Movements (may be played without pause)
1. Dublin Bay (Lisbon) - 1:20
2. Horkstow Grange - 2:50
3. Rufford Park Poachers - 4:00
4. The Brisk Young Sailor - 1:40
5. Lord Melbourne - 3:25
6. The Lost Lady Found - 2:20
Eb Soprano Clarinet
Bb Soprano Clarinet I-II-III
Eb Alto Clarinet
Bb Bass Clarinet
Alto Sax I-II
Tenor Sax I-II
Trumpet (in Bb) I-II-III
Trombone III (Bass)
Percussion I-II-III, including:
- Bass Drum
- Cymbal (crash and suspended)
- Side Drum
- Tubular Bells
It is highly recommended that conductors use the 1987 Frederick Fennell edition of Posy. While this edition is obviously not free of errors, it corrects and clarifies many ambiguities that exist in the original version.
1987 Version The following errors are in both the Score and the Parts:
- The tempo for the third movement should be eighth note = 132, not quarter note = 132.
1987 Version The following errors are in the parts:
- Trumpet I: Movement III, Version B, meas. 49, beat 1: the part should read A-flat - G natural - G-flat. It is correct in the score.
- Baritone TC: Movement IV, meas. 22, beat 1: G should read F (concert F should be concert E-flat).
2010 Version The following errors are in the score:
- Piccolo: Movement III Version A, meas. 10, beat 1: E-flat should read C.
- 2nd trumpet: Movement IV, meas. 41, beat 3: E should read E-Flat.
2010 Version The following errors are in the parts:
- 2nd trumpet: Movement IV, meas. 41, beat 3: E should read E-Flat.
- F Horn 4: Movement II, meas. 33, beat 2: add whole note B-flat.
Lincolnshire Posy was commissioned by the American Bandmasters Association and premiered at their convention with the composer conducting. It is in six movements, all based on folk songs from Lincolnshire, England. Grainger's settings are not only true to the verse structure of the folk songs, but attempt to depict the singers from whom Grainger collected the songs. Since its premiere, it has been recognized as a cornerstone of the wind band repertoire.
Lincolnshire Posy, as a whole work, was conceived and scored by me direct for wind band early in 1937. Five, out of the six, movements of which it is made up existed in no other finished form, though most of these movements (as is the case with almost all my compositions and settings, for whatever medium) were indebted, more or less, to unfinished sketches for a variety of mediums covering many years (in this case, the sketches date from 1905 to 1937). These indebtednesses are stated in the score.
This bunch of "musical wildflowers" (hence the title) is based on folksongs collected in Lincolnshire, England (one notated by Miss Lucy E. Broadwood; the other five noted by me, mainly in the years 1905-1906, and with the help of the phonograph), and the work is dedicated to the old folksingers who sang so sweetly to me. Indeed, each number is intended to be a kind of musical portrait of the singer who sang its underlying melody -- a musical portrait of the singer's personality no less than of his habits of song -- his regular or irregular wonts of rhythm, his preference for gaunt or ornately arabesqued delivery, his contrasts of legato and staccato, his tendency towards breadth or delicacy of tone.
- Program Note by Percy Aldridge Grainger
Edition note. This history of errors in this work is legend. When Percy Grainger wrote it, he wrote out all of the parts FIRST, then made a “compressed full score," meaning a two-line score like a condensed score, but with much more complete information than your usual condensed score.
Using that process, and under time pressure for the premiere, many errors found their way into parts and score. In the original Schott/Shirmer publication, there are over **500** errors. Frederick Fennell found most of them; others were discovered by other conductors (H. Robert Reynolds, Jennifer Martin, several others), and by players young and old, and were sent to Fennell over the years. Fennell made his first edition principally to fix those errors and to clarify information discovered in Grainger’s manuscript score and parts, while working from an unpublished full score by Ward Hammond.
Even with all of those errors found over the years, and proofreading by many people, further errors were discovered in the first printing, and another one or two in printings two through four. And yet errors persist, or perhaps have been introduced, in the latest, 2010, printing. Users are encouraged to be on the lookout for errors in this complex work.
- Edition Note by Jennifer Martin
- Florida: --- (The Florida Bandmasters Association denotes this as "significant literature.")
- Grade IV: Movements 1 and 2.
- Grade V: Movements 1, 2, and 6.
- Grade VI: Any 4 movements.
