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Into air, into thin air

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Derek M Jenkins

Derek M Jenkins


General Info

Year: 2023
Duration: c. 17:00
Difficulty: V (see Ratings for explanation)
Publisher: Mühltal Musikpresse, through Derek M. Jenkins
Cost: currently available only to consortium members


Movements

1. a whole in the world
2. clouds of melancholia
3. of unspeakable love


Instrumentation

Full Score
Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
Contrabassoon (or Contralto Clarinet, Contrabass Clarinet, or Bass Saxophone )
B-flat Soprano Clarinet I-II-III-IV
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III-IV
Horn in F I-II-III-IV
Tenor Trombone I-II
Bass Trombone
Euphonium
Tuba
Piano
String Bass
Timpani
Percussion I-II-III-IV-V, including:

  • Bass Drum
  • Brake Drum
  • Chimes
  • Glockenspiels (2)
  • Snare Drum
  • Suspended Cymbal
  • Tam-Tam
  • Tom-Toms (2)
  • Triangles (3)
  • Vibraphone (2 sets placed antiphonally)

Electronics (Live or Prerecorded)


Errata

None discovered thus far.


Program Notes

Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air...
We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.
- William Shakespeare's The Tempest



Loss is an inevitable and integral part of being human. Whether grandparents, parents, siblings, children, or friends, we all experience it. It is an ordeal unique to each of us, and yet it is a uniting facet of life. Despite our differences in backgrounds, beliefs, identities, and cultures, we all will or have dealt with loss.

The purpose of into air, into thin air is to bring the audience together, even for a moment, beyond a typical concert environment. It starts with an exploration of the anger that often initially accompanies loss, especially sudden loss. The second movement weaves a tapestry of colors above which the names of loved ones are set. These names could have been said by you, the person next to you, or someone else nearby in the theatre. Perhaps a name reminds you of someone special that you miss. It becomes personal and intimate, and yet also a means of uniting the audience in a shared moment while we each contemplate our loved ones. The third movement begins humbly and builds to majestic finish as we reflect on how we have persevered while holding onto their memories.

This piece is quite personal to me, too. When initially conceiving of this work, I had recently lost my two remaining grandparents. To honor them, I have interspersed two significant elements into the piece: the hymn tune How Great Thou Art (which was played at my grandmother’s funeral) and cardinal birdsongs (my grandfather could imitate their call, and the birds would sing back to him).

This work was commissioned by a consortium organized by Timothy Shade and includes:

  • Wichita State University Symphonic Wind Ensemble (Timothy Shade, conductor)
  • Arizona State University Wind Ensemble (Jason Caslor, conductor)
  • Arkansas State University Wind Ensemble (Timothy Oliver, conductor)
  • Case Western Reserve University Symphonic Winds (Ryan Scherber, conductor)


- Program Note by composer


Media

None discovered thus far.


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project


Works for Winds by This Composer

Adaptable Music

  • Fountains (Adaptable Band) (2014/2020)
  • Kolo (Flex instrumentation) (2015/2020)
  • Solar Flare (Flex instrumentation) (2019/2020)


All Wind Works


Resources