'This work may also be found under the titles The Jurists' March or Marche solennelle.
Duration: c. 5:05
Difficulty: (see Ratings for explanation)
Original Medium: Orchestra
Cost: Score and Parts - Unknown
For availability information, see Discussion tab, above.
(Needed, please join the WRP if you can help.)
None discovered thus far.
Tchaikovsky's Jurisprudence March in D major (TH 52 ; ČW 49), also known as Jurists' March or Marche solennelle, was written and orchestrated in October and November 1885, to mark the fiftieth anniversary of the Imperial School of Jurisprudence in Saint Petersburg, of which Tchaikovsky was a graduate.
In Saint Petersburg in December 1885, celebrations were being prepared for the fiftieth jubilee of the Imperial School of Jurisprudence. As early as the spring of that year, the school's director of students, Ivan Alopeus had begun discussions with Tchaikovsky about commissioning from him some musical numbers for the gala jubilee evening. Only two letters survive from Alopeus to Tchaikovsky, although there were undoubtedly more. In reply to a letter from Tchaikovsky that has not survived, Alopeus wrote on 26 June/8 July 1885: "With regard to the march, there is almost nothing more I can tell you, since the programme for the occasion has still not been completely decided upon" . However, on 10/22 October the former jurist and member of the jubilee committee Nikolay Stoyanovsky again approached the composer with a request that he should write a short orchestral piece in the style of a march, which might be performed during the jurists' jubilee dinner on 5/17 December, and also subsequently on festive occasions. Tchaikovsky, who was then staying at Kamenka, reluctantly agreed, notwithstanding his dislike for this type of commission.
He set about composition on 27 October/8 November 1885, as he wrote to Nadezhda von Meck: "On the one hand, writing such a thing is deeply boring and disagreeable, yet on the other it would be awkward to refuse. So here today I have been seated in front of music paper for some time now, devising themes for the march, which for all that I am determined to write and orchestrate at Kamenka".
On 4/16 November in a letter to Praskovya Tchaikovskaya, he reported that: "Despite an absolute aversion, I have not even risen from my seat trying to finish the march" . The completed manuscript is dated 5/17 November 1885, and that same day the composer sent the full score to Saint Petersburg.
The Jurists' March was performed for the first time, as intended, on 5/17 December 1885 in the Hall of the Nobles' Club in Saint Petersburg, at the occasion of the jurists' jubilee dinner, in the absence of its author. "I very much do not want to be present at the festivities", Tchaikovsky wrote to Vladimir Stasov on 27 November/9 December 1885, "if only because the march that I was commissioned to write shall be performed, and to hear it would be excruciating for me".
- Program Note from Tchaikovsky Research
None discovered thus far.
None discovered thus far.
To submit a performance please join The Wind Repertory Project
- Virginia Grand Military Band (Alexandria) (Loras John Schissel, conductor) – 26 January 2019
Works for Winds by this Composer
- 1812 Overture (arr. Lake) (1880)
- 1812 Overture (arr. Kimura) (1880)
- 1812 Overture (arr. Mol) (1880)
- 1812 Overture (arr. Laurendeau, ed. Schissel) (1880/1904/2010)
- 1812 Overture (arr Whitcomb) (1880)
- 1812 Overture (arr Williams) (1880/1997)
- 1812 Overture (tr. Patterson) (1880)
- Capriccio Italien (tr. Hindsley) (1880/1984)
- Characteristic Dances from "The Nutcracker Suite" (arr. Rogan/McAllster/Reed)
- Dance of the Jesters (arr. Cramer) (1873/1997)
- Dance of the Reed Flutes (arr. Cook) (1892/1990)
- Dance of the Reed Flutes (arr. Schwalbe) (1892/2015?)
- Dances from The Oprichnik (tr. Bourgeois) (1872/2008)
- Dances des mirlitons (arr. Buitenhuis) (1892/)
- Entry March from "Swan Lake" (tr. Billis) (1877/1996)
- Faeries (arr. Davis; adapt. Longfield) (1891/)
- Festive Overture on the Danish National Anthem (arr. Godfrey) (1908)
- Finale from Symphony in F minor No 4 (arr. Safranek) (ed. Ragsdale) (1878/1912/2004)
- Finale from Symphony in F minor No 4 (tr Hindsley) (tr. Hindsley) (1878/197-?)
- Finale from Symphony in F minor No 4 (arr Sato) (arr. Sato) (1878/2014)
- Jurisprudence (1885)
- Le Lac des Cygnes: Act I, Scene 1 (arr. Nefs) (1876/)
- Mad Russian's Christmas, A (arr. Phillips and Megaw) (1891/1996/2015)
- Marche Militaire (arr. Schaeffer)
- March from "The Sleeping Beauty" (arr. Bourgeois) (1890/2018)
- March Slav (tr. Daehn) (1876/1994)
- March Slav (orch. Simpson) (1876/2000)
- Marche Slav (arr. Laurendeau) (1876/1906)
- Miniature Overture from "Suite from 'The Nutcracker'" (tr. Rogan; ed. McAlister and Reed) (1892/2001)
- Nutcracker Fantasy, The (ad. Yo Goto)
- Nutcracker Suite (arr. Lake) (1891/1924)
- Nutcracker Suite (arr Curnow) (arr. Curnow) (1891)
- Nutcracker Sweets (arr. Corwell) (1891/2010)
- Polonaise from "Third Suite" (arr. Godfrey) (1884/1916)
- Romeo and Juliet (trans. Hindsley) (1880/?)
- Selections from "The Nutcracker Suite" (arr. Longfield) (1884/1992)
- Sleeping Beauty, The (arr. Bennett) (1960)
- Sleeping Beauty: Waltz (arr. Eilhardt) (1889)
- Suite from "Swan Lake" (tr. Yodo) (1876/)
- Symphony No. 6
- Tchaikovskyana (arr. Daehn) (1979/2015)
- Theme and Variations from "Suite in G Major" (arr. Winterbottom) (1884/1937)
- Themes from "The Nutcracker Suite" (arr. Johnson) (1891/1952)
- Waltz from "Sleeping Beauty" (tr. Lake) (1889/1937)
- Waltz of the Flowers (tr. Lake) (1892/1919)
- "Jurisprudence March." Tchaikovsky Research. Web. Accessed 25 January 2019