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Introduction and Rondo Capriccioso
Camille Saint-Saëns (arr. Kessler)
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This work bears the designation Opus 28.
General Info
Year: 1863 /
Duration: c. 10:10
Difficulty: (see Ratings for explanation)
Original Medium: Violin
Publisher: Unknown
Instrumentation
(Needed - please join the WRP if you can help.)
Errata
None discovered thus far.
Program Notes
Camille Saint-Saëns, like many other French Romantic composers such as Édouard Lalo and Georges Bizet, held a deep interest in the style of Spanish dance music. This style permeates his solo violin works, particularly the Havanaise, op. 83, and the Introduction et Rondo Capriccioso.
In 1859, the 15-year-old violin prodigy Pablo de Sarasate approached the celebrated composer and commissioned a violin concerto, which the flattered Saint-Saëns proceeded to compose (this piece became Saint-Saëns’ Violin Concerto No. 1 in A major). Four years later, in 1863, Saint-Saëns wrote yet another solo piece for Sarasate: The Introduction and Rondo Capriccioso in A minor for violin and orchestra. Sarasate premiered this piece in Paris on April 4, 1867. Despite their later disagreements, Claude Debussy arranged the piece for two pianos in the earlier years of his career.
The work, Op. 28, has continued to be one of Saint-Saëns's most popular compositions.
This arrangement for winds is by retired Army Sgt. Jim Kessler.
- Program notes from Wikipedia
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- University of Texas, Arlington, Wind Symphony (Douglas Stotter, conductor; Hannah Leffler, flute) - 19 November 2021
- University of Southern Mississippi (Hattiesburg) Wind Ensemble (Catherine Rand, conductor; Katerina Bachevska, flute) – 7 March 2019
- United States Navy Band (Captain Brian O. Walden, conductor; MU1 Jonathan Yanik, saxophone) - February 2013 West Coast Tour
- Tokyo Wind Symphony Orchestra (Denis Bouriakov (flute) - 2008
Works for Winds by This Composer
Adaptable Music
- Le Carnaval des Animaux (Flex instrumentation) (arr. Onodera) (1886/2018)
All Wind Works
- Aquarium (arr. Moore) (1886/2011)
- Bacchanale (arr. Balent) (1877/2002)
- Bacchanale (arr. Egner) (1877/1926)
- Bacchanale (arr. Hubbell) (1877/1991)
- Bacchanale from "Samson and Delila" (arr. Hanna) (1877/)
- Carnival of the Animals (arr. Brand)
- The Carnival of the Animals (arr. Bocook) (1886/2006)
- The Carnival of the Animals (arr. Curnow) (1886/2008)
- Carnival of the Animals, The (arr. Goto). See Le Carnaval des Animaux
- Chorale for Wind Band and Melodic Percussion (arr. Giroux) (2015)
- Danse Bacchanale (arr. Steiger) (1877/1985)
- Danse Bacchanale (arr. Bocook) (1877/2004)
- Danse Bacchanale (arr. Singleton) (1877/)
- Danse Macabre (arr. Bender)
- Danse Macabre (tr Hindsley) (tr. Hindsley) (1874/197-?)
- Danse Macabre (arr. Laurendeau) (1874/1903)
- Danse Macabre (arr. Brian Sheldon) (1874/)
- Danse Macabre (arr. Slawson) (1874/2013)
- Part One, "Organ Symphony" (no. 3 (tr. Hindsley) (1886/197-?)
- Finale, Symphony No 3 in C (arr. Slocum) (1886/1974)
- Finale to "Hail! California" (ed. Martin) (1915/2015)
- Finale from "Symphony No. 3" (arr. VanDoren) (1886/2022)
- First Movement, "Organ Symphony" (no. 3) (tr. Hindsley) (1886/197-?)
- Introduction and Rondo Capriccioso (arr. Kessler)
- La Princesse Jaune (arr. Odom) (1872/1980)
- La Princesse Jaune (arr. Lake) (1872/1929)
- La Princesse Jaune (arr. Schyns) (1872/2002)
- Le Carnaval des Animaux (arr. Goto) (1886/2000/2012)
- Le Carnaval des Animaux (Flex instrumentation) (arr. Onodera) (1886/2018)
- March-Scherzo (arr. Marcus) (1853/2015)
- Marche Dédiée aux Étudiants d'Alger (orch. Bouchel) (1921/1925)
- Marche Heroïque (arr. Winterbottom) (1871/1906)
- Marche Interalliée (orch. Balay) (1918/2014)
- Marche Militaire Francaise (tr. Hindsley) (1908/1958)
- Marche Militaire Francaise (arr. Lake) (1908/1913)
- Mon Coeur s'ouvre à ta voix (tr. Niese) (1877/2012)
- Morceau de Concert (arr. Respresas Carrera) (1887/2013)
- Morceau de Concert (tr. Nelson) (1887/1979)
- Orient et Occident (ed. Whitwell) (1869)
- Orient et Occident (arr. Hauswirth) (1869)
- Orient et Occident (ed. Reynish) (1869/1995)
- Orient et Occident (arr. Schissel) (1869/2005)
- Pas Redoublé (arr. Frackenpohl) (1887/1972)
- Prelude and Processional (arr. Elkus) (1883/1957)
- Second Movement, "Organ Symphony" (no. 3) (tr. Hindsley) (1886/200-?)
- Sur les bords du Nil (ed. Hauswirth) (1908/2019)
- Theme from "Samson and Delilah" (arr. Davis) (1877/1964)
- Vers la Victoire (orch. Dondeyne) (1918/2014)