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Jazz Concerto

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Gregory W. Yasinitsky

Gregory W. Yasinitsky


Subtitle: Version for Piano and Wind Ensemble


General Info

Year: 2016
Duration: c. 31:00
Difficulty: (see Ratings for explanation)
Original Medium: Symphony
Publisher: Yaz Music through Murphy Music Press
Cost: Score and Parts (print) – Rental ($395.00)   |   Score Only (print) - $90.00


Movements

1. Louisiana Reel – 8:40
2. Nights of Wind and Water – 10:10
3. What he Said! – 12:10


Instrumentation

Full Score
Solo Piano
C Piccolo
Flute I-II
Oboe
Bassoon
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III
Trombone I-II
Bass Trombone
Euphonium
Tuba
String Bass (optional)
Timpani
Percussion, including:

  • Glockenspiel
  • Suspended Cymbal
  • Triangle

Jazz Bass
Drum Set


Errata

None discovered thus far.


Program Notes

This work was inspired by a magnificent concert featuring pianist Willis Delony, a unique pianist, able to musically move effortlessly between the worlds of jazz and classical music. In the afterglow of Willis's concert, I asked if I might compose something especially for him. Since my career also involves extensive work in both genres, the decision was made to compose a jazz concerto, a piece which would integrate composed passages demonstrating Willis's classical command of musical nuance and expression -- and his dazzling technique -- with sections featuring Willis's formidable improvisational skills. The concerto, dedicated to Willis, was premiered in January of 2017 by the Baton Rouge Symphony Orchestra, conducted by Timothy Muffitt.

The work is framed in three movements: fast, slow, fast, with the third movement also divided into three parts as a kind of microcosm of the complete work. The first movement, “Louisiana Reel, with drones and pedal points, draws inspiration from Irish and Celtic sources, but filtered through the prism of jazz. The title of the second movement, Nights of Wind and Water, acknowledges the awesome power of the natural world and was inspired by the terrible storms and floods of 2016 in Baton Rouge, Louisiana. The third movement, What He Said!, begins with a blazing, hard-swinging statement, drenched in blues and bebop ideas. After a roaring “big band” passage, the music returns to the slow theme heard in the second movement, but with the music turned on its head -- a “ghost” of the second movement as Willis describes it. The final section of the piece is an upbeat, ebullient, optimistic jazz waltz which leads inexorably to the ending of the work.

- Program Note by composer for orchestral version


For Willis Delony and the Washington State University Symphonic Wind Ensemble, Dahn Pham, Director.

- Program Note from score


Commercial Discography

None discovered thus far.


Media


State Ratings

None discovered thus far.


Performances

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Works for Winds by this Composer


Resources