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Free Lance March, The (arr Brion and Schissel)

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John Philip Sousa

John Philip Sousa (arr. Keith Brion and Loras John Schissel)


Subtitle: On to Victory


General Info

Year: 1906 / 1998
Duration: c. 4:20
Difficulty: III-1/2 (see Ratings for explanation)
Publisher: Willow Blossom Music
Cost: Score and Parts (print) - $60.00   |   Score Only (print) - $6.00


Instrumentation

Full Score
C Piccolo
Flute
Oboe
Bassoon
E-flat Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
Percussion, including:

  • Bass Drum
  • Bells
  • Crash Cymbals
  • Snare Drum
  • Wood Block


Errata

None discovered thus far.


Program Notes

John Philip Sousa loved the musical theater and spent a great amount of his time and energy composing operettas in the style of England’s famed Gilbert and Sullivan. Noted Sousa scholar Paul Bierley even suggested that had Sousa not become the director of the United States Marine Band, a career decision that determined the path of the remainder of his life, Sousa would probably have spent his entire career in musical theater. He composed fifteen operettas beginning with Katherine in 1879.

In 1905 he collaborated with librettist Harry Smith to create his twelfth operetta, The Free Lance, a fun-filled story of a clever and enterprising goatherd named Sigmund Lump who hired himself out as the mercenary leader of two warring kingdoms that were trying to double cross each other by substituting commoners for royal offspring in an arranged marriage. Skillfully orchestrating the two opposing armies into a stalemate, he demands payment from both kingdoms. When neither can pay, Lump declares himself ruler of both.

The operetta, filled with numerous lively march tunes, was well received and had a run of seven months. Sousa deftly combined themes from various musical numbers in the operetta to compose his march The Free Lance. In it, Sousa makes a change of time signature from the opening six-eight meter to a two-four meter in the trio, an interesting effect he used in only a handful of his other marches.

The trio of the march corresponds to the song On the Victory in the operetta, and some editions of the march were published under that title.

- Program Note from U.S. Marine Band concert program, 17 August 2016


Commercial Discography


Media


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project


Works for Winds by this Composer


Resources

  • Bierley, P. (1973). John Philip Sousa: A Descriptive Catalog of His Works. University of Illinois Press; Urbana, pp. 45.
  • Perusal score