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Invincible Eagle March, The (Sousa)

From Wind Repertory Project
John Philip Sousa

John Philip Sousa


General Info

Year: 1901
Duration: c. 3:30
Difficulty: III (see Ratings for explanation)
Publisher: John Church
Cost: Score and Parts - Out of print.

For availability information, see Discussion tab, above.


Instrumentation

Full Score
C Piccolo
Db Piccolo
Oboe
Bassoon
Eb Clarinet
Bb Soprano Clarinet I-II-III
Alto Clarinet
Bass Clarinet
Baritone Saxophone
Eb Cornet (or Alto Saxophone)
Cornets Solo-I-II-III
Eb Horn or Alto I-II-III-IV
Horn in F I-II-III -IV
Tenor Horn I-II-III
Trombone I-II-III
Euphonium (Bass Clef & Treble Clef) (or Tenor Saxophone)
Tuba
Drums, including:

  • Bells


Errata

None discovered thus far.


Program Notes

Blanche Duffield, soprano of the Sousa Band in 1901, witnessed the creation of this march, and she provided this rare description of Sousa composing:

“It was [on] a train between Buffalo and New York. Outside the coach the lights of towns along the route flashed by like ghosts fluttering at the window panes. The night was dark and the few stars above twinkled fitfully. Mr. Sousa sat in his chair in the dimly lit Pullman. At the further end of the car a porter diligently brushed cushions. At intervals the engine whistled as if in pain.

“Suddenly and without previous warning Mr. Sousa began to describe circles in the air with a pencil, jerking back and forth in his seat meanwhile. Gradually the circumference of his pencil’s arcs diminished and Mr. Sousa drew a notebook from his pocket, still humming to himself.

“Notebook and pencil met. Breves and semi-breves appeared on the page’s virgin surface. Quarter notes and sixteenth notes followed in orderly array. Meanwhile Mr. Sousa furrowed his brow and from his pursed lips came a stirring air — rather a martial blare, as if hidden trombones, tubas, and saxophones were striving to gain utterance.

“Now Mr. Sousa’s pencil traveled faster and faster, and page after page of the notebook were turned back, each filled with martial bars. [I] looked on from over the top of a magazine and listened with enthusiasm as Mr. Sousa’s famous march, ‘The Invincible Eagle,’ took form.

“I tried to attract Mr. Sousa’s attention while he was supplying the accompaniment of flutes, oboes, bassoons and piccolos, but it was not until he had picked out the march on a violin on his fingers, put his notebook in his pocket, his [imaginary] violin in his case and his cigar back in his mouth that he finally turned toward me and casually remarked that it was a very dark night outside.”

The march was dedicated to the Pan-American Exposition, held in Buffalo in the summer of 1901. It outlived a march entitled The Electric Century by Sousa’s rival, Francesco Fanciulli, whose band also played at the Exposition. At first Sousa thought The Invincible Eagle would surpass The Stars and Stripes Forever as a patriotic march, although he nearly entitled it "Spirit of Niagara."

- Program Note from John Philip Sousa: A Descriptive Catalog of His Works.


Commercial Discography

None discovered thus far.


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • Hartwick College (Oneonta, N.Y.) Wind Ensemble (Andrew Pease, conductor) – 3 October 2019
  • United States Marine Band (Washington, D.C.) (Jason K. Fettig, conductor) - 17 February 2019
  • United States Marine Band (Jason K. Fettig, conductor) – 20 January 2017 (Presidential Inauguration)
  • Metropolitan Wind Symphony (Boston, Mass.) (Chris Wilhjelm, conductor) – 1 November 2015
  • U.S. Army Band (Timothy J. Holtan, conductor) - 31 January 2015


Works for Winds by this Composer


References

  • Bierley, P. (1973). John Philip Sousa: A Descriptive Catalog of His Works. University of Illinois Press: Urbana, Ill., p. 53.
  • Sousa, J. (1901). The Invincible Eagle March [score]. John Church Co: [s.l.]