Incantation and Dance
Flute (2 players; composer asks for divisi a3 at meas. 94)
B-flat Soprano Clarinet I-II-III (1st Clarinet is divisi a3)
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Contrabass Clarinet (doubles the String Bass part)
Alto Saxophone I-II
Trumpet (in B-flat) I-II-III-IV
Horn in F I-II-III-IV
String Bass (doubles the B-flat Contrabass Clarinet)
Percussion I-II-III-IV-V-VI, including:
- Bass Drum
- Bongos (2)
- Crash Cymbals
- Gourd (guiro)
- Temple Blocks (5)
- Timbales (2)
- See Kopetz article in Additional Resources for extensive errata list.
- See also Errata Studies for the Wind Band Conductor, Volume 1
The following errors are in the PARTS:
- Flutes, m. 144, beat 1: G should read G sharp.
- B-flat Clarinet 3, m. 92: rehearsal figure 93 should read 92.
- Alto Saxophone 2, m. 218, beat 4: sixteenth notes should read eighth notes.
- B-flat Trumpets 1, 2, m. 149: add "mute out" [?]. / m. 168: add "open" [?]. / m. 212, beat 3: F-flat should read F natural, D should read D-flat. / m. 226: rehearsal figure 266 should read 226.
- B-flat Trumpets 3, 4, m. 149: add "mute out" [?]. / m. 168: add "open" [?]. / m. 187: add rehearsal figure "187."
- Horns in F 3 & 4, m. 27: Tempo I [quarter note = 138] should read [quarter note = 54]. / m. 234, beat 2&: add eighth rest / m. 234,: delete final eighth rest.
The present title of this work suggests a religious orientation, but not towards any of the established religions of a Western or Eastern culture. To the standard deities one offers prayers -- incantations are uttered in rituals of magic, demonic rites, and the conjuring up of spirits, evil and benign. The opening Incantation is full of mystery and expectation, wandering, unstable and without tonality. The Dance also begins quietly, but percussion instruments quickly begin, one by one, to drive a rhythmic pattern of incredible complexity and drive. As other instruments are added, the dance grows wilder and more frenzied. The brasses hammer out ferocious snarls -- the woodwinds fly in swirling scales. Here there is no pretty tune but a paroxysm of rhythm, a convulsion of syncopation that drives on and on, mounting in tension, to a shattering climax of exaltation.
Incantation and Dance was premiered as Nocturne and Dance by Herbert Hazelman and the Greensboro High School Band on November 16, 1960. The original version (saved by Hazelman) has several interesting differences, including 31 additional measures. It was programmed at the NBA convention in New Orleans in June 1995 by Robert Pouliot and the City of Fairfax Band.
- Program Note from Program Notes for Band
For Herbert Hazelman and the Greensboro Senior High School.
- Program Note from score
Incantation and Dance came into being during Chance’s residency at Greensboro. He wrote it in 1960 and originally called it Nocturne and Dance -- it went on to become his first published piece for band. Its initial “incantation,” presented in the lowest register of the flutes, presents most of the melodic material of the piece. Chance uses elements of bitonality throughout the opening section to create a “sound world mystically removed from itself.” This continues as the dance elements begin to coalesce. Over a sustained bitonal chord (E-flat major over an A pedal), percussion instruments enter one by one, establishing the rhythmic framework of the dance to come. A whip crack sets off furious brass outbursts. When the dance proper finally arrives, its asymmetrical accents explicitly suggest a 9/8 + 7/8 feel, chafing at the structure of 4/4 time.
- Program Note from University of Oregon Wind Symphony concert program, 25 October 2019
- Audio CD: Illinois State University Wind Symphony (Stephen Steele, conductor)
- MP3 Download: Illinois State University Wind Symphony (Stephen Steele, conductor)
- Florida: V --- (The Florida Bandmasters Association denotes this as "significant literature.")
- Minnesota - Category I
- New York: VI
- Maryland: VI
- Oklahoma: IV
- Texas: IV
- Virginia: VI
To submit a performance please join The Wind Repertory Project
- Dordt University (Sioux Center, Iowa) Campus-Community Band (Onsby Rose, conductor) – 3 March 2020
- Case Western Reserve University (Cleveland, Ohio) Symphonic Winds (Ryan Scherber, conductor) – 2 March 2020
- Stetson University (Deland, Fla.) University Concert Band (Doug Phillips, conductor) – 25 February 2020
- Tallahassee (Fla.) Winds (Patrick Dunnigan, conductor) – 11 February 2020
- Case Western Reserve University (Cleveland, Ohio) Symphonic Winds (Ryan Scherber, conductor) – 26 January 2020
- University of Manitoba (Winnipeg) Concert Band (Jan Michael Bourgeois, conductor) – 6 December 2019
- California State University, Stanislaus, Wind Ensemble (Stuart Sims, conductor) – 5 December 2019
- Ouachita Baptist University (Arkadelphia, Ark.) Wind Ensemble (Craig V. Hamilton, conductor) – 5 November 2019
- Southern Illinois University (Carbondale) Honor Wind Symphony (Christopher Morehouse, conductor)– 4 December 2019
- Marist College (Poughkeepsie, N.Y.) Concert Band (Joshua E. Long, conductor) - 23 November 2019
- University of Oregon (Eugene) Wind Symphony (Jason Silveira, conductor) – 25 October 2019
- University of North Texas (Denton) Concert Band (Luslaida Barbosa, conductor) – 2 October 2019
- Illinois Valley Community College (Oglesby, Ill.) Wind Ensemble (Gene Montgomery, conductor) – 5 May 2019
- Kent State (Ohio) Communiversity Band (Wendy Matthews, conductor) – 30 April 2019
- Leesville Road High School (Raleigh, N.C.) Symphonic Band (Alyssa Montgomery, conductor) – 25 April 2019
- Appalachian State University (Boone, N.C.) Concert Band (Joseph D. Conti, conductor) – 24 April 2019
- University of Prince Edward Island (Charlottetown, PEI) Wind Symphony (Karem J. Simon, conductor) - 31 March 2019
- Clovis (Calif.) West High School Wind Symphony (Bryan Chesi, conductor) -15 March 2019 (2019 Sutherland Wind Festival (Fresno, Calif.)
- Manhattan (N.Y.) Wind Ensemble (Sarah Fernandez, conductor) - 14 March 2019
Works for Winds by this Composer
- Blue Lake Overture (1971)
- Elegy (1972)
- Incantation and Dance (1960)
- Introduction and Capriccio for Piano and 24 Winds (1966)
- Overture for a Musical Comedy
- Symphony No. 2 (1972)
- Variations on a Korean Folk Song (1967)
- Anthony, Donald Allen. (1981) "The Published Band Compositions of John Barnes Chance." Ed.D diss. University of Southern Mississippi.
- Chance, J. (1963). Incantation and Dance [score]. Boosey & Hawkes: [New York]
- Goza, David. Taking a Chance on Chance Arkansas School Band and Orchestra Association Website.
- Kopetz, Barry. (1992) "An Analysis of Chance's Incantation and Dance." The Instrumentalist 47 (October), pp. 34-38, 40, 42, 44, 46, 107-108. Reprinted in Conductors Anthology, Volume 2 (Northfield, Ill: Instrumentalist, 1989), pp. 232-241.
- Miles, Richard, compiler and editor. (1998) Teaching Music Through Performance in Band. Volume 2. Chicago: GIA Publications. pp. 166-173.
- The Ostwald Prize Archives
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications, pp. 119.