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La Mezquita de Cordoba

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Julie Giroux

Julie Giroux

The title translates from the Spanish as "The Mosque at Córdoba."

General Info

Year: 2005
Duration: c. 11:30
Difficulty: V (see Ratings for explanation)
Publisher: Musica Propria
Cost: Score and Parts - $140.00   |   Score Only - $35.00


Full Score
C Piccolo
Flute I-II
Oboe I-II
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Contrabass Clarinet
E-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Bass Trombone
String Bass
Percussion, including:

  • Bar Chimes
  • Bass Drum
  • Castanets
  • Crash Cymbals
  • Finger Cymbals
  • Jingle Stick
  • Maracas
  • Marimba
  • Skin Drum
  • Suspended Cymbal
  • Suspended trash cymbal
  • Tambourine
  • Triangle
  • Tubular Bells


None discovered thus far.

Program Notes

In 169 B.C. the Romans founded Córdoba. After the fall of Rome, it existed under the rule of the Visigoths and became the capital of Al Andalus, Muslim Spain, in 716.

The Moors conquered Córdoba in the eighth century, and by the tenth century the city boasted a population of 500,000, compared to about 38,000 in Paris. According to the chronicles of the day, the city had 700 mosques, some 60,000 palaces, and 70 libraries -- one reportedly housing 500,000 manuscripts and employing a staff of researchers, illuminators and book binders. Córdoba also had some 900 public baths as well as Europe’s first street lights.

Reigning with wisdom and justice, the rulers of Córdoba treated Christians and Jews with tolerance. They also improved trade and agriculture, patronized the arts, made valuable contributions to science, and established Córdoba as the most sophisticated city in Europe.

When the Moors conquered Córdoba, they found a Visigoth cathedral, promptly pulled it down and built a mosque complex, the walls of which enclosed about four acres. It was over 40 years in the making. Over the centuries, the Moors roofed over and developed more and more within this complex. Muslim, Christian, and Jewish faiths alike were practiced within its walls, an unprecedented feat then and literally unheard of today.

When the Christians reconquered Córdoba in 1236, the new rulers were so awed by its beauty that they left it standing, building their cathedral in the midst of its rows of arches and columns. Thus it is preserved today, fondly referred to in Spain as "La Gran Mezquita."

La Mezquita contains over 500 marble, granite, and alabaster columns. Mixed into the califal styles, one can see the Byzantine and oriental influences, as well as Hispano-romanic and Visigoth elements throughout the mosque. The grandeur of La Mezquita and its colorful political and religious history has earned it its place as a true wonder of the civilized world.

La Mezquita de Córdoba opens with the destruction of the original Christian church in 716 A.D. and proceeds as a musical celebration of its multi-cultural, religious and artistic accomplishments.

- Program Note by composer

Commissioned by the Louisiana State University Beta Omega Chapter of Phi Mu Alpha Sinfonia for Frank B. Wickes in honor of 25 years of music education and excellence at Louisiana State University

- Program Note from score



State Ratings

  • Florida: V
  • North Carolina: VI
  • Ohio: OMEA High School Band AA


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Adaptable Music

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  • Giroux, J. (2005). La Mosque de Córdoba = The Mosque at Córdoba: For Concert Band [score]. Musica Propria: San Antonio, Tex.
  • Julie Giroux website Accessed 10 July 2021