- Minnesota - Category I (any 4 movements)
- New York
- Grade VI: Any 5 movements
- South Carolina: "Masterwork"
- Virginia: VI
- Grade II: Any one movement
- Grade III: Any two movements
- Grade IV: Any four movements
To submit a performance please join The Wind Repertory Project
- New York (N.Y.) Wind Orchestra (Hana Kim, conductor) – 14 December 29
- Southern Illinois University (Carbondale) Wind Ensemble (Christopher Morehouse, conductor)– 4 December 2019
- Concordia College (Moorhead, Minn.) Symphonic Band (Nathaniel Dickey, conductor) – 24 November 2019
- University of Texas (Austin) Wind Ensemble (Jerry Junkin, conductor) – 24 November 2019
- Missouri Southern State University (Joplin) Wind Ensemble (Donald P. Linn, conductor) – 22 November 2019
- State University of New York, Fredonia, Wind Ensemble (Paula Holcomb, conductor) – 20 November 2019
- Delaware Winds (Dover) (Jordan E. Kinsey, conductor) - 29 October 2019
- Lamar University (Beaumont, Tx.) Symphonic Band (Eric Shannon, conductor) – 17 October 2019
- University of Wisconsin - Eau Claire Wind Symphony (John R. Stewart, conductor) - 17 October 2019
- The Ohio State University (Columbus) Wind Symphony (Russell C. Mikkelson, conductor) – 3 October 2019
- University of Kansas (Lawrence) Wind Ensemble (Paul W. Popiel, conductor) – 1 October 2019
- San Francisco Wind Symphony (Martin H. Seggelke, conductor) – 28 September 2019
- Arkansas State University (Jonesboro) Wind Ensemble (Timothy Oliver, conductor) – 20 September 2019
- Plainville (Conn.) Wind Ensemble (Ken Bagley, conductor) – 8 June 2019
- University of Kentucky (Lexington) Wind Symphony (Cody Birdwell, conductor) – 29 May 2019 (Carnegie Hall, New York)
- River Valley Wind Ensemble (Kankakee County, Ill.L) (David Conrad, conductor) – 5 May 2019
- Cornell University (Ithaca, N.Y.) Wind Symphony (James Spinazzola, conductor) – 5 May 2019
- University of Southern California Thornton Wind Ensemble (H. Robert Reynolds, conductor) - 30 September 2012
- Arts Academy Band [Interlochen, Mich.] (Frederick Fennell, conductor) - 11 January 1970
Works for Winds by this Composer
- Annunciation Carol, The (unpublished)
- Arrival Platform Humlet (tr. Simpson) (1912/1916/1995)
- Arrival Platform Humlet (tr. Patterson) (1916/2011)
- Australian Up-Country Tune (arr. Bainum) (1930/1970)
- Bell Piece (ed. Duffy) (1935/1953/1991)
- Blithe Bells (arr. Jager) (1931/1989)
- Blithe Bells (ed. Ould) (1931/2013)
- Brigg Fair (arr. Ballenger) (1905/1991)
- Children's March (rev. Erickson) (1919/1971)
- Children's March (rev. Rogers) (1919/1995)
- Choral No 2 for Organ (as scorer; ed. Rogers) (1890/1941/20--?)
- Colonial Song (ed. Rogers) (1919/1997)
- Colonial Song (ed Topolewski) (ed. Topolewski) (1919/2001)
- Country Gardens (1918/1953) (arr. Sousa, Brion and Schissel)
- Country Gardens (arr. Karrick) (1918/2013)
- Country Gardens (arr. Clark) (1918/1931)
- Danish Folk Music Settings (arr. Kreines)(1926-41/1950/)
- Died for Love
- Down Longford Way & Shenandoah (arr. Osmon) (1935/1990)
- Duke of Marlborough Fanfare, The (ed. Hunsberger) (1939/2000)
- Duke of Marlborough Fanfare, The (arr. Ragsdale) (1939/1995)
- Early One Morning (arr. Kreines). See: Two Grainger Melodies
- English Waltz (tr. Rogers) (1899-1901/1940-1947/1999)
- Faeroe Island Dance
- Father and Daughter (arr. Ragsdale) (1912)
- Four Grainger Songs (arr. Svanoe) (2003) (unpublished)
- A Grainger Threesome (arr. Ragsdale) (2007)
- Green Bushes (1906/2007) (tr. Pappajohn)
- Gumsucker's March (arr. Rogers) (1914/1942/1996)
- Handel in the Strand (arr. Brion and Schissel) (1912/2001)
- Handel in the Strand (arr. Goldman) (1912/1961)
- Handel in the Strand (arr. Rohrer) (1912)
- Harvest Hymn (tr. Kreines) (1940/1983)
