George Frideric Handel
George Frideric Handel (23 February 1685, Halle, Germany – 14 April 1759, London) was a German-born, British Baroque composer famous for his operas, oratorios, anthems and organ concertos.
Born in a family indifferent to music, Handel received critical training in Halle, Hamburg and Italy before settling in London (1712), and became a naturalized British subject in 1727.] He was strongly influenced both by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.
Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that "Handel was not only a great composer; he was a dramatic genius of the first order." As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never performed an Italian opera again. It has been said that the passion of Handel's oratorios is an ethical one, and that they are hallowed not by liturgical dignity but by moral ideals of humanity. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey.
Handel is regarded as one of the greatest composers of the Baroque era, with works such as Water Music, Music for the Royal Fireworks and Messiah remaining popular. One of his four Coronation Anthems, Zadok the Priest (1727), composed for the coronation of George II of Great Britain, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Handel composed more than forty operas in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown.
Works for Winds
- Amen (arr. Grace)
- Antiphonal Alleluia (arr. Liebergen) (1746/1999)
- Arm, Arm, Ye Brave (arr. Barrow) (1746/1980)
- Arrival of the Queen of Sheba (arr. Allen) (1748/2007)
- Arrival of the Queen of Sheba (arr. Kenny) (1748/1988)
- Arrival of the Queen of Sheba (arr. Ricketts) (1748/2004)
- Concerto Grosso, Op 6
- Conquering Hero Comes, The, from "Judas Maccabeus"
- Dead March from "Saul"
- Entrance of the Queen of Sheba (arr. Marlatt) (1748/2011)
- Finale Grandioso (arr. Philip Gordon)
- Hail the Conquering Hero (arr. Marlatt) (2008)
- Hail the Conquering Hero (Flex instrumentation) (arr. Marlatt) (1746/2008/2014)
- Hallelujah (arr. Davis and Longfield) (1741/2004)
- Hallelujah Chorus (arr Ades) (1741/1958)
- Hallelujah Chorus (arr. Johnson) (1741/1951)
- Hallelujah Chorus (arr. Chiaffarelli) (1741/1941)
- Hallelujah Chorus (arr. Rondeau) (1741/2010)
- Hallelujah Chorus (Flex instrumentation) (arr. Stanton) (1741/2013)
- Hallelujah Chorus (Flex instrumentation) (arr. Thorp) (1741/2003)
- Hornpipe from the "Water Music" (Flex instrumentation) (arr. Stanton) (1717/2012)
- Hornpipe from "Water Music Suite" (1717)
- La Rejouissance (arr. Williams)
- La Rejouissance from "Music for the Royal Fireworks" (arr. Seipp)
- Larghetto (arr. Bullock) (1738/1994)
- Let Me Weep (arr. Haan) (1711/2004)
- Menuetto from Symphony No. 104 "London" (arr. Glover)
- Messiah Overture (arr. Johnson) (1741/1966)
- Music for the Royal Fireworks (arr. Erickson) (1749/1997)
- Music for the Royal Fireworks, The (arr Boudreau) (arr. Boudreau) (1749/1959)
- Music for the Royal Fireworks, The (arr Mackerras) (arr. Mackerras and Baines) (1749/1960)
- No Shade So Rare (arr. Forsblad) (1738/1999)
- Overture in D Minor
- Royal Fireworks Music (arr. Sartorius) (1749/1941)
- Slow March from "Scipio"
- Song of Jupiter (arr. Anderson) (1952)
- Suite from "Messiah" (trans. Curnow) (1741/1989)
- Thanks Be to Thee
- Three Movement from "Water Music" (arr. Wagner) (1715/2014)
- Water Music (arr. Longfield) (1717/1997)
- Water Music Suite (arr. Erickson) (1717/1985)
- Water Music Suite (Flex instrumentation) (arr. Kanayama) (1717)
- Water Music Suite (arr. Kay) (1717/1950)
- Zadok the Priest
- Brown, Andrea E. "No Shade So Rare." In Teaching Music through Performance in Band. Volume 6, edit. & comp. by Richard Miles, 209-214. Chicago: GIA Publications, 2007.
- George Frideric Handel, Wikipedia