John Mackey

From Wind Repertory Project
John Mackey

Biography

John Mackey (b. 1 October 1973, New Philadelphia, Ohio) is an American composer.

Mackey holds a Master of Music degree from The Juilliard School and a Bachelor of Fine Arts Degree from the Cleveland Institute of Music, where he studied with John Corigliano and Donald Erb, respectively. Mr. Mackey particularly enjoys writing music for dance and for symphonic winds, and he has focused on those media for the past few years.

His works have been performed at the Sydney Opera House; the Brooklyn Academy of Music; Carnegie Hall; the Kennedy Center; Weill Recital Hall; Jacob's Pillow Dance Festival; Italy's Spoleto Festival; Alice Tully Hall; the Joyce Theater; Dance Theater Workshop; and throughout Italy, Chile, Japan, Colombia, Austria, Brazil, Germany, England, Australia, New Zealand, and the United States.

John has received numerous commissions from the Parsons Dance Company, as well as commissions from the Cleveland Orchestra Youth Orchestra, New York City Ballet’s Choreographic Institute, the Dallas Theater Center, the Alvin Ailey Dance Company, the New York Youth Symphony, Ailey 2, Concert Artists Guild, Peridance Ensemble, and Jeanne Ruddy Dance, among many others. Recent and upcoming commissions include works for the concert bands of the SEC Athletic Conference, the American Bandmasters Association, and the Dallas Wind Symphony.

As a frequent collaborator, John has worked with a diverse range of artists, from Doug Varone to David Parsons, from Robert Battle to the U.S. Olympic Synchronized Swim Team. (The team won a bronze medal in the 2004 Athens Olympics performing to Mackey's score Damn.)

John has been recognized with numerous grants and awards from organizations including ASCAP (Concert Music Awards, 1999 through 2006; Morton Gould Young Composer Award, 2002 and 2003), the American Music Center (Margaret Jory Fairbanks Copying Assistance Grant, 2000, 2002), and the Mary Flagler Cary Charitable Trust (Live Music for Dance commissioning grants, 1998, 1999, 2000, and 2005). He was a CalArts/Alpert Award nominee in 2000.

In February 2003, the Brooklyn Philharmonic premiered John’s work Redline Tango at the BAM Opera House, with Kristjan Jarvi conducting. John made a new version of the work for wind ensemble in 2004 -- Mackey's first work for wind band -- and that version has since received over 100 performances worldwide. The wind version won the 2004 Walter Beeler Memorial Composition Prize, and in 2005, the ABA/Ostwald Award from the American Bandmasters Association, making John the youngest composer to receive the honor.

In 2009, John's work Aurora Awakes received both the ABA/Ostwald Award and the NBA William D. Revelli Composition Contest.

John served as a Meet-The-Composer/American Symphony Orchestra League "Music Alive!" Composer In Residence with the Greater Twin Cities Youth Symphony in 2002-2003, and with the Seattle Youth Symphony Orchestra in 2004-2005. He was Composer In Residence at the Vail Valley Music Festival in Vail, Colorado, in the summer of 2004, Composer In Residence at the Cabrillo Festival of Contemporary Music in August 2005. He has held college residencies at Florida State, University of Michigan, Ohio State, Arizona State, University of Southern California, University of Texas, among many others. Mr. Mackey served as music director of the Parsons Dance Company from 1999-2003.

To entertain himself while procrastinating on commissions, John is a photography enthusiast.


Works for Winds

Adaptable Music


All Wind Works


Resources

  • Batcheller, James. "Lightning Field." In Teaching Music through Performance in Band. Volume 11, Compiled and edited by Richard Miles, 368-375. Chicago: GIA Publications, 2018.
  • Blasko, Benjamen A. "(redacted)." In Teaching Music through Performance in Band. Volume 11, Compiled and edited by Richard Miles, 607-612. Chicago: GIA Publications, 2018.
  • Carter, Scott. "Hymn to a Blue Hour." In Teaching Music through Performance in Band. Volume 9, edit. & comp. by Richard Miles, 558-567. Chicago: GIA Publications, 2013.
  • Coleman, Randall O. "Sacred Spaces." In Teaching Music through Performance in Band. Volume 12, Compiled and edited by Andrew Trachsel, 842-847. Chicago: GIA Publications, 2021.
  • Dorsey, Rodney. "Wine-Dark Sea." In Teaching Music through Performance in Band. Volume 10, Compiled and edited by Richard Miles, 1057-1068. Chicago: GIA Publications, 2015.
  • "John Mackey - The Inside Voice." YouTube, uploaded by jwpepper1876, 6 March 2019. Accessed 31 December 2022
  • John Mackey website (OstiMusic)
  • John Mackey. Wikipedia. Accessed 23 July 2023
  • Lopez, John. "Sheltering Sky." In Teaching Music through Performance in Band. Volume 9, edit. & comp. by Richard Miles, 230-239. Chicago: GIA Publications, 2013.
  • Phillips, Chester B. "High Wire." In Teaching Music through Performance in Band. Volume 10, Compiled and edited by Richard Miles, 592-601. Chicago: GIA Publications, 2015.
  • Phillips, Rebecca L. John Mackey: The Composer, His Compositional Style and a Conductor's Analysis of Redline Tango and Turbine [Doctoral Dissertation].
  • Prendergast, Curran. "Snarl." In Teaching Music through Performance in Band. Volume 12, Compiled and edited by Andrew Trachsel, 278-282. Chicago: GIA Publications, 2021.
  • Salzman, Timothy, editor. (2012) A Composer's Insight. Volume 5. Galesville, Md.: Meredith Music Publications. pp. 143–154.
  • Smith, Matthew O. "Foundry." In Teaching Music through Performance in Band. Volume 10, Compiled and edited by Richard Miles, 399-406. Chicago: GIA Publications, 2015.
  • Spurlin, Corey. "This Cruel Moon." In Teaching Music through Performance in Band. Volume 12, Compiled and edited by Andrew Trachsel, 480-487. Chicago: GIA Publications, 2021.
  • Talanca, Dominic. "The Frozen Cathedral." In Teaching Music through Performance in Band. Volume 10, Compiled and edited by Richard Miles, 838-853. Chicago: GIA Publications, 2015.
  • Trachsel, Andrew. "Redline Tango." In Teaching Music through Performance in Band. Volume 6, edit. & comp. by Richard Miles, 863-875. Chicago: GIA Publications, 2007.