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La Mezquita de Córdoba

From Wind Repertory Project
Julie Giroux

Julie Giroux


The title translates from the Spanish as "The Mosque at Córdoba."


General Info

Year: 2005
Duration: c. 11:25
Difficulty: V (see Ratings for explanation)
Publisher: Musica Propria
Cost: Score and Parts - $140.00   |   Score Only - $35.00


Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon
Contra-Bassoon
Bb Soprano Clarinet I-II-III
Bb Bass Clarinet
Bb Contrabass Clarinet
Eb Contrabass Clarinet
Eb Alto Saxophone I-II
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Bass Trombone
Euphonium (Bass Clef & Treble Clef)
Tuba
String Bass
Timpani
Percussion, including:

  • Bass Drum
  • Crash Cymbals
  • Bar Chimes
  • Castanets
  • Finger Cymbals
  • Jingle Stick
  • Maracas
  • Marimba
  • Skin Drum
  • Suspended Cymbal
  • Suspended trash cymbal
  • Tambourine
  • Triangle
  • Tubular Bells


Errata

None discovered thus far.


Program Notes

In 169 B.C. the Romans founded Córdoba. After the fall of Rome, it existed under the rule of the Visigoths and became the capital of Al Andalus, Muslim Spain, in 716.

The Moors conquered Córdoba in the eighth century and by the tenth century the city boasted a population of 500,000, compared to about 38,000 in Paris. According to the chronicles of the day, the city had 700 mosques, some 60,000 palaces, and 70 libraries -- one reportedly housing 500,000 manuscripts and employing a staff of researchers, illuminators and book binders. Córdoba also had some 900 public baths as well as Europe’s first street lights.

Reigning with wisdom and justice, the rulers of Córdoba treated Christians and Jews with tolerance. They also improved trade and agriculture, patronized the arts, made valuable contributions to science, and established Córdoba as the most sophisticated city in Europe.

When the Moors conquered Córdoba, they found a Visigoth cathedral, promptly pulled it down and built a mosque complex, the walls of which enclosed about four acres. It was over 40 years in the making. Over the centuries, the Moors roofed over and developed more and more within this complex. Muslim, Christian, and Jewish faiths alike were practiced within its walls, an unprecedented feat then and literally unheard of today.

When the Christians reconquered Córdoba in 1236, the new rulers were so awed by its beauty that they left it standing, building their cathedral in the midst of its rows of arches and columns. Thus it is preserved today, fondly referred to in Spain as "La Gran Mezquita."

La Mezquita contains over 500 marble, granite, and alabaster columns. Mixed into the califal styles, one can see the Byzantine and oriental influences, as well as Hispano-romanic and Visigoth elements throughout the mosque. The grandeur of La Mezquita and its colorful political and religious history has earned it its place as a true wonder of the civilized world.

La Mezquita de Córdoba opens with the destruction of the original Christian church in 716 A.D. and proceeds as a musical celebration of its multi-cultural, religious and artistic accomplishments.

- Program Note by composer


Commissioned by the Louisiana State University Beta Omega Chapter of Phi Mu Alpha Sinfonia for Frank B. Wickes in honor of 25 years of music education and excellence at Louisiana State University

- Program Note from score


Awards


Commercial Discography


Audio Links


State Ratings

  • Florida: V
  • Indiana: ISSMA SENIOR BAND GROUP I
  • North Carolina: VI
  • Ohio: OMEA High School Band AA


Performances

To submit a performance please join The Wind Repertory Project


Works for Winds by this Composer


References

  • Giroux, J. (2005). La Mosque de Córdoba = The Mosque at Córdoba: For Concert Band [score]. Musica Propria: San Antonio, Tex.
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