Liebestod

Richard Wagner

General Info

Year: 1856 / 2015
Duration: c. 6:00
Difficulty: III (see Ratings for explanation)
Publisher: Bravo Music
Cost: Score and Parts - 9,000 yen | Score Only - 900 yen

Instrumentation

Full Score
Flute I-II
Oboe I-II
Bassoon I-II
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Soprano Saxohpone
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium (div.)
Tuba
String Bass
Harp
Timpani
Percussion, including:

Bass Drum
Crash Cymbal
Glockenspiel
Marimba
Triangle

Errata

None discovered thus far.

Program Notes

In December 1856, when Wagner was at work on the first act of Siegfried, he became obsessed with a melodic idea he associated with the legend of Tristan and Isolde. He subsequently broke away from his work on the Ring Cycle until his opera based on Tristan and Isolde was completed. The Prelude and Liebestod (or Love-Death) constitutes the very beginning and end of the opera, in an orchestral combination that was sanctioned by the composer as a separate entity for performance in its own right. The Prelude depicts the unvoiced longing of Tristan and Isolde for one another, and with the Liebestod comes the fulfillment of that longing in their death together, their immortal love being voiced by Isolde as she stands over Tristan’s corpse, contemplates his transfigured soul, and joins it by taking her own life. The work is widely considered among the most powerful and emotionally gripping music ever written. Koh Shishikura’s new arrangement of Prelude and Liebestod for concert band received its world premiere at the 2014 Midwest Clinic.

-Program Note by the Saitama Sakae Wind Orchestra

Media

Audio CD: Saitama Sakae Wind Orchestra Minoru Otaki, conductor) - 2014

State Ratings

None discovered thus far.

Performances

To submit a performance please join The Wind Repertory Project

Saitama (Japan) Sakae Wind Orchestra (Minoru Otaki, conductor) – 18 December 2014 (2014 Midwest Clinic)*Premiere Performance*

Works for Winds by This Composer

Awake (arr. Houseknecht) (1868/1957)
Chor der Junger from "Das Liebesmahl der Apostel" (arr. Pohler)
Die Meistersinger (arr. Milford) (1868/1998)
Die Meistersinger, Excerpts from the Opera (arr. Eric Osterling)
Die Meistersinger Overture (tr. Hindsley) (1868/197-?)
Die Meistersinger, Prelude (arr. Moses-Tobani/H.R. Kent) (1904/1948)
Die Meistersinger Themes (arr. Daehn) (18684/2009)
Die Meistersinger von Nurnbürg (tr. Hindsley) (1868/196-?)
Die Walkure, Act 2, Scene 4 (arr. King)
Elsa's feierlicher Zug zum Münster (tr. Nefs) (1848/2017)
Elsa's Procession to the Cathedral from "Lohengrin" (tr. Bourgeois) (1848/1997)
Elsa's Procession to the Cathedral from "Lohengrin" (tr. Cailliet) (1848/1938)
Elsa's Procession to the Cathedral (arr. Cherry) (1848/1999/2019)
Elsa's Procession to the Cathedral. See also: Procession to the Cathedral (tr. Patterson)
Entry of the Gods into Valhalla (arr. Godfrey) (1869/1906)
Entry of the Gods into Valhalla (arr. O'Neill) (1869/1930)
Evening Star (arr. Barnard) (1845/1927)
Festmusik (arr. Seifert-Kressbronn) (1843-1982)
Fest Marsch from "Tannhäuser" (tr. Rumbelow) (1845/1997)
The Flying Dutchman (tr. Hindsley) (1843/197-?)
Flying Dutchman Overture, The (arr. Godfrey) (1843/1955)
Funeral Music from "The Dusk of the Gods" (arr. Godfrey) (1876/1919)
Gathering of the Armies (arr. Friedman) (1850/1995)
Homage March (ed. Bourgeois)
Huldigungsmarsch (ed. Reed) (1864/2002)
Huldigungsmarsch (ed. Schaefer) (1864/1971)
Huldigungsmarsch (ed. Whitwell) (1864/2015)
Italian Polka (arr Leidzen) (arr. Leidzen) (1941)
Kaisermarsch (tr. Godfrey) (1871/1912)
King Heinrich’s Call (tr. Bourgeois) (1850/1983)
Invocation of Alberich from "Rheingold" (arr. Cailliet) (1869/1940)
Liebestod (arr. Shishikura) (1856/2014)
Liebestod (arr. Bainum) (1856/1964)
Lohengrin (arr. Patterson) (1850/2016)
Lohengrin (arr. Tamanini) (1850/2005)
Lohengrin: Introduction to Act III (arr. Drumm) (1850/1937)
March from "Tannhäuser" (arr. Lake) (1926)
March on, America
Nibelungen March (arr. Stretton) (c.1874/1909)
Overture to Rienzi (arr. Grabel) (1842/1933)
Pilgrim's Chorus (arr. Geese) (1845/2009)
Pilgrim's Chorus (arr. Musser) (1845/)
Pilgrim's Chorus (arr. Musser; ed. Rapp) (1845/2009)
Pilgrim's Chorus (arr. Reed) (1845/1991)
Prelude to Act I of "Die Meistersinger" (trans. Kreines) (1862/2012)
Prelude to Act III from "Lohengren" (tr. Hindsley) (1850)
Prelude to Act III from "Lohengrin" (tr. Brand) (1850/2001)
Prelude to Act III from "Lohengrin" (arr. McAlister and Reed) (1850/2006)
Prelude to Parsifal (tr. Bourgeois) (1882/2016)
Procession of the Knights of the Holy Grail from "Parsifal" (arr. Houseknecht) (1964)
Procession to the Cathedral (tr. Patterson) (1846-48/1997)
Ride of the Valkyries (tr. Patterson)
Ride of the Valkyries (arr. Laurendeau) (1870/1908)
Ride of the Valkyries (tr. Longwood) (1870/2000)
Ride of the Valkyries (arr. Hernandez) (1870)
Rienzi Overture (arr. Meyrelles) (1842/1892)
The Ring (arr. Higgins) (1848-1874/2020)
Selections from Act III of "Die Meistersinger von Nurnbürg" (arr. Hanna) (1868/2015)
Seigfried Fantasie (arr. Seidel) (1876/1893)
Siegfried Idyll (1870)
Siegfried's Funeral March (tr. Tanick) (1876/)
Siegfried's Funeral March from "Gotterdammerung" (tr. Bourgeois)
Siegfried's Funeral Music (arr. Whear) (1876/1966)
Tannhäuser (arr. Lake) (1845/1926)
Tannhäuser Grand March (tr. McAlister) (1845/2005)
Tannhäuser March (arr. E. Fall) (1845)
Tannhäuser Overture (arr. Fall) (1845/1936)
Tannhäuser Overture (tr. Safranek) (1845/1913)
Tannhäuser Overture (arr. Sousa) (1845/)
Tannhäuser Overture (arr. Winterbottom) (1845/1903)
Tannhäuser Selection (arr. Lake) (1926)
Trauersinfonie (ed. Votta/Boyd) (1844/1924/1994)
Trauersinfonie (tr. Leidzen) (1844/1924/1949)
Tristan und Isolde (tr. Janssen) (1862/2015)
Vorspiel und Liebestod (arr. Godfrey) (1865/1909)
Wotan's Farewell and Magic Fire Music from "Die Walküre" (arr. Lake) (1874/1937)

Resources

Libestod. Wikipedia. Accessed 28 September 2022