. 1900/2010)
- Rustic Dance (1899/1950/2010)
- Eastern Intermezzo
- English Waltz (1899-1901/1940-1947/1999)
- Zanzibar Boat Song (arr. Hazzard) (1902/2013)
Resources
- Blocker, L., Cramer, R., Corporon, E., Lautzenheiser, T., Lisk, E., & Miles, R. (1996). Teaching music through performance in band (Volume One). Chicago, IL: GIA Publications.
- Fansler, Michael. (2005) Events Leading to the Composition of Lincolnshire Posy Clinic handout, 59th Annual Midwest Band and Orchestra Conference, December 17, 2005.
- Garofalo, Robert. (2008). "Creation and Early Performances of Lincolnshire Posy". WASBE Journal [World Association for Symphonic Bands and Ensembles], Vol. 15 (2008).
- Grainger, P. (1940). Lincolnshire Posy: For Military Band [score]. Schott: Mainz.
- Miles, Richard B., and Larry Blocher. (2010). Teaching Music through Performance in Band. Volume 1. Chicago: GIA Publications. pp. 840-853.
- Nicholson, Chad. (2009). Great Music for Wind Band: A Guide to the Top 100 Works in Grades IV, V, VI. Galesville, MD: Meredith Music Publications. pp 137.
- Percy Aldridge Grainger website.
- Perusal score
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications, pp. 250-251.