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Finale from "Death and Transfiguration"
Richard Strauss (arr. Harding)
General Info
Year: 1888 / 1950
Duration: c. 7:50
Difficulty: IV (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Neil Kjos Music
Cost: Score and Parts - $80.00 | Score Only - $10.00
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
B-flat Soprano Clarinet I-II-III-IV
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion, including:
- Bass Drum
- Bells
- Snare Drum
Errata
None discovered thus far.
Program Notes
Death and Transfiguration (Tod und Verklärung), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 November 1889. The work is dedicated to the composer's friend Friedrich Rosch.
The music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of eath and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".
- Program Note from Wikipedia
Commercial Discography
- Audio CD: University of Illinois Symphonic Band (Harry Begian, conductor) - 1996
State Ratings
- Arkansas: VI
- Florida: V
- Georgia: V
- Kansas: V
- Louisiana: V
- Maryland: IV
- Minnesota: I
- New York: Concert Band VI
- North Carolina: VI
- Oklahoma: V-A
- South Carolina: VI
- Tennessee: VI
- Virginia: V
Performances
To submit a performance please join The Wind Repertory Project
- Virginia Grand Military Band (Alexandria) (Loras John Schissel, conductor) – 17 November 2018
- Encore Concert Band (Mokena Ill.) (Bill Schuetter, conductor) – 4 March 2018
- United States Marine Band (Washington, D.C.) (Jason K.Fettig, conductor) – 17 October 2016 (Tampa, Fla.)
- Los Angeles Symphonic Winds (Stephen Piazza, conductor) - 26 October 2014
- Royal Windband St.Martinus (Opgrimbie/Maasmechelen,Belgium) (Steven Walker, conductor) - October 2007
Works for Winds by This Composer
- Acht Lieder (trans. Iijima) (1885/2017)
- Allerseelen (arr. Davis, ed. Fennell) (1885/1955/1987)
- Allerseelen (trans. Heger) (1885/1933)
- Also Sprach Zarathustra: Fanfare (arr. Longfield) (1896/2001)
- Also Sprach Zarathustra: Introduction (arr. Rogers) (1896/1999)
- An die Nacht (arr. Blair) (1918/)
- At the Summit from "Eine Alpensinfonie" (arr. Miller)
- Auf Stillem Waldespfad (arr. Davis) (2010)
- Beim Schlafengehn Im Abendrot (arr. Vesbein) (1949/)
- Concerto No 1 for Horn and Symphonic Band (tr. Anderson)
- Dance of the Seven Veils from "Salome" (arr. Morita) (1907/2011)
- Don Juan (tr. Hindsley) (1888/197-?)
- Don Juan (tr. Patterson) (1888/)
- Don Juan (arr. Schyns) (1889/2019)
- Fanfare fur die Wiener Philharmoniker (1924)
- Fanfare zur Eröffnung der Musikwoche der Stadt Wien im September 1924
- Feierlicher Einzug (arr. Johnson) (1909/2022)
- Feierlicher Einzug (ed. Villanueva) (1909)
- Feierlicher Einzug der Ritter des Johanniter-Ordens (1909)
- Festmusik der Stadt Wien (1942-3)
- Festmusik der Stadt Wien (arr Banks) (arr. Banks) (1942-3/1979)
- Finale from "Death and Transfiguration" (arr. Harding) (1950)
- Hero's Courtship, A (tr. Harding) (1956)
- Hero's Life, Synthesis for Concert Band, A (tr. Hindsley)
- Introduction to "Also Sprach Zarathustra" (tr. Schmalz) (1896/1986)
- Königsmarsch (arr. Barrett) (1906/1941)
- Königsmarsch (tr. Borodach) (1906/2021)
- Olympische Hymne
- Parade March (arr. Longfield) (1905/2016)
- Presentation of the Silver Rose (arr. Reed) (1910/1988)
- Rondo from Concerto No. 1, Opus 11 (arr. Glover) (1883/2009)
- Salome's Dance (tr. Hindsley) (1907/ [196-?]
- Selections from "Der Rosenkavalier" (arr. Odom)
- Serenade (arr. Fennell) (1881/1986)
- Sonatina I (1943)
- Sonatina No. 2, Fröhliche Werkstatt (1944-5)
- A Strauss Fanfare (arr. Friedman) (2006)
- Suite in B-flat , Opus 4
- Symphony for Wind. See: Sonatina No. 2, Fröhliche Werkstatt
- Three Songs (arr. Kreines) (1885-1894)
- Till Eulenspiegel’s Merry Pranks (tr. Hindsley) (1865/197-?)
- Till Eulenspiegel’s Merry Pranks (tr. Weber) (1865/)
- Trio from "Der Rosenkavalier" (arr. Reynolds) (1911/1994)
- Vienna Philharmonic Fanfare (arr. Hobbs) (1924/2015)
- Vienna Philharmonic Fanfare (arr. Linklater) (1924)
- Waltzes from "Der Rosenkavalier" (arr. Cailliet) (1911/1946)
- Wiener Philharmoniker Fanfare (1924)
- Wiener Philharmoniker Fanfare (1924/1960)
- Wiener Philharmoniker Fanfare (arr. Dunnigan) (1924/2020?)
- Wiener Philharmoniker Fanfare (arr. Nefs) (1924)
- Wiener Philharmoniker Fanfare (arr. Rumbelow) (1924/2013?)
Resources
- Death and Transfiguration, Wikipedia
- Strauss, R.; Harding, A. [1950]. Death and Transfiguration: Finale [score]. Neil A. Kjos Music Co.: Park Ridge, Ill.