Flashbax
General Info
Year: 2011
Duration: c. 5:00
Difficulty: IV (see Ratings for explanation)
Publisher: Jesse Ayers
Cost: Score & parts (hardcopy) $125 PDF parts $50 Score $25
Instrumentation
Piccolo
Flute I-II
Oboe I-II
English Horn (optional)
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Contrabass Clarinet
Bassoon I-II
E-flat Alto Saxophone I-II
Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn I-II-III-IV
Trombone I-II
Bass Trombone
Euphonium
Tuba
String Bass (optional)
Piano (optional)
Celeste (optional)
Timpani (4 drums)
Percussion I-II-III-IV-V-VI (6 or 7 players)
(Part 5 is scored for two players, but can be covered by one player if necessary)
(Part 6 is an easier part than can be covered by a non-percsussionist if necessary)
- Bass Drum
- Bongos
- Claves
- Claves
- Cowbell
- Crotales (optional)
- Cymbals (pair)
- Guiro
- Hi-Hat
- Orchestra Bells
- Slapstick
- Snare Drum
- Steel Plate
- Suspended Cymbal
- Tambourine
- Tam-Tam
- Temple Blocks, 5
- Tom-Toms, 4
- Triangle
- Vibraphone
- Vibraslap
- Wind Chimes
- Xylophone
Errata
None discovered thus far.
Program Notes
Flashbax (2011) was commissioned by the Ohio Private Colleges Instrumental Directors Association to celebrate the life of conductor-educator Dr. William Schlacks (1948-2009), and to commemorate the 25th anniversary of OPCICA, of which Dr. Schlacks was the founding president.
Those who knew Bill Schlacks say he was a man full of life and vibrancy, and that he especially liked concert band music that was fast and energetic. It was suggested music in this style would be a more suitable tribute to him than a slow elegy, so the composer has aimed toward music that is an up-tempo whirlwind of energy.
In addition, the composer has sought to honor Dr. Schlacks, OPCICA, and the world of concert bands, by creating original music around a series of reverberations from, or glimpses into, or memories of, the great band literature of the past (the flashbacks). The alert listener will catch a few notes here and a few notes there from a number of the “classic” band works—echoes, if you will, that reverberate ever in the musical memories of those who know and love the concert band literature.
- Program note by publisher
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- University of Nebraska (Lincoln) Wind Ensemble (Carolyn Barber, conductor) – 8 March 2017
- Windworks of Washington (DC) (Jeffrey Scott Doebler, conducting) - June 1, 2014
- Heidelberg University Symphonic Band (Dr. John Owen, conducting) - April 27, 2013
- Muskingum Valley Symphonic Winds (Dr. David Turrill, conducting) - February 24, 2013
- Ohio Private Colleges Instrumental Conductors Association Honors Band (Dr. John Owen, conducting) - January 20, 2013
- Case Western Reserve University Symphonic Winds (Dr. Gary Ciepluch, conducting) - April 15, 2012
- Malone University Symphonic Band (Dr. Jesse Ayers, conducting) - April 13, 1012
Works for Winds by This Composer
- Akedah
- And They Gathered on Mount Carmel (1995)
- Fanfare and Carol for Christmas
- Fanfare for Christmas Morning (1995)
- Fanfare for Christmas Morning (Brass) (1995)
- The Fire of the Living God (1995)
- Flashbax (2011)
- The Incantations of the Prophets of Baal (1995)
- Jericho (2005)
- The Magical Mystical Rain Forest (1991)
- Prayer of Elijah, The (1995)
- Private Eye Prowl
- Rachel Weeping for Her Children September 11 2001 (2002)
- Rahab
- Shinkansen (2019/2022)
- Susanna and the Elders (1978)
- Veni Emmanuel (1997)
- Where the Stormy Winds Blow (2022)