Gloria (arr Noble)
John Rutter (arr. Paul Noble)
1. allegro vivace – 5:35
2. andante – 6:55
3. vivace e ritmico – 5:40
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
- Crash Cymbals
- Snare Drum
- Suspended Cymbal
None discovered thus far.
Gloria in excelsis Deo (Latin for "Glory to God in the highest") is a hymn known also as the Greater Doxology (as distinguished from the "Minor Doxology" or Gloria Patri) and the Angelic Hymn. The name is often abbreviated to Gloria in Excelsis or simply Gloria.
The hymn begins with the words that the angels sang when the birth of Christ was announced to shepherds in Luke 2:14. Other verses were added very early, forming a doxology.
The Gloria has been and still is sung to a wide variety of melodies. Modern scholars have catalogued well over two hundred of them used in the medieval church. Almost all polyphonic settings of the Mass include the Gloria. In addition, there are a number of settings of the Gloria alone, including by John Rutter.
- Program Note from Wikipedia
Gloria was written as a concert work. It was commissioned by the Voices of Mel Olson, Omaha, Nebraska, and the composer directed the first performance on the occasion of his first visit to the United States in May 1974. The Latin text, drawn from the Ordinary of the Mass, is a centuries-old challenge to the composer: exalted, devotional and jubilant by turns. Rutter’s setting, which is based mainly on one of the Gregorian chants associated with the text, divides into three movements roughly corresponding to traditional symphonic structure. The accompaniment is for brass ensemble with timpani, percussion and organ -- a combination which in the outer movements makes quite a joyful noise unto the Lord, but which is used more softly and introspectively in the middle movement. The composer later made a version with full orchestra.
- Program Note by Louise Luegner
Gloria is one of John Rutter's most ambitious concert works. The composer sees this work as analogous to a symphony, with its three movements, allegro vivace, andante, vivace e ritmico -- i.e., fast, slow, fast -- in common with symphonic practice. The music is at times exalted, devotional and jubilant. Though arranged for combined chorus and concert band, it may be performed by concert band alone.
- Program Note from publisher
None discovered thus far.
To submit a performance please join The Wind Repertory Project
- Philadelphia (Penn.) Wind Symphony (Paul Bryan, conductor) – 9 December 2017
Works for Winds by This Composer
- All Things Bright and Beautiful (arr. Vertrommen) (2009)
- As the Bridegroom to His Chosen (arr. Vertrommen) (2008)
- Bring a Torch, Jeanette, Isabella (as arranger) (1981)
- Candlelight Carol (arr. Dawson) (1984)
- Distant Land (arr. Noble) (1991/2002/2012)
- Feel the Spirit (arr. Noble) (2001/2015)
- For the Beauty of the Earth (arr. Vertrommen) (2010)
- For the Beauty of the Earth (arr. Dawson) (2009)
- Gloria (arr. Sylvester) (1976)
- Gloria (arr. Noble) (1976/2015)
- Magic Kingdom
- Nativity Carol (arr. Musgrave) (1963/1967/2013)
- Shepherd's Pipe Carol (arr. Noble) (1966/2012)
- Star Carol (arr. Noble) (1972/2012)
- Three American Miniatures
- We Wish You a Merry Christmas (as arranger) (1981)
- We Wish You a Merry Christmas (as arranger, with Noble) (1985/2014)
- What Sweeter Music (arr. Vertrommen) (1988/2010)
- What Sweeter Music (arr. Noble) (1988/2012)