- Hill Song No. 1 (adapt. Rogers) (1901/1922/1923/1997)
- Hill-Song Nr. 1 (trans. Clark) (1901/1922/1923/2019)
- Hill Song No. 2
- Horkstow Grange from "Lincolnshire Posy" (adapt. Sweeney) (1937/2008)
- The Immovable Do (1940)
- I'm Seventeen Come Sunday (tr. Daehn) (1905-12/1987)
- I'm Seventeen Come Sunday (arr. Wagner) (1905-12/1999)
- In Dahomey (arr. Miller)
- Irish Tune from County Derry (1918)
- Irish Tune from County Derry (arr. Kreines) (1918/1996)
- Irish Tune from County Derry (ed. Renshaw) (1918)
- Irish Tune from County Derry (ed. Rogers) (1918/1994)
- Lads of Wamphray Ballad (arr. Ragsdale) (1905/2018)
- Lads of Wamphray March (1905/1937)
- Lincolnshire Posy (ed. Fennell) (1937/1987/2010)
- Lincolnshire Posy (arr. Higgins) (1937/2008)
- Lisbon from "Lincolnshire Posy" (adapted. Sweeney) (1937/2017)
- Lord Maxwell's Goodnight (orch. Wilson)
- Lost Lady Found (arr. Sweeney) (1937/2011)
- Marching Song of Democracy (1917/1948/1991)
- Marching Song of Democracy (ed. Brion) (1917/1948/1991)
- Marching Tune (2013) (arr. Story)
- Merry King, The (ed. Schissel) (1905/2006)
- Mock Morris (arr. Kreines) (1910/1921)
- Mock Morris (arr. Perna) (1910/2010/2016)
- Molly on the Shore (1920)
- Molly on the Shore (ed. Clark and Schmidt) (1920/2002)
- Molly on the Shore (tr Ragsdale) (tr. Ragsdale) (1920/1978)
- My Dark-Haired Maid (ed. Ragsdale) (1899)
- Near Woodstock Town (arr. Cramer) (2004)
- Nightingale and the Two Sisters, The (arr. Kreines) (1931)
- O Mensch, Bewein' Dein Sünde Gross (setting) (1724?/1937-1942/1987)
- Pagodes from "Estampes" (as arranger)
- Percy Grainger Portrait, A (2010)(arr. Wagner)
- A Percy Grainger Suite (arr. Erickson) (1996)
- The Power of Rome and the Christian Heart (1947/1953)
- Prelude in the Dorian Mode (as scorer)
- Rustic Dance (arr. Rogers) (1899/1950/2010)
- Scotch Strathspey and Reel (arr. Osmon) (1901-1911.1982)
- Sheep Shearing Song (as arranger) (1904/1923/1942/2017)
- Shepherd's Hey (1918)
- Shepherd's Hey (ed. Rogers) (1918/1994)
- Shepherd's Hey (arr De Stefano) (1918/2012)
- Spoon River (arr. Bainum) (1922/1967/2009)
- Spoon River (ed. Carson & Naylor) (1922/2010)
- Spoon River (arr. Sheldon) (1922)
- Spoon River (arr Smiley) (arr. Smiley) (1922/2014)
- The Sussex Mummers' Christmas Carol
- The Sussex Mummers' Christmas Carol (arr. Clark) (1916/1996)
- The Sussex Mummers' Christmas Carol (arr. Simpson) (1916/1988)
- Sussex Mummers' Christmas Carol, The (arr. Stotter) (1911/1916/2006)
- Themes from "Green Bushes" (arr. L. Daehn) (1906/1987)
- This is Not My Plaid (arr. Ragsdale) (2014)
- Three Tragic Ballads (arr. Ragsdale) (1924, 1902, 1909/2016)
- A Tribute to Grainger (arr. Ragsdale)(1999)
- Tuscan Serenade (as arranger) (1865/1937/1994)
- Two Grainger Melodies (trans. Kreines) (1912/1988)
- Two Grainger Sweets - Harvest Hymn and Mock Morris (arr. Krienes)
- Walking Tune (arr. L. Daehn) (1900/1940/1988)
- The Warriors (tr. Pappajohn) (1916/1998)
- We Have Fed Our Sea for a Thousand Years (1911)
- Willow, Willow (1911/1992) (orch. Simpson)
- Ye Banks and Braes O' Bonnie Doon (1949)
- Blocker, L., Cramer, R., Corporon, E. ,Lautzenheiser, T., Lisk, E., & Miles, R. (1996). Teaching music through performance in band (Volume One). Chicago, IL: Gia Publications.
- Fansler, Michael. (2005) Events Leading to the Composition of Lincolnshire Posy Midwest Band and Orchestra Clinics Handout.
- Garofalo, Robert. (2008). Creation and Early Performances of Lincolnshire Posy. Journal of the World Association for Symphonic Bands and Ensembles, Vol. 15 (2008).
- Miles, Richard B., and Larry Blocher. (2010). Teaching Music through Performance in Band. Volume 1. Chicago: GIA Publications. pp. 840-853.
- Percy Aldridge Grainger website.